Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. With a mood and setting worthy of a murder story by Jack London, this audience-friendly, atmospheric work could be remade as a thriller, although that’s really what it is already.
  2. A unique blend of camp and conviction, To Be Takei deftly showcases George Takei’s eclectic personality and wildly disparate achievements.
  3. This disarming pic navigates tricky emotional territory to emerge as an impressive feature debut for helmer Jen McGowan and scribe Amy Lowe Starbin.
  4. While some broad strokes won’t be to everybody’s taste... overall the film is so warmhearted, its themes of friendship and mutual respect so resonant, that few will begrudge it such heightened moments.
  5. By forcing Puss to contemplate his priorities, the sequel more than justifies its own existence, while paving the way for how his path meets the big green guy’s.
  6. A digressive, daringly experimental study of a flailing musician, magnetically played by accomplished bluesman and poet Willis Earl Beal.
  7. The Inbetweeners works by balancing its lascivious nonsense with a disarming sweetness.
  8. Just as Niccol’s narrative structure is at once fraught and immaculate in its escalation of ideas and character friction, so his arguments remain ever-so-slightly oblique despite the tidiness of their presentation.
  9. Born to Fly teasingly suggests that some displays of avant-garde virtuosity could be enjoyed equally by venturesome aesthetes, dance enthusiasts and devotees of World Wrestling Entertainment.
  10. Now You See Me 2 is more like a giddy piece of cheese from the ’80s, a chance to spend two more hours with characters we like, doing variations on the things that made us like them in the first place. The revisit, in this case, is well-earned.
  11. Despite his movie-star reputation and looks, Mortensen remains a remarkably humble screen presence, a trait that’s perfect for a part that demands considerable empathy from whoever’s playing it.
  12. Shooting in sleek 35mm, Franz and Fiala have dreamt up a home-invasion scenario where the aggressors lived there all along.
  13. Scherfig approaches the milieu with shrewd anthropological wit, amplifying Wade’s research with her own keen outsider insights — this on top of an expert grasp of tension and tone as the club’s initial allure turns to anxiety and disgust.
  14. In his third turn behind the camera, writer-director J.C. Chandor has delivered a tough, gritty, richly atmospheric thriller that lacks some of the formal razzle-dazzle of his solo seafaring epic, “All Is Lost,” but makes up for it with an impressively sustained low-boil tension and the skillful navigating of a complex plot (at least up until a wholly unnecessary last-minute twist).
  15. As a vehicle for the impudent comic stylings of Ryan Reynolds, this cheerfully demented origin story is many, many cuts above “Green Lantern,” and as a sly demolition job on the superhero movie, it sure as hell beats “Kick-Ass.”
  16. The surprise is that “Skull Island” isn’t just ten times as good as “Jurassic World”; it’s a rousing and smartly crafted primordial-beastie spectacular.
  17. The strength of Red Army lies in its deep appreciation for the many ironies of the situation, the bone-deep complexities of national identity, and the fact that, on some level, home will always be home.
  18. Cutter Hodierne makes an accomplished feature debut with this very well-crafted, empathetic hijacking drama.
  19. Bjork’s charm has always hinged on her ability to be guileless and unknowable at once; “Biophilia Live” is no exception.
  20. To be sure, we are in that authorial fantasy by which historical figures become shrewder, sharper and wittier than they surely were in life — the domain of Peter Morgan and Steven Spielberg’s “Lincoln.” But when the actors and the dialogue are this good, one scarcely objects.
    • 88 Metascore
    • 80 Critic Score
    Catches an eerie, spine-chilling mood right at the start and never lets up on its grim, evil theme. Director Jack Clayton makes full use of camera angles, sharp cutting, shadows, ghost effects and a sinister soundtrack.
  21. Oreck spins a mesmerizing web that appropriates a wealth of disparate Eastern European images — of mushrooms, farmers, falling trees and war-destroyed buildings — to illustrate its lyrical discourse.
  22. Glen Campbell … I’ll Be Me blends intimate and unflinching medical details, poignant performance footage and a survey of its subject’s place in musical history through well-chosen archival footage and interviews with other iconic performers.
  23. Each time the violence explodes, it’s slashingly satisfying, because it’s earned, and also because Mangold knows just how to stage it.
  24. Wonder Woman is the first major studio superhero film directed by a woman, and it shows in a number of subtle, yet important ways.
  25. The movie is no cheat. It’s a tasty franchise delivery system that kicks a certain series back into gear.
  26. Ex Machina turns out to be far wittier and more sensual than its coolly unblemished exterior implies; it’s a trick that mirrors Ava’s own apparent Turing-test-defying evolution.
  27. This gorgeously crafted romp through the backlots and Malibu enclaves of Hollywood’s Golden Age tosses off plenty of eccentric comedy and musical razzle-dazzle before taking on richer, more ruminative dimensions, ultimately landing on the funny-sad question of whether life is but a dream factory.
  28. Historical significance aside, what superhero fans want to know is how “Black Panther” compares with other Marvel movies. Simply put, it not only holds its own, but improves on the formula in several key respects, from a politically engaged villain to an emotionally grounded final showdown.
  29. It’s a sleekly witty action opera that’s at once overstuffed and bedazzling.

Top Trailers