Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
    • 74 Metascore
    • 80 Critic Score
    Jim Henson, Muppet originator, and Frank Oz, creative consultant, have abandoned the successful format of their vidshow, and inserted their creations into a well-crafted combo of musical comedy and fantasy adventure.
  1. Wisely letting his lively, articulate nonagenarian subject narrate her life story through interviews and lectures, debuting director Bob Richman (a noted indie cameraman) compellingly blends a plethora of choice archival materials and contempo footage.
  2. As the work of one young man bursting with inspiration, the film is a giddy thing to absorb, allowing complete strangers to witness someone performing open-heart surgery on himself.
  3. Beautiful lensing by Mauro Brattoli and an evocative score Steve Poltz enrich the pic’s flavor as a document of, and a tribute to, an iconic cowboy’s indomitable spirit.
  4. Maxine Trump’s feature loses focus as it progresses, though its insights into guitar making, forestry harvesting and environmental shortages resonate strongly.
  5. Despite his movie-star reputation and looks, Mortensen remains a remarkably humble screen presence, a trait that’s perfect for a part that demands considerable empathy from whoever’s playing it.
  6. Contemporary issues pale before the fascination exerted by the generously sampled films themselves, executed throughout with masterful classical film vocabulary.
  7. Throughout the film, the beauty of the landscapes and the totally natural insertion of human, animal and insect movement within the frame lend The Creation of Meaning a particular grace.
  8. The new documentary Ben-Gurion, Epilogue offers a rare intimate look at what went on inside Ben-Gurion’s heart and mind.
    • 74 Metascore
    • 80 Critic Score
    There’s real terror in the story, and the Gothic setting of the swamp where the girl is held captive; the maudlin pitfalls of the plot are avoided through deft use of humor, and the plucky character of the young captive.
    • 74 Metascore
    • 80 Critic Score
    Bergman is beautiful, talented and convincing, providing an arresting performance and a warm personality that introduces a new stellar asset to Hollywood. She has charm, sincerity and an infectious vivaciousness. Picture unwinds at a leisurely pace, without theatrics of too great intensity in the romantic passages.
  9. In the close, doting way the camera caresses its stars, Been So Long certainly shows where it chief strengths lie: Coel and Kene may both capably handle their songs, but the film’s real music is in their faces, singing, silent or otherwise.
    • 74 Metascore
    • 70 Critic Score
    After a fumbling start which looks like bad editing for TV, The Last American Hero [based on two articles by Tom Wolfe] settles into some good, gritty, family Americana, with Jeff Bridges excellent as a flamboyant auto racer determined to succeed on his own terms and right a wrong to his father, played expertly by Art Lund.
  10. Eden-Smith makes the film her own, right up to the surprising, challenging and altogether sharp final note.
    • 74 Metascore
    • 70 Critic Score
    Miller’s gruelling drama illustrates how the unquenchable lure of alcohol can supersede even love, and how marital communication cannot exist in a house divided by one-sided boozing.
    • 74 Metascore
    • 70 Critic Score
    Russ Meyer’s film is another of his technically polished sexplicit dramas, this time free of physical violence and brutality, and hyped with some awkwardly developed draft-dodging and patriotism angles.
  11. The Stranger confirms that Wright has arrived, even if his treatment sometimes feels more oblique and self-consciously arty than the material demands.
  12. It’s easy to form an opinion about the subject of a great many docs, but unsettling to realize how little we know about how they were treated.
  13. Inspired by Sidle’s experience as a musician on the rise, Lost Soulz tells a raw personal story in a fragmented structure deriving its strength from the original music composed and performed by its talented cast.
  14. In re-creating life out of life, Liu is quite successful; whether he makes it into drama is another question. Like its characters, Art College 1994 gives the impression of having just too much time on its hands.
    • 74 Metascore
    • 70 Critic Score
    Script, production, direction and photography are splendid.
  15. The movie may not be “Bridesmaids”-level brilliant, but it’s got more than a couple hall-of-fame-worthy comedy set-pieces.
  16. A nice looking but heavily formulaic DreamWorks animation entry.
  17. In this zoo, the story may be tame, but the images, and the imagination that releases them, run wild.
  18. Though R.T. Thorne’s dynamic siege thriller has some familiar moves, it is full of fresh ideas.
  19. Director Jon M. Chu (“Step Up 2: The Streets”) has crafted a broadly appealing charmer in which practically anyone can identify with Wu’s character as she’s whisked into this elite milieu.
  20. Schemes like this have a way of spiraling out of the characters’ control, but Moland and Aakeson maintain a firm grasp on the pacing, progressively building both carnage and suspense as the situation escalates toward a Mexican standoff of which even Sam Peckinpah would be proud.
  21. [A] winningly sweet-natured, visually transporting adaptation.
  22. The Duke is a romp first and foremost: Michell’s merry direction makes sure of that. But its stars put a small, dignified lump in its throat.
  23. This gentle, unfussy romance contains a heart-clutching finale that’s as classically restrained as it is emotionally resounding.

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