Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. The power of documentary filmmaking often lies in discovering seams of humanity running though even the bleakest environments. But the sledgehammer impact of Hollywoodgate comes from director Nash’at peering into the Taliban leadership’s inner circle for a year and finding not even a glimmer of goodness. Finding, in fact, nothing — a terrible emptiness.
  2. The documentary moves with the same fluidity that characterizes Peck’s choreography.
  3. Well contextualized and sensitively shot with extraordinary access, the pic reflects the personal, moral and ethical struggles of the doctors as well as their patients.
  4. Finely cut gem of a documentary.
  5. Who wouldn’t want a picturesque trip to the French capital that delivers more laughs than a nitrous oxide leak near the hyena compound? In fact, I’d go as far as to promise that Lost in Paris offers the three most delightful sight gags you’ll see on screen all year.
  6. An absorbing, shades-of-gray look at home-front intrigue in Nazi-occupied Denmark during World War II. Ole Christian Madsen’s accomplished fourth feature plays out on a much larger canvas than he’s used previously and offers nuance and ambiguity in equal measure with violence and tragedy.
  7. Deftly cramming a terrific amount of history, breaking news, personal drama, culture and context into a trim runtime, The Russian Woodpecker is surprisingly inventive, even buoyant in its presentation of several issues that could scarcely be more sobering.
  8. With his snowy white hair and moustache to match, Hanks conveys a man confident in his abilities, yet humble in his actions, which could also be said of Eastwood as a director.
  9. Go
    An overly calculated concoction that nonetheless delivers a pretty good rush.
    • Variety
  10. There’s no great effort at building tension, or orchestrating major setpieces. But the narrative moves along at an engaging clip, and there’s a pleasing emotional payoff to the way things ultimately come together in Farley’s screenplay.
    • 74 Metascore
    • 80 Critic Score
    Brian De Palma goes right for the audience jugular in Dressed to Kill, a stylish exercise in ersatz-Hitchcock suspense-terror. Despite some major structural weaknesses, the cannily manipulated combination of mystery, gore and kinky sex adds up to a slick commercial package.
  11. Perfs, by a mixture of non-pros and little-known thesps, are impressively naturalistic and spontaneous. Ostlund has a knack for comedy, although his script, co-written with Erik Hemmendorff, is a little opaque about where it stands on the morality of each strand’s situation.
  12. These days, true-crime docs are a dime a dozen, and yet, returning to the "In Cold Blood" analogy, Into the Abyss dares to plumb the dark hole in America's soul. Herzog's investigation may not work as an anti-death-penalty editorial, but its findings are undeniably profound.
  13. An exhilarating slalom through the wormholes of Christopher Nolan’s vast imagination that is at once a science-geek fever dream and a formidable consideration of what makes us human.
  14. Eye-poppingly intimate footage of various critters evolving from the fetal stage or eating, strolling, fighting and courting that can only be obtained via infinite patience with special equipment in exotic locations.
  15. Some literal-minded attempts at magical realism are redeemed by the film's emotional texture, winning chemistry between the tyke leads and scrupulous adherence to a childlike point of view.
  16. Compelling but traditional feature.
    • 74 Metascore
    • 70 Critic Score
    Daughters of Darkness is so intentionally perverse that it often slips into impure camp, but Kumel and Seyrig hold interest by piling twists on every convention of the vampire genre.
  17. Regan’s debut rehashes a host of familiar elements from assorted kitchen-sink dramas and dysfunctional parent-child stories, painting them colorfully enough that audiences won’t mind the odd bit of rust.
  18. Circus of Books is an affectionate look at one of the most unusual mom and pop businesses in America, directed by the person who knew Mom and Pop best.
    • 74 Metascore
    • 60 Critic Score
    Most amusing of these is a school for black actors, run by whites, of course, where the students are trained to shuffle, jive and generally fit the preconceived notion of what blacks are like. Another brilliantly conceived bit is Sneakin’ into the Movies, a takeoff of the Siskel & Ebert film reviewing TV show.
  19. This delectable entertainment is as surprising for its continually evolving (and involving) dynamics of desire as for its slow-building emotional power.
  20. While Enemies of the State does not necessarily provide all the answers, it sneakily sharpens your analytical radar by its haunting end. And in today’s conspiracy-theory-fueled world, that just might be everything.
  21. Youth (Spring) uses the workshops of Zhili City to illustrate — again and again, to the point of dulling its impact — the desolate truth that in the lower echelons of China’s industrial sector, youth is not wasted on the young. It is methodically ripped from them, day by day, seam by seam, stitch by stitch.
  22. A feel-good comic ensembler that's hard to resist.
  23. Suspenseful, funny, touching, sexy and painlessly pertinent.
  24. In what's easily his most zealous and fully realized performance since "Malcolm X," Washington elevates the earnest, occasionally simplistic narrative to the level of a genuinely touching moral expose.
  25. Strikes a delicate balance of comedy and pathos with an uplifting final act that delivers a resoundingly satisfying emotional payoff.
    • 74 Metascore
    • 70 Critic Score
    Has a poignant emotional core in the truthful description of its characters' despairing lives.
  26. Radiates a warm humanity and uplifts the spirit. Subtle rather than sentimental, it lacks easy tears though attentive viewers will find it lacerating enough.

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