With Batman dead, his four proteges have big boots to fill in Gotham Knights. Thankfully Warner Bros. Montreal has largely pulled it off, creating a Gotham City that's filled with things to do, and letting the four characters' contrasting styles show in combat and their personalities come through in the story.

Cobra Kai: The Karate Kid Saga is a very nostalgic game, but not in the way you might think. It's not that it's a beat 'em up, nor that it's based on an ageing franchise, or even because it looks like it should be able to run on a Sega Saturn. No, it's nostalgic because this a licensed video game that is fairly terrible, using its branding as a smokescreen to hide a multitude of problems from an unwitting buyer until it's far too late. It's just like the good old days. If this was 1991 then Cobra Kai would have been published by Ocean Software.

The boring story is filled with forgettable, two dimensional characters, and while there is passion between the main characters, it feels forced rather than natural. The gameplay isn’t ground-breaking either, but it is at least competent at delivering a mindless hack ‘n’ slash that is fun to play and worth a look.

Worms: Revolution Extreme has made the jump to Vita nicely, but it’s a shame that the opportunity wasn’t taken to polish and improve on what Revolution delivered the first time around. It is, however, a quite comprehensive package of one of the biggest shake-ups to the Worms formula in years.

It's by no means perfect and there is plenty to be overly critical or analytical about. However, it's a very solid foundation for a series that could spawn an incredibly good game in the near future.

While the story is serviceable as a backdrop, it’s actually the environments that steal the show. Gliding around and exploring the levels is relaxing for the most part, apart from a couple of moments of disorientation. The artwork throughout is sublime and the music fits it all perfectly, though it sits along titles like Bound, where the art and experience also outshine the plot. If you have a PSVR and are keen to play something that doesn’t take too much effort while providing some great visuals then How We Soar is a worthy pick.

Nine Parchments is a solid release. Its gorgeous art style, dependable controls and fun co-op play almost hide a multitude of sins. Almost. Unfortunately, with a poor save system and combat mechanics that never really develop from the first level onwards, Nine Parchments soon becomes a slog that is less than magical.

We. The Revolution is a stand-out recreation of the nightmare that was the French Revolution. Despite the turn based strategy mechanics falling flat, Polyslash still manage to put you on the edge of your seat by performing the near impossible feat of making resource management exciting. This is a game that demands you keep your head, when everyone else around you is losing theirs.

Port Royale 4 starts off strong, but its solid trading and management gameplay just become repetitive over time, eventually turning into a waiting game as numbers slowly get bigger. Managing cities and trade routes also never really overcome the somewhat awkward controls on console, and combat never becomes interesting. Still, if you absolutely love trading and seeing your empire grow is all the reward you need, Port Royale 4 might be for you.

Star Renegades doesn’t countenance mistakes, while demanding an inordinate amount of commitment from its players due to its mechanically dense system. This can be a challenging game to get into, from learning about its intricate turn-based combat, to making sense of the walls of text, numbers and symbols it throws at you. Those patient enough to familiarise themselves with what this roguelike has to offer, however, may find this to be a tactically satisfying experience.

Damon and Baby is a game which is just sort of fine. It can be fun to play, but it just feels a bit repetitive most of the time, and neither the combat nor the story are engaging enough to really keep you locked in. I don't think it's a bad game, per say, but I do think it can be a bit dull, and that's just as bad a lot of the time.

People of Note is a kind-hearted RPG with a deep affection for music. Its soundtrack won’t resonate with everyone, but it’s both deeply enjoyable and tight and focused, with a cast of likeable characters whose journey you’ll want to see through.

Though Team Ninja has certainly spruced up a number of elements, they seem to have avoided the game’s most fundamental issues. The series’ trademark gameplay has always been challenging but never quite so obstructive and un-rewarding.

Those who are after more than just another run-and-gun game will do well here, and the inclusion of two player co-op is the icing on the cake. Unfortunately the game is dragged down slightly by the number of glitches, which somewhat ruin the immersion.

