For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself.- Variety
- Posted Oct 2, 2013
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Dennis Harvey
Nevertheless, Babygirl has sufficient authenticity and charm as a summer-in-the-city miniature to easily hold attention, however modest its payoff.- Variety
- Posted Oct 1, 2013
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Reviewed by
Ronnie Scheib
Hampered by pedestrian, underpopulated mise-en-scene, a sketchy script and uneven thesping, “Destiny” definitely underwhelms.- Variety
- Posted Oct 1, 2013
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Jay Weissberg
The Young and Prodigious T.S. Spivet is the perfect 3D vehicle and Jeunet takes full advantage, offering a feast of amusing visual flourishes suited to the book’s playfulness.- Variety
- Posted Oct 1, 2013
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Reviewed by
Scott Foundas
It speaks well of The Investigator that, for much of its running time, it’s possible to lose sight of the movie’s agenda and get caught up in its hokey machinations.- Variety
- Posted Oct 1, 2013
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- Critic Score
There are some subjects so horrific, so far beyond our understanding, that the mind goes numb. Such is the case with Marc Wiese’s chilling docu Camp 14: Total Control Zone.- Variety
- Posted Oct 1, 2013
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Reviewed by
Dennis Harvey
It’s a chirpy heart-on-sleeve confection that’s populist in a somewhat generic way.- Variety
- Posted Oct 1, 2013
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Rob Nelson
Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier.- Variety
- Posted Sep 30, 2013
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Leslie Felperin
One of Wiseman’s best, a summation of sorts of a career’s worth of principled filmmaking from a director in his ninth decade.- Variety
- Posted Sep 30, 2013
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Joe Leydon
Too many stretches of Wedding Palace are so garishly lit and broadly overplayed that they seem more cartoonish than the actual animated sequences that pepper the live-action production. That’s a pity, since this indie romantic comedy is not without its minor charms during its infrequent quiet moments.- Variety
- Posted Sep 29, 2013
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Joe Leydon
An initially intriguing but ultimately exhausting tale of grieving parents left quite literally dazed and confused in the wake of their young son’s death.- Variety
- Posted Sep 29, 2013
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Dennis Harvey
Serviceable but uninspired, this latest version of Emile Zola’s much-adapted 1867 novel “Therese Raquin” sends its characters to their doom on schedule without stirring much sense of tragedy or emotional involvement.- Variety
- Posted Sep 27, 2013
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Geoff Berkshire
Despite an impressive global scope and admirable ethnic diversity among the interview subjects, the central thesis that women are leading the charge on green issues receives nothing but anecdotal support.- Variety
- Posted Sep 27, 2013
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Ronnie Scheib
Incandescent performances by Naomi Watts and Matt Dillon and an unerring grasp of strip-mall-dominated Florida distinguish Sunlight Jr.- Variety
- Posted Sep 27, 2013
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Dennis Harvey
It’s an inspiring picture, particularly given the difficulty of imagining one of today’s sports superstars going so far out on a limb for unpopular beliefs.- Variety
- Posted Sep 26, 2013
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Justin Chang
A carefully constructed and beautifully acted tale of two very different sisters brought together when their aging father falls seriously ill.- Variety
- Posted Sep 26, 2013
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Andrew Barker
Runner Runner’s appeal increases dramatically whenever Affleck enters the frame.- Variety
- Posted Sep 25, 2013
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Maggie Lee
The story flatlines as the crisis escalates, falling prey to pedestrian human drama and improbable conspiracy subplots.- Variety
- Posted Sep 25, 2013
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Reviewed by
Geoff Berkshire
Carefully repeated imagery, in-camera tricks and well-executed fx combine to create a tantalizing visual puzzle that demands full attention, even as the flavorless characters and largely so-so performances risk audience indifference.- Variety
- Posted Sep 25, 2013
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Peter Debruge
What Erica Rivinoja, John Francis Daley and Jonathan Goldstein’s script lacks in lingering nutritional value, it compensates for with amusing food puns. If nothing else, the pic’s zany tone and manic pace are good for a quick-hit sugar high.- Variety
- Posted Sep 25, 2013
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Scott Foundas
There’s precious little glory — and not even that much cage fighting — in Chavez: Cage of Glory.- Variety
- Posted Sep 25, 2013
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John Anderson
The Square is journalism, but Noujaim’s agenda is greater than mere reportage.- Variety
- Posted Sep 25, 2013
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- Variety
- Posted Sep 25, 2013
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Reviewed by
Maggie Lee
There’s little in the way of drama, character depth or mise-en-scene to distract from Tiger Chen’s technically dazzling display of human combat in Keanu Reeves’ helming debut.- Variety
- Posted Sep 25, 2013
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Jay Weissberg
Von Stuerler’s debut showcases nature, but its real theme is its subjects’ engagement with their work.- Variety
- Posted Sep 24, 2013
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- Variety
- Posted Sep 24, 2013
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Reviewed by
Peter Debruge
Ultimately, the enigmatic surface conflict — in which a man must contend with his own carbon copy as rival — proves to be the film’s own worst enemy, for its dark, David Lynchian allure proves almost too compelling, obscuring the material’s deeper themes.- Variety
- Posted Sep 24, 2013
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Justin Chang
While Sal means to honor its subject, it’s too clunky and amateurish to really illuminate him.- Variety
- Posted Sep 23, 2013
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Reviewed by
Peter Debruge
Affectionately captures the tail end of a culture in which specialized dice, character sheets and hand-painted figurines were the gateway to elaborate flights of imagination.- Variety
- Posted Sep 23, 2013
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Boyd van Hoeij
Sophisticated cutting brings out the story’s complex emotional undercurrents, though “Breakdown’s” less convincingly scripted second half sputters more often than it shines.- Variety
- Posted Sep 23, 2013
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