For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
The novelty of helmer Gardner’s approach to 9/11, her insider’s look at the almost unimaginable difficulties faced by Cantor Fitzgerald in the weeks following the attack, and the abundance of coverage spanning 10 years of inhouse interactions more than compensate for the docu’s occasional unevenness.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Guy Lodge
Though the film comprehensively details the political and economic subtleties of what it declares “the crime of the century,” its narrative remains primarily a human-focused one, highlighting the stories of selected steadfast victims, as well as the heroic movers and shakers in the struggle.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Geoff Berkshire
At least the narrative sloppiness and ineptly delivered themes in the script by Brian Bird and Lisa G. Shillingburg (freely adapted from the novel by Jim Stovall) feel of a piece with the entire production.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Joe Leydon
Charged by alternating currents of nostalgic bemusement and wistful melancholy, TV Man: The Search for the Last Independent Dealer evinces all the amiable enthusiasm and discursive rambling one might expect from a do-it-yourself labor of love.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Justin Chang
Directed with an assured sense of style that pushes against the narrow confines of its admittedly fascinating story, John Krokidas’ first feature feels adventurous yet somewhat hemmed-in.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Scott Foundas
There is something too dry and austere about Greengrass and Ray’s telescoped vision, which touches only fleetingly on the pirates’ motives, the suffering of the Somali people and the collateral damage of global capitalism.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Ronnie Scheib
The film’s rather simplistic cultural juxtapositions, pitting artistic appreciators against status-seeking philistines, work best when narrowly focused on the subject of wine.- Variety
- Posted Sep 6, 2013
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Reviewed by
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Reviewed by
Richard Kuipers
Though never dull, the result is a curiously distant meditation on intimacy.- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Robert Koehler
The final days of a band of 1930s Christian rebels in the central Mexican wilderness are depicted with majestic stoicism in Matias Meyer’s elegant ode to independence.- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Joe Leydon
The concept is thought-provoking but the execution is flat-footed.- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Geoff Berkshire
Character actor Michael Cudlitz’s first leading role is the sole selling point of Dark Tourist, a well-acted but rote and ultimately repellent character study of a psychologically disturbed loner.- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Joe Leydon
Instructions Not Included is a sporadically amusing but unduly protracted dramedy that slowly — very slowly — devolves into a shameless tearjerker during its third act.- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Ronnie Scheib
“Waka” refers to an ancient form of poetry still widely popular today, and helmers Haptas and Samuelson, through their serene lensing and fluid editing, propose a visual thread linking the past to the present “as the crow flies.”- Variety
- Posted Sep 5, 2013
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Reviewed by
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Reviewed by
Dennis Harvey
Ass Backwards proves that no amount of comic talent can shine — or raise a chuckle — in the absence of even halfway decent material.- Variety
- Posted Sep 4, 2013
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Reviewed by
Scott Foundas
An improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter "Pitch Black."- Variety
- Posted Sep 4, 2013
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Reviewed by
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- Variety
- Posted Sep 4, 2013
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- Variety
- Posted Sep 4, 2013
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Reviewed by
Andrew Barker
It’s difficult to get past the film’s restless, ill-fittingly bombastic style.- Variety
- Posted Sep 4, 2013
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Reviewed by
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Reviewed by
Ronnie Scheib
Holiff Sr.’s extensive audio diaries and taped phone conversations with Cash give authentic voice to the film’s otherwise stodgy re-creations of this true odd couple’s stormy relationship.- Variety
- Posted Sep 4, 2013
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Reviewed by
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Reviewed by
Boyd van Hoeij
Two minor problems in the closing reels hold the film back from instant-classic status.- Variety
- Posted Sep 4, 2013
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Reviewed by
Alissa Simon
Even though mood trumps character psychology, the entire cast provides mesmerizing, evocative performances.- Variety
- Posted Sep 3, 2013
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Reviewed by
Peter Debruge
To the extent that Adele’s hunger for affection resonates with audiences, what emerges is a powerful — if implausible — romance.- Variety
- Posted Sep 3, 2013
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Reviewed by
Peter Debruge
Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.- Variety
- Posted Sep 3, 2013
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Reviewed by
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Reviewed by
Peter Debruge
Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.- Variety
- Posted Sep 2, 2013
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Reviewed by
John Anderson
A documentary as messy as the movement it tries to portray, 99%: The Occupy Wall Street Collaborative Film possesses energy, passion and about a dozen documentaries inside it yearning to breathe free.- Variety
- Posted Aug 31, 2013
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Reviewed by
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Reviewed by
Scott Foundas
A spellbinding, sensationally effective thriller with a complex moral center.- Variety
- Posted Aug 31, 2013
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Reviewed by
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Reviewed by
Guy Lodge
That We Are What We Are steers just shy of silliness even at its most outrageous is in large part thanks to a committed cast of non-disposable character actors.- Variety
- Posted Aug 29, 2013
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Reviewed by
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Reviewed by
Scott Foundas
Easily one of the dopiest major studio releases since Elie Samaha got out of the business.- Variety
- Posted Aug 28, 2013
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Reviewed by
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Reviewed by
Justin Chang
The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen.- Variety
- Posted Aug 28, 2013
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Reviewed by
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- Variety
- Posted Aug 25, 2013
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