Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. A humble marvel, Omaha introduces a filmmaker with a privileged sensibility to translate these opposing forces into a tapestry of scenes imbued with loving compassion for the characters experiencing them.
  2. Executed to near perfection in all artistic departments, this superior adaptation of the perennial favorite novel will find its core public among girls , but should prove satisfying enough to a range of audiences to make it a solid performer for Warner Bros.' family entertainment banner.
  3. I Didn’t See You There is affecting even when it shuts us out, coming across as the sincere, frustrated expression of someone who’s tired of explaining himself and his position even to a sympathetic audience.
  4. Audiences coming cold to this largely faithful adaptation of Alan Bennett's clever but contrived classroom comedy won't be so wowed, given picture's irrevocably stagy feel. Nicholas Hytner's flat-footed direction doesn't help, nor do picture's younger cast members' over-rehearsed performances, although the seasoned thesps shine.
  5. Nobody is exactly who they appear to be in “When Fall is Coming,” but Ozon’s nimble, perceptive little film takes that as a given: When winter and mortality are beckoning, the past only counts for so much.
  6. Directors John Musker and Ron Clements, who’ve collaborated on Mermaid and Aladdin, here combine smooth, state-of-the-art animation with a funky razzledazzle. They bring Hercules the vitality and insouciance that make Disney an undisputed champ in the arena.
    • 74 Metascore
    • 40 Critic Score
    Giving such Wild West characters as Calamity Jane and Wild Bill Hickok a workout in a tuned-in western doubtless had strong possibilities but Warners comes close to missing the stagecoach. Colorful settings and costumes add the entry some sparkle but the 'book' is lacking in originality and the players simply are uneasy.
  7. In his first studio venture, Michael Winterbottom coaxes forth a staggering wealth of detail from this terse, methodical account of Pearl's kidnapping and murder in Pakistan.
  8. In his bigscreen feature debut, director and co-writer Jonathan Mostow displays real flair for visceral cinema while adroitly sidestepping many of the usual tripwires of this sort of film, particularly silly coincidences, stupid decisions on the part of characters with whom you're supposed to identify, and superheroics performed by ordinary people.
    • 74 Metascore
    • 70 Critic Score
    Based on a short story by Robert Louis Stevenson, and given tightly scripted adaptation, Snatcher seldom lacks interest.
  9. Steeped in local folklore, it lets mythic and mind-based terrors exist side by side, allowing the viewer to interpret and believe what they will. This leeway comes at no cost, however, to its effective atmospherics, which sink into the bones like an unexpected twilight chill.
  10. The late journalist’s career and witticisms are smoothly encapsulated by veteran documentarian Janice Engel’s slick feature.
  11. A film that captures the underlying essence of baseball at the beginning of the 21st century: both humbly wistful and progressively cutting-edge.
  12. Because it's bolstered by proud memories of Vietnam vets who turned against the war, Sir! No Sir! rings with an exultant, even elated tone.
  13. Is this a fantasy? A fable? A new kind of horror movie? Actually, Dream Scenario is all of the above and then some, for it also shares a certain postmodern DNA with two of Cage’s most boundary-pushing movies, “Adaptation” and “The Unbearable Weight of Massive Talent.”
    • 74 Metascore
    • 80 Critic Score
    This science-fiction shocker has a well-plotted story [by George Worthington Yates, adapted by Russell Hughes], expertly directed and acted in a matter-of-fact style.
  14. So what is The Ghost of Peter Sellers? It’s a record of what it was like to shoot an empty shambolic piece of junk that drained the coffers of everyone involved. It’s a record of the kind of damage that a debonair misfit like Peter Sellers could cause when he put his mischievous (and maybe, in some ways, unstable) mind to it.
  15. If the film has a flaw, its that it’s so preoccupied with balancing its furious feminism with gags about Victorian life that there’s little running time to lavish on Dickinson’s actual poetry.
    • 74 Metascore
    • 90 Critic Score
    Taut and nuanced from start to finish, with memorable, lived-in central characters and an appealingly melancholy tone, helmer/co-scripter Nicole Garcia’s third feature has what it takes.
  16. It is not a documentary so much as a fan-friendly tribute, designed to celebrate Williams’ legacy without getting too personal or technical in the process.
  17. Inspirational on the face of it, Clint Eastwood's film has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion.
  18. After establishing its fresh and relatable origin story, the movie gets bogged down with a relatively generic villain’s power-hungry schemes. Still, there’s enough that’s new and different about Big Hero 6 to get excited about, especially for those still too young for Marvel’s more intense live-action fare.
  19. Not unlike its subject, the documentary’s power, beauty and complexity lie in Harper’s use of rhetoric and lyricism.
  20. While Rondon’s focus is the struggle of wills between a boy awakening to homosexual feelings and his embittered mother, the helmer invests their collision with a powerful specificity.
  21. It can sound like a cliché to say that any given movie is what the world needs now, but “Will & Harper” earns that distinction.
    • 74 Metascore
    • 90 Critic Score
    A delightful and delicate comic fable.
  22. Toure crafts a handsome work that makes up in skill and honesty what it lacks in originality.
  23. It’s uncanny how much Dolan’s style and overall solipsism have evolved in five years’ time, resulting in a funny, heartbreaking and, above all, original work — right down to its unusual 1:1 aspect ratio — that feels derivative of no one, not even himself.
  24. In the end, Lee has taken “High and Low” to new highs, delivering a soul-searching genre movie that entertains while also sounding the alarm about where the culture could be headed.
    • 74 Metascore
    • 70 Critic Score
    Rivette uses intertitles (including some direct quotes from Balzac) to move the plot along and underline the dry wit. Helming is both leisurely and exact, offering auds ample opportunities to intimately observe the selfishness and folly of two people who would rather fight than switch.

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