Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. A pedigree cast elevates old-fashioned material and lackluster screenwriting.
  2. Despite a series of disclaimers about the treatment of Jews in the 16th century, there's even less disguising onscreen than onstage that this is an uncomfortably anti-Semitic play and somewhat problematic for contempo audiences.
  3. A strange, fun and densely textured work that gets better as it goes along.
  4. The picture has vitality, a fine cast and excellent craft
  5. A self-described abstinence comedy that is funny, sexy and silly in equal measure.
  6. Genial middle-brow fare that coasts a long way on the charm of its two stars
  7. Sublimely trashy, this conceptual sequel to 1997's surprise hit, "Anaconda," doesn't expect to be taken any more seriously than its schlock predecessor, and keeps its tongue-in-cheek thrills flowing rapidly.
  8. First-rate talent and a uniquely dyspeptic mood separate this effort from more routine, populist stabs at tasteless yukkage.
  9. It's raffish, flashy, energetic, entertaining and not very deep.
  10. A big-hearted, exuberant, compassionate film with a wicked sense of humor and terrific songs performed by some preternaturally talented kids.
  11. The impressive filmmaking craftsmanship and sharp storytelling skills make this two-hour-plus epic fly by.
  12. Benefits greatly from Kevin Kline's outstanding performance as the ultra-sophisticated songwriter whose resilient marriage anchored a complicated double life.
  13. A disarmingly pulpy, eye-popping disaster movie during its first half, and an increasingly dull survival melodrama during its second.
  14. Elf
    Will Ferrell graduates to his first solo leading role with flying colors in Elf, a disarming holiday comedy about a clueless innocent who saves Christmas and fosters a renewed sense of family in his reluctant father.
  15. This triumph of historical verisimilitude in the service of solid storytelling requires no detailed knowledge of the period to be appreciated as the moving story of a son's unconditional love for his mother.
  16. A likably laid-back spin about the bizarre fate of rock 'n' roll legend Gram Parsons' corpse. Inspired by a true story, pic travels down familiar genre highways, but quirky humor and an apt soundtrack make for a pleasant enough journey.
  17. Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.
  18. Clever but distancing, this existential comedy bounces along on the backs of its tasty cast, witty writing and stylistic verve.
  19. An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.
  20. An often lively comedy-drama that lands some nice jabs at the mega-corp ethos, In Good Company makes for pretty good company until going soft when it counts.
  21. This sassy if wildly uneven comedy navigates the treacherous high school jungle that separates cool cliques from wannabes, wading through some nasty behavior before delivering its moral message.
  22. Writer-director Joshua Marston's strikingly confident debut maintains an unblinking focus and sustains an almost unbearable level of tension.
  23. The most extensive interplay of live action and animation since "Who Framed Roger Rabbit?"
  24. It’s technically striking filmmaking, to be sure, but what it’s presenting is nothing that many people will want to look at.
  25. Combined with hilarious physical business and perfectly overearnest delivery of pseudocool lines like, "Let your fingers do the rocking!," he (Black) pretty much single-handedly keeps the formulaic progress funny.
  26. A classic example of a clever idea that could easily have run out of steam halfway. However, co-scripters Pegg and Wright structure it as a classic three-acter (set-up, journey, finale) with enough twists, character development and small set pieces to keep the comedy boiling.
  27. Tough, cogent and resonantly chilling, this slow-burning drama continues the vein of harsh realism seen in recent Gallic cinema including "La Vie de Jesus" and "More Than Yesterday."
  28. Todeschini has the most physically demanding role, with a gaunt face and ravaged body that utterly convinces of the brutality of the ailment.
  29. Its soul rests in Skarsgard's performance, a powerful mixture of buttoned-down anger and personal disappointment that combines the filmmaker's self-questioning with the real-life character's conflict.
  30. Goes the extra mile to piss off everybody -- which includes gleefully destroying renowned Hollywood liberals, literally and figuratively.

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