Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Corbijn succeeds here in large part because his attention to nuance and detail so fully complements that of the German operatives at the story’s core.
  2. Stewart’s confident, superbly acted debut feature works as both a stirring account of human endurance and a topical reminder of the risks faced by journalists in pursuit of the truth.
  3. What’s onscreen is less a cerebral experience than a stirring and bittersweet love story, inflected with tasteful good humor, that can’t help but recall earlier disability dramas like “My Left Foot” and “The Diving Bell and the Butterfly.”
  4. An utterly bizarre, weirdly compelling story of manimal love that stakes out its own brazen path somewhere between “The Fly” and “The Texas Chainsaw Massacre.”
  5. Best known as the screenwriter of such subtext-rich adaptations as “The Wings of the Dove” and “Drive,” Amini excels at conveying the subtle, unspoken tensions between characters, selecting a tightrope-risky example with which to make his directorial debut and orchestrating it with aplomb.
    • 74 Metascore
    • 80 Critic Score
    Sibling bonds are fertile territory for indie dramedies, but The Skeleton Twins distinguishes itself from the pack with a pair of knockout performances from “Saturday Night Live” veterans Bill Hader and Kristen Wiig.
  6. Deliberately ambiguous in how it approaches the inexorable nexus of violence, Omar will trouble those looking for condemnation rather than the messiness of humanity.
  7. Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of ’90s club life with expert precision.
  8. [An] engrossing documentary.
  9. Helmer Lenny Abrahamson (“Garage,” “Adam & Paul”) puts the pic’s eccentricity to good use, luring in skeptics with jokey surrealism and delivering them to a profoundly moving place.
  10. Dedh Ishqiya ends on a note of sadder-but-wiser resignation that recalls its predecessor, but its high romantic cultural allusions convey a deeper sense of what’s at stake.
  11. Apart from the heavy debt it owes to Malick’s oeuvre, Edwards’ entrancing debut is radically non-generic, either as history film and coming-of-age piece.
  12. A superior piece of Texas pulp fiction that starts out like a house on fire, sags a bit in the middle, then rallies for an exuberantly bloody finish.
  13. The Guest is blood-soaked action trash of a high grade.
  14. Forbes brings a marvelous warmth and specificity to this story of a mixed-race family struggling to survive, aided considerably by one of Mark Ruffalo’s richest, most appealing performances.
  15. Solnicki demonstrates that a work of art can be made from the humble materials of home-shot video and various 8mm formats, especially when the eye and ear behind the camera are as observant and unabashed as they are here.
  16. Batra adeptly plays on the tension of will they or won’t they meet, making good decisions based on character and situation rather than the need to uplift an audience.
  17. The film represents a scathing critique of America’s juvenile justice system, the privatization of penal institutions, and the whole notion of “zero tolerance.”
  18. The performances are perfectly attuned to the material, with Koechner dominating his every scene as a kind of demented ringmaster, and Healy adroitly demonstrating the potential for both humor and horror in a character with nothing left to lose.
  19. [An] initially playful, ultimately haunting documentary.
  20. This day-in-the-life indie says something profound about an entire generation simply by watching a feckless young man try to figure it out.
  21. Anthony Chen is remarkably astute in his depiction of the class and racial tensions within such a household, his accessible style enabling the characters’ underlying decency and warmth to emerge unforced.
  22. An excellent Sidney Poitier performance, and an outstanding one by Rod Steiger, overcome some noteworthy flaws to make In The Heat of the Night an absorbing contemporary murder drama, set in the deep, red-necked South.
    • 61 Metascore
    • 80 Critic Score
    Paul Schrader’s reworking of the 1942 Val Lewton-Jacques Tourneur Cat People is a super-chic erotic horror story of mixed impact. Kinski was essential to the film as conceived, and she’s endlessly watchable.
  23. This meticulously designed and directed debut feature from writer-director Jennifer Kent (expanded from her award-winning short, “Monster”) manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.
  24. Everything about the three principal teens registers as deserving of “human interest” to Rich Hill’s two helmers, whose generous attitude draws us into this deeply empathetic film.
  25. Using Baltimore’s dirt-bike groups as its entry point, the film offers a remarkable grassroots look at how the system is broken at the inner-city level.
  26. Even in moments that don’t ring entirely true, Boyega’s grounded performance keeps the film headed in the right direction.
  27. The humor springs either from real-world recognition, as Robespierre and her co-writers go where others fear to tread, or in response to the cast’s lively, eccentrically lived-in characters.
  28. An aptly intense and innovative study of pioneering rock poet Nick Cave, 20,000 Days on Earth playfully disguises itself as fiction while more than fulfilling the requirements of a biographical documentary.

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