For 17,828 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,160 out of 17828
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Mixed: 7,031 out of 17828
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Negative: 1,637 out of 17828
17828
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Nesselson
Consistently entertaining exploration of how much -- or how little -- is required to overcome obstacles to self-actualization should be welcome wherever auds crave a good story told with nuance and flair.- Variety
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Reviewed by
Scott Foundas
May not be a complete success, but it is in some ways that rarest of commodities in American movies: It is a movie about sex and sexuality, in its many perversions and permutations, done without falling back on an exploitatively comic or violent scenario.- Variety
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Reviewed by
Lisa Nesselson
Compact, ultra-explicit two-character pic about what transpires when a beautiful straight woman hires a handsome gay man to "look" at her is gloriously mannered, proudly pretentious and undeniably compelling.- Variety
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Reviewed by
Todd McCarthy
The action is confusing at first and the hyperventilated editing style at times goes beyond the pale, so pic ultimately emerges as an erratic but not unworthy sequel to its gritty, genre-invigorating predecessor.- Variety
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Reviewed by
Joe Leydon
A star vehicle composed of second-hand parts that nevertheless gets great mileage (and big laughs) from its recycled plot.- Variety
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Reviewed by
Todd McCarthy
The caustic wit and brute force of Patrick Marber's acclaimed play come across with a softened edge in Mike Nichols' bigscreen version of Closer.- Variety
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Reviewed by
Brian Lowry
Visually dazzling and considerably darker than the prior incarnations, the story suffers from a slightly disjointed feel that will prove less accessible to those not intimately familiar with every corner of author J.K. Rowling's world.- Variety
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Todd McCarthy
This smooth inside job benefits from heightened bonhomie among the players, fab Euro locations and a diminished obligation to stick to the heist genre boilerplate.- Variety
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Todd McCarthy
Pic's happiest surprise is Tobey Maguire in the title role, as the young actor provides an emotional openness and vulnerability that gives this $120 million production its most distinctive flavor.- Variety
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Reviewed by
Derek Elley
Combo of some stunning animal direction (courtesy of ace trainer Thierry Le Portier) and exotic period setting somewhere in French colonial Indochina charms when the quadripeds stalk the action but creaks when the bipeds open their mouths.- Variety
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Todd McCarthy
Possesses charm, as well as visual and musical appeal, on the bigscreen. But as with many short-form TV entities when sextupled in length, "SpongeBob" proves more palatable as scrumptious fast food than full-scale repast.- Variety
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Reviewed by
Derek Elley
It manages to suspend disbelief without over-taxing the viewer's patience, and boasts at least one terrific performance, by actress Yeom Jeong-ah as a scary stepmom.- Variety
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Reviewed by
Derek Elley
Sumptuous pic version, which evokes the original show while working as a movie in its own right, is lit by a radiant, vocally lustrous perf by teenaged Emmy Rossum.- Variety
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Reviewed by
Scott Foundas
Snicket's macabre tale of three newly orphaned siblings has been lavishly visualized. But for all its elaborate splendor, production pic lacks the feeling and imagination that have distinguished the best recent kidpics.- Variety
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Reviewed by
Todd McCarthy
An absurdist piece about a rural community of clueless cretins who careen through life like poorly played pinballs, Napoleon Dynamite represents the definition of the comedy of condescension and ridicule.- Variety
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Reviewed by
Scott Foundas
The genocide of some one million Rwandan Tutsis by their Hutu neighbors remains a disgraceful and too-little-known episode in recent world history. Alas, Terry George's ineffectual Hotel Rwanda only partly rectifies that problem, taking what ought to have been a complex, powerful inquiry and simplifying it to a story about the resilience of the human spirit.- Variety
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Despite its obvious flaws, Barb Wire does what it sets out to do and does it well.- Variety
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Reviewed by
Todd McCarthy
Amiable and constantly amusing rather than uproarious, this mangy tale of a ne'er-do-well's fitful assault on personal and professional respectability benefits greatly from Kevin Costner's ingratiatingly comic star turn, his most appealing work in years.- Variety
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All Mission Impossible had to do was not self-destruct. Mission accomplished. Does it ignite? Not really, but Tom Cruise's first adventure as a producer has just enough hightech firepower, old-fashioned star power and a director who knows how to harness it all.- Variety
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Reviewed by
Joe Leydon
Has some genuinely amusing moments of dumb and dumber silliness.- Variety
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Reviewed by
David Stratton
Visually the film impresses, with Eduardo Serra's widescreen camerawork evocatively capturing the streets and interiors of London and a rain-swept Venice. Pacing is crisp, with little time wasted on inessentials. Dialogue is often caustically witty, and the relations clearly delineated.- Variety
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Todd McCarthy
A furiously paced popcorn picture whose outrageous implausibility is somewhat amusing, Volcano delivers enough spectacular action to get it off to a hot B.O. start, although like the lava in the picture, it may not flow quite as far as anticipated.- Variety
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Todd McCarthy
Tartly written and vividly performed by a fine ensemble cast, Gary Fleder's bracingly entertaining first feature covers familiar ground in a fresh, breezy way.- Variety
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Reviewed by
Emanuel Levy
An intelligently proficient movie that works more effectively as a family drama than a legal thriller.- Variety
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Reviewed by
Emanuel Levy
Still, this strikingly proficient production boasts genuinely scary thrills and first-rate visual and creature effects.- Variety
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Reviewed by
Todd McCarthy
This is a pure popcorn picture that benefits heavily from its trio of highly skilled, charismatic leading thesps, an unusual setting that provides plenty of visual stimulation, and a confrontational standoff that actually stems from a legitimately provocative premise.- Variety
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Reviewed by
Leonard Klady
Though straining at the bounds of good taste (and occasionally spilling over), the story remains vigilant in its primary focus.- Variety
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Reviewed by
Derek Elley
This well-played, often very sparky dramedy about the shenanigans in a northern brass band composed of miners threatened with pit closure gets a bad attack of social realism in the latter stages that rocks the crowded craft.- Variety
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Reviewed by
Todd McCarthy
The Devil's Own is neither the best nor the worst $90 million-$100 million-area budgeted picture ever made, but it must be the one in which the cost is least evident on the screen.- Variety
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Reviewed by
Todd McCarthy
A provocative premise, virtuoso direction and two dazzling lead performances go a long way toward offsetting a lack of dramatic structure and a sense of when to quit in Face/Off.- Variety
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