Variety's Scores

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For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,160 out of 17828
  2. Mixed: 7,031 out of 17828
  3. Negative: 1,637 out of 17828
17828 movie reviews
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  1. Flubber
    Despite a couple of slow stretches along the way, director Mayfield does a generally fine job of integrating the eye-popping special effects with the simple but serviceable plot. The pace is just brisk enough to satisfy youngsters with short attention spans, and Williams is winning enough to keep audiences of all ages involved.
  2. Hoodlum
    Director Bill Duke renders the period saga with passion, but lacks the sort of fluid, organic style the material requires; the film falls short of its aim for mythic proportion. Still, there's a vibrancy that's engrossing, if uneven.
  3. Night Falls on Manhattan
    Lumet never tires of exploring moral quandaries. But what separates his films from the pack is his appreciation for all perspectives.
  4. Paradise Road
    Though carefully rendered from a historical perspective, this powerful account of female friendship and bonding under the most cruel conditions lacks the narrative focus and dramatic shapeliness to generate emotional excitement.
  5. Rosewood
    Ultimately, however, the film's ambition, urgency and acute observations prevail over the many stock elements to forge an estimable work that is notably serious and analytical for a Hollywood-produced film in this day and age.
  6. Basquiat
    As writer and director, Schnabel should be commended for avoiding Hollywood's biopic cliches about artists, as Basquiat's meteoric rise to fame and tragic death at the age of 27 would have fit perfectly the timeworn formula.
  7. Evita
    Director Alan Parker has done a dazzling job creating screen images to accompany the wall-to-wall music, resulting in a musical fresco that is much closer to a sophisticated filmed opera than to any conventional tuner.
  8. While You Were Sleeping
    Director Jon Turteltaub has a smooth style suited to classic farce and knows just how to pace the material to accentuate the positive.
    • 75 Metascore
    • 70 Critic Score
    Kicking and Screaming
    The director is more successful in setting an easy, low-key tone, with nicely framed shots and subtle camera movements downplaying the script's pretensions.
  10. Heavy
    Character-driven to a fault, Heavy proceeds in such leisurely fashion that there are times one wishes it would shed a few minutes in order to get on with its business.
  11. Sleepless in Seattle
    Yet for all the enjoyable flourishes, and there are many, Ephron keeps pausing to remind us, through various contrivances, that this is a movie, making it hard for anyone to really get lost in the story.
  12. Mortal Kombat
    But where others have sunk in the mire of imitation, director Paul Anderson and writer Kevin Droney effect a viable balance between exquisitely choreographed action and ironic visual and verbal counterpoint.
  13. Ace Ventura: When Nature Calls
    It's a death-defying hodgepodge anchored by the complete confidence of star Carrey.
  14. Circle of Friends
    Naturally charming without being beautiful, Driver brings extraordinary intensity and tenderness to a role that easily could have become sappy.
  15. A Soldier's Daughter Never Cries
    The filmmakers give new saga a freer, looser form than is usual, allowing a superlative ensemble to develop rich characterizations.
  16. The Bridges of Madison County
    Given the intelligent restraint of the treatment, this is about as fine an adaptation of this material as one could hope for, although there is still something of a gap between the impressive skill of the filmmaking and the ultimately irredeemable aspects of the source.
  17. The Long Kiss Goodnight
    With the help of his stunt and special effects teams, Harlin delivers more than enough goods to satisfy genre fans, so main question is whether a female action hero, and Davis in particular, is ready to be embraced by the huge public the film is clearly targeting.
  18. Dolores Claiborne
    Deftly cutting between the past and the present, director Taylor Hackford manages to establish a compelling mood and pace even though the pic lacks a thriller's true "Aha!" moment
  19. Cry, the Beloved Country
    A richly realized piece of Masterpiece Literature, director Darrell James Roodt's Cry, the Beloved Country has an admirable high polish. But more effort could have been made to address its underlying message and provide an emotional punch to equal the book's resonance.
    • 66 Metascore
    • 70 Critic Score
    American Me
    The criminal life is portrayed with all the glamour of a mugshot in American Me, a powerful indictment of the cycle of violence bred by the prisons and street culture.
  21. The Portrait of a Lady
    A literary adaptation of exceeding intelligence, beauty and concentrated artistry, but one that remains emotionally remote and perhaps unavoidably problematic dramatically.
  22. Grumpier Old Men
    Grumpier is a welcome continuation that leaves you wanting for another chapter that's as rich in humanity and fun as the initial companion pieces.
  23. Jude
    Technically, pic is top-drawer, with restless, fluid cutting by Trevor Waite that adds to the unstarchy look, and a copious musical score by Adrian Johnston that gives a separate "sound" to the many locations (a folksy drone for Marygreen, High Baroque music for academic Christminster, and so on).
    • 58 Metascore
    • 70 Critic Score
    Green Card
    Although a thin premise endangers its credibility at times, Green Card is a genial, nicely played romance.
    • 42 Metascore
    • 70 Critic Score
    Against All Odds
    If not for a somewhat murky and misanthropic ending, Against All Odds would stand as a well-engineered second-try at 1947's "Out of the Past."
    • 68 Metascore
    • 70 Critic Score
    Swimming to Cambodia
    Spalding Gray's free-associating recollection of his experiences in Thailand during the making of The Killing Fields had an exhilarating immediacy which is mostly absent in this compressed filmed performance of Swimming to Cambodia.
    • 73 Metascore
    • 70 Critic Score
    Something Wild
    Conceptually and stylistically compelling under Jonathan Demme's sometimes striking direction.
    • 76 Metascore
    • 70 Critic Score
    Tucker: The Man and His Dream
    Tucker represents the sunniest imaginable telling of an at least partly tragic episode in recent history.
    • 83 Metascore
    • 70 Critic Score
    Manhattan
    Woody Allen uses New York City as a backdrop for the familiar story of the successful but neurotic urban over-achievers whose relationships always seem to end prematurely. The film is just as much about how wonderful a place the city is to live in as it is about the elusive search for love.
    • 81 Metascore
    • 70 Critic Score
    The Fly
    David Cronenberg's remake of the 1958 horror classic The Fly is not for the squeamish. Casting Jeff Goldblum was a good choice as he brings a quirky, common touch to the spacey scientist role.
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