For 17,828 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,160 out of 17828
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Mixed: 7,031 out of 17828
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Negative: 1,637 out of 17828
17828
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Rooney
A pedigree cast elevates old-fashioned material and lackluster screenwriting.- Variety
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Reviewed by
David Rooney
Despite a series of disclaimers about the treatment of Jews in the 16th century, there's even less disguising onscreen than onstage that this is an uncomfortably anti-Semitic play and somewhat problematic for contempo audiences.- Variety
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Todd McCarthy
A strange, fun and densely textured work that gets better as it goes along.- Variety
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- Variety
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Todd McCarthy
A self-described abstinence comedy that is funny, sexy and silly in equal measure.- Variety
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Reviewed by
Todd McCarthy
Genial middle-brow fare that coasts a long way on the charm of its two stars- Variety
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Reviewed by
Scott Foundas
Sublimely trashy, this conceptual sequel to 1997's surprise hit, "Anaconda," doesn't expect to be taken any more seriously than its schlock predecessor, and keeps its tongue-in-cheek thrills flowing rapidly.- Variety
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Dennis Harvey
First-rate talent and a uniquely dyspeptic mood separate this effort from more routine, populist stabs at tasteless yukkage.- Variety
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Todd McCarthy
It's raffish, flashy, energetic, entertaining and not very deep.- Variety
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David Rooney
A big-hearted, exuberant, compassionate film with a wicked sense of humor and terrific songs performed by some preternaturally talented kids.- Variety
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David Rooney
The impressive filmmaking craftsmanship and sharp storytelling skills make this two-hour-plus epic fly by.- Variety
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Todd McCarthy
Benefits greatly from Kevin Kline's outstanding performance as the ultra-sophisticated songwriter whose resilient marriage anchored a complicated double life.- Variety
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Todd McCarthy
A disarmingly pulpy, eye-popping disaster movie during its first half, and an increasingly dull survival melodrama during its second.- Variety
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David Rooney
Will Ferrell graduates to his first solo leading role with flying colors in Elf, a disarming holiday comedy about a clueless innocent who saves Christmas and fosters a renewed sense of family in his reluctant father.- Variety
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Eddie Cockrell
This triumph of historical verisimilitude in the service of solid storytelling requires no detailed knowledge of the period to be appreciated as the moving story of a son's unconditional love for his mother.- Variety
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Leslie Felperin
A likably laid-back spin about the bizarre fate of rock 'n' roll legend Gram Parsons' corpse. Inspired by a true story, pic travels down familiar genre highways, but quirky humor and an apt soundtrack make for a pleasant enough journey.- Variety
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Joe Leydon
Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.- Variety
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David Rooney
Clever but distancing, this existential comedy bounces along on the backs of its tasty cast, witty writing and stylistic verve.- Variety
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Reviewed by
Joe Leydon
An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.- Variety
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Todd McCarthy
An often lively comedy-drama that lands some nice jabs at the mega-corp ethos, In Good Company makes for pretty good company until going soft when it counts.- Variety
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David Rooney
This sassy if wildly uneven comedy navigates the treacherous high school jungle that separates cool cliques from wannabes, wading through some nasty behavior before delivering its moral message.- Variety
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David Rooney
Writer-director Joshua Marston's strikingly confident debut maintains an unblinking focus and sustains an almost unbearable level of tension.- Variety
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Robert Koehler
The most extensive interplay of live action and animation since "Who Framed Roger Rabbit?"- Variety
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Todd McCarthy
It’s technically striking filmmaking, to be sure, but what it’s presenting is nothing that many people will want to look at.- Variety
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Dennis Harvey
Combined with hilarious physical business and perfectly overearnest delivery of pseudocool lines like, "Let your fingers do the rocking!," he (Black) pretty much single-handedly keeps the formulaic progress funny.- Variety
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Derek Elley
A classic example of a clever idea that could easily have run out of steam halfway. However, co-scripters Pegg and Wright structure it as a classic three-acter (set-up, journey, finale) with enough twists, character development and small set pieces to keep the comedy boiling.- Variety
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David Rooney
Tough, cogent and resonantly chilling, this slow-burning drama continues the vein of harsh realism seen in recent Gallic cinema including "La Vie de Jesus" and "More Than Yesterday."- Variety
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Eddie Cockrell
Todeschini has the most physically demanding role, with a gaunt face and ravaged body that utterly convinces of the brutality of the ailment.- Variety
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Derek Elley
Its soul rests in Skarsgard's performance, a powerful mixture of buttoned-down anger and personal disappointment that combines the filmmaker's self-questioning with the real-life character's conflict.- Variety
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Brian Lowry
Goes the extra mile to piss off everybody -- which includes gleefully destroying renowned Hollywood liberals, literally and figuratively.- Variety
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