Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. An often grippingly staged mountain movie that's good but not great.
  2. As a fierce superspy and mistress of many disguises, Jolie represents the one indisputably kickass element in this brisk, professionally assembled but finally shrug-inducing thriller.
  3. Best enjoyed (a la the "Mission: Impossible" franchise) by simply admiring the explosions and silliness without dwelling too much on the skeletal plot.
  4. Barring a few lapses, the gags fly by in rapid-fire fashion, and enough of them connect -- thanks in part to the amusing mix of Hill's hang-dog demeanor with Brand's lanky, relentless hedonism.
  5. Impressively made and serious-minded to a fault, this physically imposing picture brings abundant political-historical dimensions to its epic canvas, yet often seems devoted to stifling whatever pleasure audiences may have derived from the popular legend.
  6. Sparked by wonderfully lived-in performances from Julianne Moore and Mark Ruffalo, The Kids Are All Right is alright, if not up to the level of writer-director Lisa Cholodenko's earlier pair of new bohemian dramas, "High Art" and "Laurel Canyon."
    • 56 Metascore
    • 70 Critic Score
    An uncommonly engaging date movie.
  7. Though long-winded and discursive, the professionally assembled material is of immense interest and importance in reminding the viewer of the threat to world peace posed by the continuing posturing on the subcontinent.
  8. Sometimes first-person to a borderline-indulgent fault, docu still offers potent spur for discussion on the blurry line between forgiveness and tolerance toward terrorism.
  9. A romantic comedy that treads familiar "Green Card" terrain with considerable charm if no great style or originality.
  10. Where pic excels is in the depiction of a rich leftist movement, with several cultures interacting expressively in the 1930s and '40s.
  11. Rambles into unexpected places, some more interesting than others, but it stays on track long enough to take auds somewhere special.
  12. Sensitive directorial bow by editor Wiebke von Carolsfeld and solid performances lend conviction if not quite distinction to the drama Marion Bridge.
  13. Flavorsome package vividly captures Bombay slum life, neither neglecting nor overemphasizing the bawdy, drag-queenish flamboyance hijiras bring to its mix.
  14. At first a little tabloid in tenor and editorial style, pic soon distances itself from the myriad court TV shows with a fine balance of everyday detail and verite drama.
  15. Slick, ingratiating and high-spirited enough to win over gay men of all colors.
  16. It's the soundtrack, as much as the opticals, which makes this brief Imax trip a thoroughly sensory experience.
  17. While it's clear where the filmmaker's sympathies lie, the view presented is relatively balanced.
  18. While it creaks along at times, director Csaba Kael's new film version of a Hungarian opera masterpiece, Ferenc Erkel's Bank Ban, is ultimately an invaluable entry in the opera-on-film library.
  19. Not exactly a police corruption thriller, the film is more a study of innocence betrayed, though its insights into Argentine law enforcement are pretty scary.
  20. Lacking the overall drama of "Startup.com" or "e-Dreams," pic more than compensates with skillful presentation and the fascinating power of its subjects, femme movers and shakers who perform high-wire juggling acts between their personal and professional lives every day.
  21. Provides an intriguing, well-assembled snapshot of kids in the year 2000, bringing the portraits to an appealing conclusion by briefly revisiting each subject at the prom, graduation and then in sweet on-camera farewells.
  22. Fantasy sequences, including animation, keep the melancholy tone from overwhelming the proceedings.
  23. Timely and thought-provoking, if a bit rambling.
  24. Well worth a look, despite its flaws.
  25. Fascinating assemblage combines strike footage first shot in 1979 by Perry when he was working for the Texas Farm Workers Union with film and video lensed over the ensuing 20-plus years.
  26. Walters brings real heart to the role.
  27. There's a fable-like quality to this first feature by documaker Ra'anan Alexandrowicz that packs just as much punch as a more "serious," didactic movie while entertaining the viewer at the same time.
  28. A refreshingly unpretentious cocktail of karmic serendipity and a tongue-in-cheek look at Hollywood values vs. ecumenical verities.
  29. The brooding, well-constructed drama gets considerable mileage out of the schizoid twin dynamic.

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