Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
    • 41 Metascore
    • 10 Critic Score
    Tedious and tasteless in equal measure, the lazy horror parody Hell Baby gives grossout comedy a bad name.
  1. Collectively, Thanks for Sharing boasts more than enough personalities to keep things interesting, but it lacks the casual spontaneity to make these characters’ journeys anything other than predictable.
  2. While the plot — too low-key to be called a thriller — points toward obvious extramarital cliches, delicate changes in the overall mood reveal deeper truths.
  3. A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.
  4. While the overall feel is a bit derivative and contrived, there are nonetheless plenty of bitingly sharp lines and performance moments to keep this well-cast ensemble piece percolating along.
  5. While written epilogues provide upbeat updates on the subjects’ endeavors, the overall impression is one of a draining uphill struggle for relatively little personal reward given the enormous stakes involved in the planet’s continued ecological destruction.
  6. Breaking it down, The Heat has been engineered to deliver the laughs, and the result certainly does, despite coming alarmingly near to botching the procedural elements along the way.
  7. A debut effort that occasionally bogs down in its own symbolism.
  8. Itself owing much to such lone-man-of-action hallmarks as “Die Hard” and “Speed,” this welcome throwback to an earlier, more generously entertaining era of summer blockbusters delivers a wide array of close-quarters combat and large-scale destruction, all grounded in an immensely appealing star turn by Channing Tatum and ace support from imperiled POTUS Jamie Foxx.
  9. Plentiful screen time for three generations of femme jazzers, led by energetic and witty gals from the golden age of big band and swing who unlock a treasure trove of memories, make this a real crowdpleaser.
  10. Michael Winterbottom and Steve Coogan's fourth feature collaboration is a vivid period whirlwind that impressively showcases the comic thesp's more dramatic side.
  11. Like the film itself, Porter’s handful of devoted, charismatic attorneys do a righteous job of reminding people that the accused are innocent until proven guilty, and that the criminal justice system seems otherwise disposed.
  12. While not quite as charming or unique as the original, Despicable Me 2 comes awfully close.
  13. Trading her improv-based filmmaking style for a more traditional screenplay-grounded model, Lynn Shelton delivers an uneven mix of half-formed conflicts.
  14. A glossy, well-meaning but dramatically listless study of class relations in contemporary Paris.
  15. Witty, wacky, multicharacter comedy My Best Day features a rural milieu that’s authentically American.
  16. Rachel Boynton’s extraordinary Big Men should come tagged with a warning: The side effects of global capitalism may include dizziness, nausea and seething outrage.
  17. Neither particularly fast nor furious.
  18. There’s something curiously underwhelming about the blood-soaked mayhem on display in Hatchet III.
  19. Anchored by five strong performances, including a piercing turn by Onata Aprile in the 6-year-old title role, this beautifully observed drama essentially strikes the same sad note for 98 minutes, though with enough sensitivity and emotional variation to make the experience cumulatively heartrending rather than merely aggravating.
    • 70 Metascore
    • 70 Critic Score
    Most striking in “Honey” are closeups of the bees in their hives, symbiotically working together in creating their new queen: Imhoof rightfully spends time detailing the extraordinary nature of bee social structure.
  20. The humorless tone and relentlessly noisy (visually and sonically) aesthetics leave much to be desired.
  21. Each member of the ensemble offers a vividly detailed performance resounding with emotional truth, delivering lengthy swaths of LaBute’s sometimes savagely furious, sometimes shocking funny dialogue with pitch-perfect degrees of intensity.
  22. [An] intimate and dexterous debut feature.
  23. Some parts of the film are drily academic, but much of it is quite beautiful and artfully put together by the director.
  24. A stimulating and highly accessible cinematic conversation.
  25. A polished, watchable genre entertainment that nonetheless lacks the inspired dialogue and situations needed to make a memorable impression.
  26. An entertaining, affectionate documentary created by three self-professed fanboys, which proves as nostalgic for the host himself as for a bygone broadcast era, before the reality-TV explosion allowed the inmates to fully take over the asylum.
  27. Gallic helmer Eric Valette (“State Affairs”) invests this giddily implausible crime yarn with a propulsive sense of energy.
  28. Even when the story mechanics feel more than a bit secondhand, the exquisite interplay of vibrant pastel hues and almost photorealist textures (smoothly but not crucially enhanced in 3D) makes the film a continual pleasure to behold.

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