For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
John Anderson
With a mood and setting worthy of a murder story by Jack London, this audience-friendly, atmospheric work could be remade as a thriller, although that’s really what it is already.- Variety
- Posted Aug 17, 2014
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Reviewed by
Ronnie Scheib
A unique blend of camp and conviction, To Be Takei deftly showcases George Takei’s eclectic personality and wildly disparate achievements.- Variety
- Posted Aug 19, 2014
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Reviewed by
Geoff Berkshire
This disarming pic navigates tricky emotional territory to emerge as an impressive feature debut for helmer Jen McGowan and scribe Amy Lowe Starbin.- Variety
- Posted Aug 22, 2014
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Reviewed by
Charles Gant
While some broad strokes won’t be to everybody’s taste... overall the film is so warmhearted, its themes of friendship and mutual respect so resonant, that few will begrudge it such heightened moments.- Variety
- Posted Sep 28, 2014
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Reviewed by
Peter Debruge
By forcing Puss to contemplate his priorities, the sequel more than justifies its own existence, while paving the way for how his path meets the big green guy’s.- Variety
- Posted Nov 27, 2022
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Reviewed by
Rob Nelson
A digressive, daringly experimental study of a flailing musician, magnetically played by accomplished bluesman and poet Willis Earl Beal.- Variety
- Posted Aug 25, 2014
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Reviewed by
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Reviewed by
Charles Gant
The Inbetweeners works by balancing its lascivious nonsense with a disarming sweetness.- Variety
- Posted Aug 25, 2014
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Reviewed by
Guy Lodge
Just as Niccol’s narrative structure is at once fraught and immaculate in its escalation of ideas and character friction, so his arguments remain ever-so-slightly oblique despite the tidiness of their presentation.- Variety
- Posted Sep 13, 2014
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Reviewed by
Joe Leydon
Born to Fly teasingly suggests that some displays of avant-garde virtuosity could be enjoyed equally by venturesome aesthetes, dance enthusiasts and devotees of World Wrestling Entertainment.- Variety
- Posted Sep 9, 2014
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Reviewed by
Owen Gleiberman
Now You See Me 2 is more like a giddy piece of cheese from the ’80s, a chance to spend two more hours with characters we like, doing variations on the things that made us like them in the first place. The revisit, in this case, is well-earned.- Variety
- Posted Jun 1, 2016
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Reviewed by
Peter Debruge
Despite his movie-star reputation and looks, Mortensen remains a remarkably humble screen presence, a trait that’s perfect for a part that demands considerable empathy from whoever’s playing it.- Variety
- Posted Sep 13, 2014
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Reviewed by
Peter Debruge
Shooting in sleek 35mm, Franz and Fiala have dreamt up a home-invasion scenario where the aggressors lived there all along.- Variety
- Posted Sep 13, 2014
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Reviewed by
Peter Debruge
Scherfig approaches the milieu with shrewd anthropological wit, amplifying Wade’s research with her own keen outsider insights — this on top of an expert grasp of tension and tone as the club’s initial allure turns to anxiety and disgust.- Variety
- Posted Sep 14, 2014
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Reviewed by
Scott Foundas
In his third turn behind the camera, writer-director J.C. Chandor has delivered a tough, gritty, richly atmospheric thriller that lacks some of the formal razzle-dazzle of his solo seafaring epic, “All Is Lost,” but makes up for it with an impressively sustained low-boil tension and the skillful navigating of a complex plot (at least up until a wholly unnecessary last-minute twist).- Variety
- Posted Nov 6, 2014
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Reviewed by
Justin Chang
As a vehicle for the impudent comic stylings of Ryan Reynolds, this cheerfully demented origin story is many, many cuts above “Green Lantern,” and as a sly demolition job on the superhero movie, it sure as hell beats “Kick-Ass.”- Variety
- Posted Feb 6, 2016
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Reviewed by
Owen Gleiberman
The surprise is that “Skull Island” isn’t just ten times as good as “Jurassic World”; it’s a rousing and smartly crafted primordial-beastie spectacular.- Variety
- Posted Mar 2, 2017
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Reviewed by
Justin Chang
The strength of Red Army lies in its deep appreciation for the many ironies of the situation, the bone-deep complexities of national identity, and the fact that, on some level, home will always be home.- Variety
- Posted Sep 19, 2014
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Reviewed by
Dennis Harvey
Cutter Hodierne makes an accomplished feature debut with this very well-crafted, empathetic hijacking drama.- Variety
- Posted Sep 25, 2014
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Guy Lodge
Bjork’s charm has always hinged on her ability to be guileless and unknowable at once; “Biophilia Live” is no exception.- Variety
- Posted Sep 23, 2014
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Reviewed by
Scott Foundas
To be sure, we are in that authorial fantasy by which historical figures become shrewder, sharper and wittier than they surely were in life — the domain of Peter Morgan and Steven Spielberg’s “Lincoln.” But when the actors and the dialogue are this good, one scarcely objects.- Variety
- Posted Oct 6, 2014
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- Critic Score
Catches an eerie, spine-chilling mood right at the start and never lets up on its grim, evil theme. Director Jack Clayton makes full use of camera angles, sharp cutting, shadows, ghost effects and a sinister soundtrack.- Variety
- Posted Oct 7, 2014
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Reviewed by
Ronnie Scheib
Oreck spins a mesmerizing web that appropriates a wealth of disparate Eastern European images — of mushrooms, farmers, falling trees and war-destroyed buildings — to illustrate its lyrical discourse.- Variety
- Posted Oct 16, 2014
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Reviewed by
Alissa Simon
Glen Campbell … I’ll Be Me blends intimate and unflinching medical details, poignant performance footage and a survey of its subject’s place in musical history through well-chosen archival footage and interviews with other iconic performers.- Variety
- Posted Oct 22, 2014
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Reviewed by
Owen Gleiberman
Each time the violence explodes, it’s slashingly satisfying, because it’s earned, and also because Mangold knows just how to stage it.- Variety
- Posted Feb 17, 2017
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Reviewed by
Andrew Barker
Wonder Woman is the first major studio superhero film directed by a woman, and it shows in a number of subtle, yet important ways.- Variety
- Posted May 29, 2017
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Reviewed by
Owen Gleiberman
The movie is no cheat. It’s a tasty franchise delivery system that kicks a certain series back into gear.- Variety
- Posted Nov 15, 2017
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Reviewed by
Guy Lodge
Ex Machina turns out to be far wittier and more sensual than its coolly unblemished exterior implies; it’s a trick that mirrors Ava’s own apparent Turing-test-defying evolution.- Variety
- Posted Jan 16, 2015
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Reviewed by
Justin Chang
This gorgeously crafted romp through the backlots and Malibu enclaves of Hollywood’s Golden Age tosses off plenty of eccentric comedy and musical razzle-dazzle before taking on richer, more ruminative dimensions, ultimately landing on the funny-sad question of whether life is but a dream factory.- Variety
- Posted Feb 3, 2016
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Reviewed by
Peter Debruge
Historical significance aside, what superhero fans want to know is how “Black Panther” compares with other Marvel movies. Simply put, it not only holds its own, but improves on the formula in several key respects, from a politically engaged villain to an emotionally grounded final showdown.- Variety
- Posted Feb 6, 2018
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Reviewed by
Owen Gleiberman
It’s a sleekly witty action opera that’s at once overstuffed and bedazzling.- Variety
- Posted Apr 24, 2018
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Reviewed by