The Town of Light isn’t a game you play for fun. There’s nothing enjoyable about the true face of mental illness nor the fear and isolation it engenders. Instead of aiming to reward players with a sense of enjoyment, LKA.it strives to help them empathise with the character of Renée and the unspeakable horrors she’s forced to endure. There’s a sobering, meaningful story to be witnessed and while its delivery is imperfect, The Town of Light still makes for one of the most thought-provoking games of this year.

New arcade racers have been few and far between over the last half decade, and Gravel is just one attempt to reignite the genre. There’s some good racing to be found here, with plenty of licensed cars to take through some lovely scenery, but it doesn’t get your heart pounding with excitement. Gravel might be a fairly decent racer, but its biggest sin is that, despite the fireworks and exotic locations, it’s just a bit boring.

White Day has plenty of problems though it’s easy to see why some may see it as a cult hit and why its creators wanted a revival. It’s a clunky, vague, and often frustrating game yet, at the same time, there’s this great setting and some clever puzzles at work. It’s just a shame that, in order to get to the good stuff, you’re almost guaranteed to face some hardship.

The Lego Ninjago Movie Game does a great job of bringing the full film experience to your console and wrapping it up with the next step in Lego gameplay . It’s fantastic to see a return to the style of the Lego Movie Videogame, as opposed to the Lego Batman Movie’s half-accurate Lego Dimensions pack, but it’s bittersweet when all of that good work is somewhat undone by last-gen technical flaws which have somehow found their way back in.

Marvel’s Avengers offers a new approach for a superhero video game, yet one that still feels all too familiar for anyone who's played Destiny, The Division, or Anthem. It’s eye-popping in its technical prowess as well as how much it leans on live service hooks, anticipating players will come back day after day. And a lot of players definitely will, especially if they can squad up with friends. Past its flaws and behind the grind, Marvel’s Avengers is still a fun superhero brawler that has plenty of room to grow in the coming months.

The Greek Myths have been plundered by video game developers to such a degree it’s hard to conceive that a fresh take could be even possible. Remarkably, Achilles: Legends Untold offers just that. This action-adventure might be a little rough around the edges, but that arguably adds to its charm. If you can put up with some nasty difficulty spikes then you’ll find a remarkable world of myths and legends to explore.

Uncovering the threads that connect the residents of Harbor Prime is a fascinating look into a flawed future, if you are willing to hack for it.

Enigami’s attempt to craft a full Action-RPG experience as an indie developer deserves praise, and, visually at least, it comes close to aping its peers. However, a meaningless story, awful dialogue, irritating combat and an utter lack of pace sees it come up short in every other area that matters.

If you’re after a 2.5D side-scrolling stunt game, the Urban Trial Playground is going to scratch that itch for you on Switch. Sure, it’s riffing off the Trials series, but it’s a fun and lengthy alternative that’s a good fit for Nintendo’s platform.

Aragami: Nightfall adds a wealth of new missions and stories to Aragami that are worth checking out if you missed the game the first time around, and doubly worth checking out if you never picked it up at all. Some performance issues and technical faux pas still affect the game, but it’s overall a much more engaging experience than it was back in 2016 and worth giving a go if you’re at all a fan of classic stealth games.

There's a satisfying strategy experience to be had here though one that comes with quite the learning curve. Even once you have a grip on the basics, tangling with ROTK's new grid-based system and overall pacing can often put a few awkward steps between you executing your next cunning plan.

Space Invaders Forever is pretty great for anyone who's a fan of Space Invaders. It offers three games that are very different in approach, one of them with a fresh lick of paint and one focused on local multiplayer for some part cooperative, part competitive Earth defending. It's hard to argue against the variety you get with these three classics.

ELEX is the very opposite of the accessible games that have revolutionised the open world RPG in recent years. I enjoyed it as a modern looking take on the Gothic series, but newcomers will have to be prepared to fight against the systems through the beginning of the game. This has resulted in the game quickly gaining a cult following who celebrate its obscurity and lack of accessibility. I don’t agree with this take and would argue that the best aspects of the game would only be improved by a more polished and refined presentation.

If you come into this expecting a setting, cast or narrative similar to any of the anime, you might be left disappointed and confused. It’s still a fun, addictive game with the flashy combat you’d expect from a Warriors-style game, but you might have to tune out the story in order to enjoy it. In a franchise where story is so key, that’s a huge bummer.