For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
Corbijn succeeds here in large part because his attention to nuance and detail so fully complements that of the German operatives at the story’s core.- Variety
- Posted Jan 22, 2014
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Reviewed by
Scott Foundas
Stewart’s confident, superbly acted debut feature works as both a stirring account of human endurance and a topical reminder of the risks faced by journalists in pursuit of the truth.- Variety
- Posted Aug 28, 2014
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Reviewed by
Justin Chang
What’s onscreen is less a cerebral experience than a stirring and bittersweet love story, inflected with tasteful good humor, that can’t help but recall earlier disability dramas like “My Left Foot” and “The Diving Bell and the Butterfly.”- Variety
- Posted Sep 15, 2014
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Reviewed by
Scott Foundas
An utterly bizarre, weirdly compelling story of manimal love that stakes out its own brazen path somewhere between “The Fly” and “The Texas Chainsaw Massacre.”- Variety
- Posted Sep 11, 2014
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Peter Debruge
Best known as the screenwriter of such subtext-rich adaptations as “The Wings of the Dove” and “Drive,” Amini excels at conveying the subtle, unspoken tensions between characters, selecting a tightrope-risky example with which to make his directorial debut and orchestrating it with aplomb.- Variety
- Posted Feb 14, 2014
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Sibling bonds are fertile territory for indie dramedies, but The Skeleton Twins distinguishes itself from the pack with a pair of knockout performances from “Saturday Night Live” veterans Bill Hader and Kristen Wiig.- Variety
- Posted Jan 27, 2014
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Reviewed by
Jay Weissberg
Deliberately ambiguous in how it approaches the inexorable nexus of violence, Omar will trouble those looking for condemnation rather than the messiness of humanity.- Variety
- Posted Jan 16, 2014
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Reviewed by
Andrew Barker
Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of ’90s club life with expert precision.- Variety
- Posted Sep 13, 2014
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- Variety
- Posted May 19, 2014
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Reviewed by
Peter Debruge
Helmer Lenny Abrahamson (“Garage,” “Adam & Paul”) puts the pic’s eccentricity to good use, luring in skeptics with jokey surrealism and delivering them to a profoundly moving place.- Variety
- Posted Jan 26, 2014
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David Chute
Dedh Ishqiya ends on a note of sadder-but-wiser resignation that recalls its predecessor, but its high romantic cultural allusions convey a deeper sense of what’s at stake.- Variety
- Posted Jan 16, 2014
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Reviewed by
Peter Debruge
Apart from the heavy debt it owes to Malick’s oeuvre, Edwards’ entrancing debut is radically non-generic, either as history film and coming-of-age piece.- Variety
- Posted Nov 7, 2014
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Scott Foundas
A superior piece of Texas pulp fiction that starts out like a house on fire, sags a bit in the middle, then rallies for an exuberantly bloody finish.- Variety
- Posted Apr 4, 2014
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- Variety
- Posted Jun 27, 2014
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Reviewed by
Justin Chang
Forbes brings a marvelous warmth and specificity to this story of a mixed-race family struggling to survive, aided considerably by one of Mark Ruffalo’s richest, most appealing performances.- Variety
- Posted Jan 26, 2014
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Reviewed by
Robert Koehler
Solnicki demonstrates that a work of art can be made from the humble materials of home-shot video and various 8mm formats, especially when the eye and ear behind the camera are as observant and unabashed as they are here.- Variety
- Posted Feb 11, 2014
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Reviewed by
Jay Weissberg
Batra adeptly plays on the tension of will they or won’t they meet, making good decisions based on character and situation rather than the need to uplift an audience.- Variety
- Posted Jan 20, 2014
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Reviewed by
Ronnie Scheib
The film represents a scathing critique of America’s juvenile justice system, the privatization of penal institutions, and the whole notion of “zero tolerance.”- Variety
- Posted Jan 20, 2014
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Joe Leydon
The performances are perfectly attuned to the material, with Koechner dominating his every scene as a kind of demented ringmaster, and Healy adroitly demonstrating the potential for both humor and horror in a character with nothing left to lose.- Variety
- Posted Mar 27, 2014
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- Variety
- Posted Jan 21, 2014
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Reviewed by
Peter Debruge
This day-in-the-life indie says something profound about an entire generation simply by watching a feckless young man try to figure it out.- Variety
- Posted Jun 16, 2014
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Reviewed by
Maggie Lee
Anthony Chen is remarkably astute in his depiction of the class and racial tensions within such a household, his accessible style enabling the characters’ underlying decency and warmth to emerge unforced.- Variety
- Posted Apr 10, 2014
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A.D. Murphy
An excellent Sidney Poitier performance, and an outstanding one by Rod Steiger, overcome some noteworthy flaws to make In The Heat of the Night an absorbing contemporary murder drama, set in the deep, red-necked South.- Variety
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Paul Schrader’s reworking of the 1942 Val Lewton-Jacques Tourneur Cat People is a super-chic erotic horror story of mixed impact. Kinski was essential to the film as conceived, and she’s endlessly watchable.- Variety
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Reviewed by
Scott Foundas
This meticulously designed and directed debut feature from writer-director Jennifer Kent (expanded from her award-winning short, “Monster”) manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.- Variety
- Posted Feb 6, 2014
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Reviewed by
Peter Debruge
Everything about the three principal teens registers as deserving of “human interest” to Rich Hill’s two helmers, whose generous attitude draws us into this deeply empathetic film.- Variety
- Posted Jan 28, 2014
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Reviewed by
Peter Debruge
Using Baltimore’s dirt-bike groups as its entry point, the film offers a remarkable grassroots look at how the system is broken at the inner-city level.- Variety
- Posted Jan 26, 2014
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Reviewed by
Geoff Berkshire
Even in moments that don’t ring entirely true, Boyega’s grounded performance keeps the film headed in the right direction.- Variety
- Posted Jan 26, 2014
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Reviewed by
Peter Debruge
The humor springs either from real-world recognition, as Robespierre and her co-writers go where others fear to tread, or in response to the cast’s lively, eccentrically lived-in characters.- Variety
- Posted Apr 18, 2014
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Reviewed by
Rob Nelson
An aptly intense and innovative study of pioneering rock poet Nick Cave, 20,000 Days on Earth playfully disguises itself as fiction while more than fulfilling the requirements of a biographical documentary.- Variety
- Posted Mar 12, 2014
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