For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Scott Foundas
Though high-octane stunts have always been the primary selling point here, Lin and veteran “Fast” screenwriter Chris Morgan have labored to add depth, dimensionality and inner conflict to the now-sprawling cast of recurring characters — so much so that, at times, “Furious 6” plays like a glossy gearhead melodrama.- Variety
- Posted May 13, 2013
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Reviewed by
Leslie Felperin
If the emotional mathematics don’t quite add up, enough diversion is provided by pic’s broader comic setpieces to paper over the cracks.- Variety
- Posted May 13, 2013
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John Anderson
A mood piece, a character study and an exercise in poetic gesture possessed of a sort of evanescent, secular spirituality.- Variety
- Posted May 12, 2013
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Robert Koehler
Von Trotta’s Arendt biopic feels like a movie stuck in another era, stolid and rote, more of an outline for a dramatic treatment than the real thing.- Variety
- Posted May 10, 2013
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Reviewed by
Leslie Felperin
Anchored by two intense, intertwined perfs by veteran Vincent Lindon and relative newcomer Soko, a musician who also composed the pic’s growling, atmospheric score, this period drama offers a coolly febrile study of madness, Victorian sexual politics and power.- Variety
- Posted May 10, 2013
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Reviewed by
Guy Lodge
Icily disquieting rather than scary, the film is less an exercise in narrative than in tonal mastery.- Variety
- Posted May 10, 2013
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Peter Debruge
Plop plop. Fizz fizz. Oh, what a missed opportunity it is! In the well-cast but seldom funny satire And Now a Word From Our Sponsor.- Variety
- Posted May 9, 2013
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- Critic Score
An unquestionably eye-opening, deeply human, strikingly lensed look at an impoverished family whose rudimentary living conditions are a sharp riposte to the illusion of China’s economic boom.- Variety
- Posted May 9, 2013
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Reviewed by
Boyd van Hoeij
Jean-Francois Laguionie’s consistently enjoyable, inventive and beautifully crafted tale is a color riot suitable for all ages.- Variety
- Posted May 9, 2013
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John Anderson
While much of The World Before Her speaks to global womanhood, other aspects are more specific to India, but that’s what gives the film much of its life and spark.- Variety
- Posted May 7, 2013
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Ronnie Scheib
This scattershot documentary — an undiluted advertisement for this temple of high-end consumerism — jumps skittishly from subject to subject, disjointed and repetitive for all but dyed-in-the-wool fashionistas.- Variety
- Posted May 6, 2013
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Boyd van Hoeij
There are no big surprises in store in terms of where this setup is headed...But the pic’s pleasures are nonetheless numerous, starting with its talented cast.- Variety
- Posted May 6, 2013
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Reviewed by
Andrew Barker
Peeples may appropriate its entire premise and plot structure from “Meet the Parents,” but its heart is suffused with French cinema.- Variety
- Posted May 6, 2013
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Reviewed by
Scott Foundas
More often, Gatsby feels like a well-rehearsed classic in which the actors say their lines ably, but with no discernible feeling behind them.- Variety
- Posted May 6, 2013
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Guy Lodge
The alternately playful and elegiac Stories We Tell is wholly of a piece with her fiction work, and just as rewarding.- Variety
- Posted May 5, 2013
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Peter Debruge
Violet & Daisy feels radically disconnected from recognizable human behavior.- Variety
- Posted May 3, 2013
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Reviewed by
Scott Foundas
Markedly grander in scale, although never at the expense of its richly human (and half-human) characters, “Into Darkness” may not boldly go where no “Trek” adventure has gone before, but getting there is such a well-crafted, immensely pleasurable ride that it would be positively Vulcan to nitpick.- Variety
- Posted May 2, 2013
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Justin Chang
This scrappy, draggy study in soul-crushing failure and disappointment is noteworthy primarily as a showcase for its lead actor’s most quintessentially Keanu performance in years.- Variety
- Posted May 2, 2013
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Boyd van Hoeij
The unknown cast is aces, and Moshe inscribes his loquacious film in the Western tradition without overdoing the references to the classics.- Variety
- Posted May 2, 2013
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Boyd van Hoeij
A gossamer debut feature that compensates for its lo-fi look with glimpses of profound humanism.- Variety
- Posted May 2, 2013
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Justin Chang
A sporadically engaging martial-arts extravaganza that looks even better compared with its predecessor, last year’s borderline-insufferable “Tai Chi Zero.”- Variety
- Posted May 1, 2013
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- Variety
- Posted Apr 30, 2013
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Reviewed by
Richard Kuipers
While some of the sting goes out of the movie’s hitherto well-executed crime-thriller mechanics, the resolution and aftermath of the hostage crisis still pack a huge emotional wallop.- Variety
- Posted Apr 30, 2013
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Reviewed by
Justin Chang
Sentencing a sad-looking John Cusack and a hard-working Malin Akerman to roughly 90 minutes of solitary confinement in a poorly lit underground bunker, this glum, juiceless spy thriller is a by-the-numbers affair indeed, unlikely to find an audience on any frequency.- Variety
- Posted Apr 28, 2013
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Reviewed by
Charles Gant
Many of the actors give performances in line with their low profile here.- Variety
- Posted Apr 27, 2013
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Maggie Lee
Although the pacing is more laidback than in “Au revoir Taipei,” the humor more rooted in believable (if bizarre) real-life situations than in slapstick shenanigans, the comic timing remains spot-on and the jokes fetchingly offbeat in an utterly Taiwanese way.- Variety
- Posted Apr 26, 2013
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Robert Koehler
[Mock] has made a movie that vitally captures an extraordinary character in extraordinary circumstances.- Variety
- Posted Apr 26, 2013
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Reviewed by
Justin Chang
Mira Nair’s latest immigrant saga saddles itself with a laborious narrative structure and half-baked thriller elements in a misguided attempt to open up what should be an intimate, introspective story.- Variety
- Posted Apr 26, 2013
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Justin Chang
This clever, involving spy drama builds to a terrific level of intrigue before losing some steam in its second half.- Variety
- Posted Apr 26, 2013
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Reviewed by
Peter Debruge
The film isn’t so much funny as it is merely amusing — a laundry list of inappropriate and potentially embarrassing moments that strive mightily, but never quite manage to land the laugh.- Variety
- Posted Apr 25, 2013
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