Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Pic’s monotone edges towards monotony by the end of the third act, but as no-budget calling-card features go, Frankenstein’s Army remains a grisly cut above.
  2. Thank heavens — or at least the “Department of Eternal Affairs” — for Jeff Bridges, whose hilariously free-associative performance as a 19th-century frontier marshal-turned-21st-century undead lawman is like an adrenaline shot to the heart of R.I.P.D.
  3. Blanchett’s performance is so dominant in terms of screentime and emotional impact that the film succeeds as not only a virtuoso ensemble piece, but also an unflinchingly intimate study of the character in the title.
  4. For once, truth in advertising: Dealin’ With Idiots spends 83 minutes doing exactly that.
  5. That sly toying with audience sympathies is, alas, all that’s notable about this otherwise poverty-row quickie produced for the Chiller cable network.
    • 72 Metascore
    • 70 Critic Score
    A brisk, eye-opening documentary about the Nixon White House as seen from the inside, this triumph of editing is composed of home movies shot by the president’s staff, accompanied by later TV interviews and priceless audio from the secret tapes, making it a must-see for anyone interested in Americana.
  6. A nail-biter that’s actually quite light on action but so well-scripted and shot, it’s nonetheless edge-of-your-seat material.
  7. A valuable albeit overproduced history lesson.
  8. Lively, entertaining and well made, pic is thankfully neither mawkish nor grueling, though its refusal to confront some of the harsher realities of its dramatic situation does leave it feeling somewhat bland.
  9. While Bruce Willis, John Malkovich, Helen Mirren, et al. are still good for a few chuckles as a gang of superannuated government assassins, this globe-trotting action-comedy diversion applies a bigger-is-better philosophy across the board, upping the stakes, the firepower and the travel budget, but keeping real thrills and laughs at a modest trickle.
  10. Meticulously crafted by Ecuadorian helmer Sebastian Cordero and his team, this futuristic tale of astronauts searching for signs of life near Jupiter was ostensibly shot using cameras positioned aboard their spacecraft; their video diaries have been cannily reassembled into something coherent and genuinely compelling on their own low-key terms, if a touch over-earnest at times.
    • 53 Metascore
    • 50 Critic Score
    Norris’ film does find a beating heart, if not exactly a focus, in the tender father-daughter relationship between Archie and Skunk, nicely underplayed by Roth and Laurence.
  11. A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.
  12. Lambert brings a forlorn dimension to his seductive young role, but Bell never really convinces as the older woman. Despite flirting with controversy, the actress seems reluctant to plunge fully into potential unlikability, nor does the film quite give her the chance.
  13. It’s an overlong Northern British heist caper with a wildly uneven tone and a needlessly scrambled narrative, but it suggests a higher intelligence beneath, waiting to flower down the road.
  14. “Portrait” abounds in the sort of ironies and contrasts that can make a biodoc fascinating even to auds totally unfamiliar with its subject.
  15. Among the slackest, laziest, least movie-like movies released by a major studio in the last decade, Grown Ups 2 is perhaps the closest Hollywood has yet come to making “Ow! My Balls!” seem like a plausible future project.
  16. Here, the laughs come not from the silly voices but a blend of snappy editing and clever character bits, including a recurring joke about an inappropriately named sidekick who calls himself White Shadow (Michael Patrick Bell).
  17. A fraction less gut-bustingly goofy than its predecessors.
  18. Les Coquillettes never comes off as an elaborate in-joke; instead it feels like a sincere attempt to convey what the very particular rush of a film festival, rarely seen onscreen, can feel like from inside the bubble.
  19. The film frequently privileges art direction over emotion, and a constant sense of wonder based on visuals alone proves impossible to sustain over the lengthy 130-minute runtime.
  20. Sweetgrass offers a one-of-a-kind experience.
  21. More entertaining than especially revelatory, this timely documentary adds a sprightly note to a somber subject.
  22. Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.
  23. Although there are moments when it feels the plot might move in unexpected directions, in the end, the expected cliches reign.
  24. Once you get past an incredibly self-indulgent intro — an uncomfortably long mash-up of comedy sketch and road-trip-with-entourage doc that seems simultaneously apologetic and arrogant — you can enjoy approximately an hour of boisterously freewheeling and unabashedly raunchy funny stuff in Kevin Hart: Let Me Explain.
  25. Although assembled with consummate care and obsessive attention to visual detail, Pacific Rim manages only fitful engagement and little in the way of real wonderment, suspense or terror.
  26. Although fronted by solid performances from Sienna Miller and Iranian actress Golshifteh Farahani as two desperate souls who bond over their shared love of belly dancing, this tale of friendship and rebellion on the open road reps a thin, obvious reworking of a well-worn template.
  27. By turns pulse-quickening and contemplative, The Crash Reel is a thoroughly winning docu portrait of former pro snowboarder Kevin Pearce.
  28. Extravagant but exhausting...this over-the-top oater delivers all the energy and spectacle audiences have come to expect from a Jerry Bruckheimer production, but sucks out the fun in the process,

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