For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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- Variety
- Posted Jul 25, 2013
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Reviewed by
John Anderson
Like the film itself, Porter’s handful of devoted, charismatic attorneys do a righteous job of reminding people that the accused are innocent until proven guilty, and that the criminal justice system seems otherwise disposed.- Variety
- Posted Jun 18, 2013
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- Critic Score
Although there are points where he gets bogged down in the technical aspects of thievery, the film is a slick Chicago crime-drama with a well-developed sense of pathos running throughout.- Variety
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Reviewed by
Peter Debruge
While the plot — too low-key to be called a thriller — points toward obvious extramarital cliches, delicate changes in the overall mood reveal deeper truths.- Variety
- Posted Jun 28, 2013
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Reviewed by
Rob Nelson
By turns pulse-quickening and contemplative, The Crash Reel is a thoroughly winning docu portrait of former pro snowboarder Kevin Pearce.- Variety
- Posted Jul 4, 2013
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Reviewed by
Joe Leydon
Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.- Variety
- Posted Jul 8, 2013
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Reviewed by
Joe Leydon
“Portrait” abounds in the sort of ironies and contrasts that can make a biodoc fascinating even to auds totally unfamiliar with its subject.- Variety
- Posted Jul 11, 2013
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- Critic Score
The subject has been done before, but Refn avoids the cliches, both in the story itself and its telling.- Variety
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Reviewed by
Boyd van Hoeij
A nail-biter that’s actually quite light on action but so well-scripted and shot, it’s nonetheless edge-of-your-seat material.- Variety
- Posted Jul 17, 2013
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Reviewed by
Peter Debruge
Edwards seems to have miscalculated our investment in his cast...simultaneously underestimating how satisfying some good old-fashioned monster-on-MUTO action can be.- Variety
- Posted May 10, 2014
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Reviewed by
Ronnie Scheib
The director’s double vision establishes a level of equality on film that in some ways defies the disparity in power between the two opposing forces.- Variety
- Posted Aug 8, 2013
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Rob Nelson
Director Jesse James Miller’s bio of ‘80s-era World Boxing Council lightweight champ Ray “Boom Boom” Mancini connects on emotional levels in the telling of an up-from-nothing brawler whose colorful career climaxed in tragedy.- Variety
- Posted Aug 8, 2013
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Reviewed by
Leslie Felperin
The constant juxtaposition of scenes showing the dark and light aspects of the characters endows the pic with a juicy moral complexity that will stimulate post-screening debates.- Variety
- Posted Aug 14, 2013
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Reviewed by
Peter Debruge
The source material may be David Sedaris (this marks the first time the essayist has allowed one of his pieces to be adapted), but the tone couldn’t be more Kyle Patrick Alvarez, who once again steers auds to some gloriously uncomfortable places.- Variety
- Posted Aug 16, 2013
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Ronnie Scheib
The sensual movement of bodies through space creates a visual language whose infinite variations seduce and fascinate over the course of the film’s numerous rehearsals.- Variety
- Posted Nov 14, 2013
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Reviewed by
Ronnie Scheib
“Waka” refers to an ancient form of poetry still widely popular today, and helmers Haptas and Samuelson, through their serene lensing and fluid editing, propose a visual thread linking the past to the present “as the crow flies.”- Variety
- Posted Sep 5, 2013
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Reviewed by
Justin Chang
Kelly Reichardt blends her lucid observational approach with a topical-thriller format to engrossing effect in Night Moves.- Variety
- Posted Sep 16, 2013
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- Critic Score
Though it's marred by an overly melodramatic and dubious finale, The Idolmaker is an unusally compelling film about the music business in the late 1950s and early 1960s. It shows how teen idols were created, promoted, and discarded by entrepreneurs cynically manipulating the adolescent audience. Ray Sharkey is superb in the title role.- Variety
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Reviewed by
Alissa Simon
Even though mood trumps character psychology, the entire cast provides mesmerizing, evocative performances.- Variety
- Posted Sep 3, 2013
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Reviewed by
Justin Chang
This exuberantly foul-mouthed and mean-spirited comedy goes somewhat soft in the final stretch but remains an often uproarious model of sharp scripting and spirited acting.- Variety
- Posted Sep 14, 2013
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Reviewed by
Peter Debruge
A film that lays emotions on the line and then drives them home with music.- Variety
- Posted Sep 14, 2013
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Peter Debruge
John Turturro brings sensitivity and intelligence to a subject that could have gone terribly awry in Fading Gigolo.- Variety
- Posted Sep 15, 2013
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- Variety
- Posted Sep 16, 2013
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Reviewed by
Peter Debruge
Of all living actresses, only Huppert could capture nuances that alternately elicit sympathy and fierce sexual attraction to a recent stroke victim.- Variety
- Posted Sep 17, 2013
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Reviewed by
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Reviewed by
Leslie Felperin
This ingeniously executed study in cinematic minimalism has depth, beauty and poise.- Variety
- Posted Sep 17, 2013
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Reviewed by
Scott Foundas
Ranging over familiar material, but made vivid by Morris’ fecund associations and invigorating stylistic flourishes.- Variety
- Posted Sep 17, 2013
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Reviewed by
Rob Nelson
The ups and downs of a decades-long friendship are charted with warmth and sensitivity in Shepard and Dark.- Variety
- Posted Sep 21, 2013
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Reviewed by
Jay Weissberg
Von Stuerler’s debut showcases nature, but its real theme is its subjects’ engagement with their work.- Variety
- Posted Sep 24, 2013
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- Variety
- Posted Sep 25, 2013
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Reviewed by
John Anderson
The Square is journalism, but Noujaim’s agenda is greater than mere reportage.- Variety
- Posted Sep 25, 2013
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Reviewed by