Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Result is a kidpic long on invention but short on likability.
  2. The movie wouldn’t have worked half as well had Dunham not discovered Ramsey, a “Game of Thrones” veteran soon to be seen in HBO’s “The Last of Us.” The young actor has a face one might find in a medieval Madonna portrait and a rowdy contemporary sensibility that makes her instantly relatable.
  3. It’s here in the movie’s more fantastical details that Yonebayashi’s imagination runs free — and Studio Ponoc’s potential shines brightest. The world they’ve created may not be logical, but it is intuitive, as Mary adapts to whatever hallucinatory wonder or obstacle the filmmakers can throw at her
  4. Brize (“Mademoiselle Chambon”) makes compelling drama out of the most ordinary of circumstances, and draws a lead performance from frequent collaborator Vincent Lindon that is a veritable master class in understated humanism.
  5. Boasting a deliriously loquacious script together with a rare understanding of how to balance certain Italian caricatures with a grounding sense of realism – a combination that’s truly Virzì’s forte – the film takes two psychologically damaged women...and makes them into a mutually supportive duo who surprisingly touch our emotions.
  6. Viewers who don’t share the director’s obvious affection for his often funny characters will find the pic too long and too diffuse, but its cumulative rewards are ample.
  7. To its credit, this future classic is honest about adolescent desire, self-questioning sexual identity issues and all kinds of other behavior that sends worried moms and dads into meltdown mode.
  8. This intelligent, engaging indie sets out to find a few answers and in the process introduces a clutch of interesting, very human characters.
  9. After examining the rarefied world of debutante socialites with wit and obvious expertise in “Metropolitan,” Stillman opens up his artistic universe a bit more here and displays an increased ease with filmmaking craf
  10. This easily exportable, minority-driven drama has the potential to launch the careers of its young directors and cast.
  11. Tracing with exemplary sensitivity the unlikely bond formed between a gay German baker and the Jerusalem-based widow of the man they both loved, Graizer’s film works a complex range of social and religious tensions into its heartsore narrative, without ever feeling sanctimonious or button-pushing.
    • 74 Metascore
    • 80 Critic Score
    The new film should further secure Disney’s dominance in animation, and connoisseurs of the genre, old and young, will have plenty to savor.
  12. Highly entertaining documentary about the folk-pop troubadour of Canada.
  13. You can only hope, for these dudes’ sakes, that “Jackass” isn’t forever. But for now it’s earning its yucks, and its yuck.
  14. This slight but appealing film's funky eccentricity feels a little contrived at times.
  15. If Inception is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's filmmaking -- an activity devoted to constructing a simulacrum of reality, intended to seduce us, mess with our heads and leave a lasting impression. Mission accomplished.
  16. What makes Serenity refreshing is its avoidance of CGI, which gives the pic a much more human dimension; the evident chemistry between the cast; and a humor that doesn't rely simply on flip one-liners.
  17. Result is a weird hodgepodge that has the audience doing mental somersaults in an attempt to keep up with this highly original festival head-scratcher.
  18. An uncompromising portrait of thwarted emotions and small-town tedium, The Life of Jesus is a luminous and disconcerting feature debut from scripter-helmer Bruno Dumont. Pic’s deliberate pace, as it details the actions of adolescents with stifled inner lives, poses a commercial obstacle in markets unfriendly to leisurely fare, but film holds definite rewards for patient viewers and fest auds.
  19. For readers of Alexandre Dumas’ novel, extravagant French adaptation “The Three Musketeers – Part II: Milady” packs its share of surprises: killing off important characters, sparing others and reimagining allegiances that have stood for nearly two centuries.
  20. Mysteries remain mysteries, and the value isn’t in finding answers but in emotionally exploring where the questions take you.
  21. Computer Chess is ultimately too slack and scattershot to work consistently well as a comedy.
  22. There’s something stirringly essential about Paris 05:59, partly thanks to the late-night-inspired sensation that Theo and Hugo have the world to themselves, and can make it into whatever they want.
  23. Director Kitty Green’s high-concept documentary Casting JonBenét breaks fresh ground, probing the public, rather than family members or suspects (often the same thing).
  24. In the end, The Last King of Scotland is much better when it plays it cool and amusing than when it tries to ramp up outrage and indignation.
  25. A powerfully affecting documentary.
  26. Meticulous, sumptuous production design, and striking visuals compensate for the lack of dramatic momentum in a film that arguably stretches narrative form to its limits.
  27. [A] fascinating but only intermittently insightful film.
  28. A thinly scripted mood piece centered on an estranged fortysomething among vacationing friends in Italy, Unrelated doesn’t carry the viewer along with its protag’s emotional problems.
    • 74 Metascore
    • 70 Critic Score
    This is a blithe little comedy, produced and directed with affection by Alfred Hitchcock, about a bothersome corpse that just can't stay buried.

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