Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. The disparate but highly skilled leading trio of Bruce Willis, Billy Bob Thornton and Cate Blanchett keeps this road movie engaging even when it veers giddily onto the shoulder.
  2. Intelligently conceived and well- acted, this compact, straightforward drama about two ordinary people caught in the ongoing political crossfire packs enough punch to command audience interest, but won't light up critics or the B.O. to the extent achieved by the team's previous outings, "My Left Foot" and "In the Name of the Father."
  3. The pleasures are modest but consistent in John Carpenter's Vampires, a part-Western, part-horror flick that doesn't aim too high but nails the range it occupies.
  4. A calm, rational and utterly devastating point-by-point analysis.
  5. Works as both an adaptation and a movie in its own right
  6. Has some emotional pull and isn't stuffy and dull.
    • 41 Metascore
    • 70 Critic Score
    A flat-out celebration of stupidity, bodily functions and pratfalls. Yet the wholeheartedness of this descent into crude and rude humor is so good-natured and precise that it's hard not to partake in the guilty pleasures of the exercise.
  7. Greg Pak understands the short form well, mercifully avoiding blatant O'Henry twists while pulling off neat reversals of expertly set-up genre expectations.
  8. Arresting and fascinating.
  9. Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.
  10. Another slam-dunk from vet producer Yash Johar.
  11. Nearly half over before it finds a consistent groove, let alone a decent hit-to-miss joke ratio.
  12. Unclassifiable cult figure Takashi Miike's films invariably have their share of weirdness and perversity, but Gozu arguably outweirds all previous efforts in the prolific Japanese director's eclectic canon.
  13. As lowbrow comedies go, it pretty much delivers.
  14. This exceedingly long-winded but classy drama could appeal to the same strain of infrequent, regional moviegoers looking for righteous entertainment that flocked to "The Passion of the Christ."
  15. One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
  16. Patiently told and lovingly made.
  17. Taking a seed of an idea and nurturing it into a fable about moral hypocrisy, Bearcub substantiates prolific Spanish helmer Miguel Albaladejo's rep for well-observed, character-based dramas with an offbeat twist and a potent emotional undertow.
  18. Borderline grungy but highly entertaining comedy-drama.
  19. Ali
    Just about everything Mann has chosen to present is valid, substantial and convincing, but by the end, the feeling persists that while certain essences have been grasped, only part of the story has been told.
  20. The film's chief shortcoming is perhaps its failure to convey a stronger, more atmospheric sense of the repressive 1970s Catholic school environment that breeds the titular boys' rebellion and wild flights of fancy.
    • 68 Metascore
    • 70 Critic Score
    Spielberg's scary and horrific thriller may be one-dimensional and even clunky in story and characterization, but definitely delivers where it counts, in excitement, suspense and the stupendous realization of giant reptiles.
  21. Diesel makes a violent bid to align himself with the Clint Eastwood-Charles Bronson-Steve McQueen tradition, but he lacks the charisma, emotional strength and humor to do so.
  22. Music has always played a vital role in the films of Tony Gatlif, and in Vengo it finally threatens to take over, submerging the frail, familiar vendetta plotline.
  23. Adaptation of Ian McEwan's 1997 novel takes a surprising number of liberties with the text, given the author's stature, but his name on the credits as associate producer would suggest his stamp of approval.
  24. (Stone's) most accessible and purely enjoyable film in years.
  25. The film offers a frequently obscure but (for fans) always watchable look at history, memory and -- in the most rarefied sense -- love.
  26. Day-glo garish Girls Will Be Girls puts a rude spin on "Valley of the Dolls"-type Hollywood melodramas, to frequently hilarious if disjointed effect.
  27. The teasing tale is told with such dispatch it will carry willing audiences along; genre staples of action, macho attitude and corruption through the ranks are delivered intact.
    • 73 Metascore
    • 70 Critic Score
    This is not a laugh-out-loud film, though there is a lighthearted tone that runs consistently throughout, Griffith's innocent, breathy voice being a major factor.

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