Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. A modern immorality tale with a keen, observant edge.
    • 91 Metascore
    • 70 Critic Score
    Basically an excuse for set pieces, some amusing, others overdone.
  2. Getting so close to real-life mental illness, via footage that spans many years, renders Tarnation a uniquely potent experience.
  3. Though it never disguises its sympathies for Kasparov and contempt for a powerful corporation's machinations, documentary is finally a speculation on the limits of the human mind and how truth can never be fully known.
  4. A memorable portrait of an unbearable personality.
  5. Takes the simplest of stories and weaves a seductive, extremely moving portrait of a young woman’s unshakable love.
  6. The increasingly broad strokes with which the story is painted serve to simplify rather than deepen it, and to make it seem more artificially constructed than need be.
  7. Warm and borderline sentimental...also brimming with true and privileged moments, as well as an optimism in the face of tough circumstances that serves as a corrective to some of the more fashionably grim modern accounts of similar stories.
  8. A sober, thought-provoking response to a tragedy of worldwide import and a much better film than one might expect from the pre-release publicity.
  9. A fairly entertaining supernatural potboiler that finally bubbles over with a nearly operatic sense of absurdity and excess.
  10. Awfully funny at times.
  11. An unusually intelligent adventure film scaled for younger viewers, which never leaves adults behind.
  12. The film itself is limited by the material's nature as a brainy exercise and by its narrow focus; individual response will depend upon how tantalized one is by puzzles and games, as well as upon how off-putting one finds the central character, who is center-stage throughout.
  13. Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.
    • Variety
  14. Provides deeply humanistic insight into the complexities of the Middle East conflict that political analysis or front-line news coverage often lacks.
  15. Almost as much an art piece as a film, this playful Prohibition-era tale is visually inventive and initially amusing but, at feature length, becomes somewhat wearing in its cacophonous eccentricity.
  16. Manages an impressively huge score in the hit-or-miss gag ratio.
  17. Primarily humorous in a believe-it-or-not fashion.
  18. The pic is so well directed and lead performance by Sanaa Lathan so charismatic that audiences will overlook the script's flaws and root for the central duo.
  19. Impressively made and well acted by an exceedingly attractive cast, this dark tale of ceaseless conflict is adult entertainment and will likely disappoint viewers expecting a "Camelot"-like love triangle.
  20. Even if the film itself is relatively conventional, its exposure of a squalid city's most benighted neighborhood and its introduction of hope into nearly hopeless lives give it strong human interest value.
  21. The 2000 version is louder, broader and much, much bigger.
  22. Classy, decorous and well acted, directorial debut by Hollywood producer Pieter Jan BruggePieter Jan Brugge is nicely crafted but too buttoned up to generate more than polite interest, much less the urgent excitement a kidnapping story might be expected to trigger.
    • 71 Metascore
    • 70 Critic Score
    Always engaging to watch and often dazzling in its imagination and technique, picture is also a bit distended, and lacking in weight at its center.
  23. Friday Night Lights is the "Black Hawk Down" of high school football movies. As exclusively as Ridley Scott's picture was about combat, this film concerns football and nothing but.
  24. Surprisingly amusing.
  25. An inspired mix of realism, humor and metaphor.
  26. Takes a beautifully lensed look at the work of Scottish "landscape sculptor" Andy Goldsworthy, whose unique creations -- composed of icicles, leaves, sticks, rocks, etc. -- are often as not simply swept away by the next tide or wind gust.
  27. A frankly formulaic but raucously entertaining action comedy.
  28. While lacking originality, pic is a case of cogent moviemaking that really knows its business. Traces of early Steven Soderbergh and recent Larry David enhance one of the most satisfying comedies in a fallow season.

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