Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Incandescent performances by Naomi Watts and Matt Dillon and an unerring grasp of strip-mall-dominated Florida distinguish Sunlight Jr.
    • 70 Metascore
    • 80 Critic Score
    There are some subjects so horrific, so far beyond our understanding, that the mind goes numb. Such is the case with Marc Wiese’s chilling docu Camp 14: Total Control Zone.
  2. The Young and Prodigious T.S. Spivet is the perfect 3D vehicle and Jeunet takes full advantage, offering a feast of amusing visual flourishes suited to the book’s playfulness.
  3. The film is a brave act of witness complicated by the documaker’s decision to re-create his experiences using clay figurines, a tricky aesthetic device that raises fascinating and problematic questions of representation.
  4. Costa-Gavras develops such a propulsively suspenseful pace — with no small assist from Armand Amar’s mood-enhancing Euro-tech score — that his drama comes across as the cinematic equivalent of an engrossing page-turner you might purchase off the rack at an airport newsstand.
  5. Wright’s strongest achievement here is an evocative depiction of place, where young teens flee from adult supervision and danger lies in wait. And while the story may feel claustrophobic, the visuals are free-flowing.
  6. A measured, moving account of a brief period in the later life of the troubled sculptress, could hardly be the work of anyone else, with its sparseness of technique and persistent spiritual curiosity.
  7. Disguised as a drunken cartwheel through expat paradise, Mark Jarrett’s striking feature juggles questions of mortality along its rowdy cross-country path.
  8. An ingeniously simple setup is cunningly exploited for maximum suspense in Hours, a slow-building, consistently engrossing drama.
  9. Bringing an appreciative outsider’s perspective to the sights, sounds and polyglot energy of New York, Klapisch and his collaborators ensure that the two hours whiz by decoratively and entertainingly.
  10. Gondry and his frisky hieroglyphs successfully convey Chomsky’s concept of language as the fleeting “meanings we impose on fragmentary experience.”
  11. Yet even as the timelessness of the human activity on display seduces with its serenity, it evokes in modern viewers a definite impatience with the impracticality of traditional rites and rhythms, perhaps only enjoyable in 90-minute doses.
  12. Dynamic performance footage and input from a variety of collaborators, colleagues and admirers, as well as Hanna herself, make the tightly edited Punk Singer a vivid watch even for those with no interest in or experience with the music itself.
  13. A penetrating and ultimately heartbreaking inventory of hard lessons learned on and off the court.
  14. With the aid of Johnsen’s doc to overcome the obstacles China has put in his path, Ai’s voice carries louder than ever before.
  15. With St. Vincent, the chief pleasure is comedy, which typically arises from waiting to discover what Bill Murray might do next.
  16. The film is a snarl of contradictions, starting with the discrepancy between Mann’s obsessive demand for realism and the consistently implausible screenplay.
  17. A charming animated feature.
  18. Deftly sidestepping both melodrama and family-values messaging, Poppe imbues the film with enormous emotional resonance, brilliantly grounded by his leading lady.
  19. It’s a film that purists might insist isn’t horror in the strictest sense, though this slow-burning investigation of unseemly goings-on at a rural Christian commune is frightening in any genre language.
  20. Director Yuya Ishii takes a considerable step forward in terms of budget and ambition with this simple, sometimes sentimental yet wise and full-bodied comedy-drama, which movingly testifies to the ways in which dedication, focus and an extreme attention to detail can achieve something of lasting value.
  21. [Swanberg's] latest work, All the Light in the Sky, displays a striking new willingness to meet his audience halfway, buttressing his signature style with clever pacing, solid technique and a deeply soulful lead performance from co-scripter Jane Adams.
  22. A lean and suspenseful genre piece that follows a bloody trail of vengeance to its cruel, absurd and logical conclusion.
  23. Mordaunt previously directed a docu in Laos that featured kids who sold unexploded bombs for scrap metal, and that earlier experience invests this feature’s characters and milieu with an absolute integrity.
  24. Pavich does an admirable job tracking down surviving parties (except for the suspicious-sounding cast), opting for a humorous rather than indignant tone to the interviews.
  25. The film taps into far deeper, richer veins of material than it has the time to properly mine. It’s nonetheless a flinty, brainy, continually engrossing work that straddles the lines between biopic, political thriller and journalistic cautionary tale, driven by Jeremy Renner’s most complete performance since The Hurt Locker.
  26. Whenever Firth and Stone are onscreen together, the movie sings; the rest of the time it’s never less than a breezy divertissement.
  27. A somewhat shaggy, frequently hilarious romantic comedy that, like much of Apatow’s best work, delicately balances irreverent raunch with candid insights into the give-and-take of grown-up relationships.
  28. Unlike other actor-directors, Jones never seems to indulge excess on the part of his cast. Though the characters are strong, the performances are understated.
  29. So innately compelling is Turing’s story — to say nothing of Benedict Cumberbatch’s masterful performance — it’s hard not to get caught up in this well-told tale and its skillful manipulations.

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