Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. [A] fascinating but only intermittently insightful film.
  2. A thinly scripted mood piece centered on an estranged fortysomething among vacationing friends in Italy, Unrelated doesn’t carry the viewer along with its protag’s emotional problems.
    • 74 Metascore
    • 70 Critic Score
    This is a blithe little comedy, produced and directed with affection by Alfred Hitchcock, about a bothersome corpse that just can't stay buried.
    • 74 Metascore
    • 40 Critic Score
    Script points up the physical attraction between Dall and Cummins but, despite the emphasis, it is curiously cold and lacking in genuine emotions. Fault is in the writing and direction, both staying on the surface and never getting underneath the characters.
  3. It's juicy, fascinating stuff, well orchestrated by Carion and finely thesped -- especially by Kusturica.
  4. A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.
  5. Marrying glossy mainstream genre aesthetics to probing, elaborately conceived speculative storytelling, this is a notably ambitious and auspiciously well-realized first feature for Hloz: the kind that appears to be flaunting his capabilities for even bigger international and Hollywood assignments.
  6. Bones and All is a concept in search of a story. The film doesn’t draw us in. It stumbles and lurches and seems to make itself up as it goes along. You may feel eaten alive with boredom.
  7. The Bleeding Edge needs to be seen, so that it can change hearts and minds.
  8. As an erotic thriller, it’s more preoccupied with the first half of that term than the second, and that’s just fine.
  9. Dune is out to wow us, and sometimes succeeds, but it also wants to get under your skin like a hypnotically toxic mosquito. It does…until it doesn’t.
  10. A profound, elemental and hauntingly beautiful period drama that makes an intimate story of endurance into a metaphor for an entire culture.
  11. The writer-director-producer’s pulsing, pencil-etched, pastel-hued animation style is a pleasure to behold as ever.
  12. This well-acted, beautifully modulated exercise represents director Karyn Kusama’s strongest work in years, revealing an assurance of tone, craft and purpose that haven’t been in evidence since her Sundance prize-winning debut, “Girlfight.”
  13. A Woman’s Life has the kind of majesty found not in the grand gesture but the modest detail, the kind that accumulates resonance with each seemingly minor event until the picture of a character becomes as complete as a painting by Ingres. Or a story by Maupassant.
  14. It’s a vivid and unusually honest drama about the pain and bravado that were the fuel of hip-hop.
  15. At the picture’s best, it recalls Michael Winterbottom's "24 Hour Party People" in its tribute to the music of the times and the way in which that music provided a voice to a generation of social misfits.
  16. Splendidly sinuous twister Red Lights sees Gallic helmer Cedric Kahn ("Roberto Succo") take his game to the next level with this inky comic thriller.
  17. An all-star remake of the all-star original, Ocean's Eleven is a lark for everybody concerned, including the audience. Breezy, nonchalant and without a thing on its mind except having a little fun.
  18. Intriguing, provocative and very well acted.
  19. Jazz and animation make for strong bedfellows in They Shot the Piano Player, a film from Spanish directors Fernando Trueba and Javier Mariscal that represents an intriguing hybrid in all sorts of ways.
  20. A tightly focused romantic drama that exudes the narrative terseness of a good short story and the lucid craftsmanship of a filmmaker in full command of the medium.
  21. Massively inventive, Wonder Boys is spiked with fresh, perverse humor that flows naturally from the straight-faced playing.
  22. Delightfully insightful ... Whatever comes next (and the movie makes a beautiful kind of peace with not knowing), Green has given his subjects an incredible gift: the kind of immortality only cinema can provide.
  23. A muted but nicely observed study of a Russian woman's gradual estrangement from her domineering Memphis music-legend husband.
  24. Though undeniably charming, Buñuel can be a difficult character to like here, but that’s the point: The movie dares to imagine the exact moment when Buñuel the callow prankster became Buñuel, engaged anthropologist of the human condition, whose later Mexico City masterpiece “Los Olvidados” was clearly informed by what he witnessed in Las Hurdes.
  25. By turns spiky and lyrical, this unsettling drama will be anathema to many audiences, but is bound to be a provocative, talked-about release.
  26. Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
  27. As in "Divine," there's an uneven quality to Suleiman's often surreal ideas, but in general there are way more hits than misses this time round, some of them laugh-out-loud.
  28. Estes' debut feature's strength lies in its crackling intensity, ultra-sharp character insights and an affinity for teenage protagonists who look and sound like real teens.

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