A game that I urge you to experience. It’s not perfect, but in a way that fits entirely with its own outlook, and its effectiveness as a story is both thought-provoking and surprising. Pre-conceptions aside, it is certainly an intriguing and unique title that explores elements of philosophy and life often left untouched by gaming.

Although PLUS is a competent port of Dead Or Alive 5, it doesn’t add quite enough to warrant a re-purchase.

Mario & Luigi: Paper Jam Bros. sadly falls flat on its face at the final hurdle, but is a light-hearted and hugely enjoyable romp up until that point. There are great nods to both Mario & Luigi RPG and Paper Mario franchises, and the three protagonists make a great team in this 3DS RPG. Questionable decisions around the use of Amiibo and the mini-game side-quests can’t be ignored, but the charm of Paper Jam Bros. can’t be understated.

Bulletstorm: Full Clip Edition brings back a mixture if beautiful visuals and fast-paced first-person gameplay that we’re rarely treated to. The Duke Nukem add on also works surprisingly well too, with Duke’s dialogue working well alongside Bulletstorm’s blend of phallic jokes and crass humour, even if he does look out of place in the game’s cutscenes. It’s a decent remaster that could have been improved further with an updated control scheme, but whether with Grayson or Duke, this is still some of the best FPS gameplay in recent times.

Penned by TV’s own George Poles, this charming sequence of interspersed brainteasers, point-to-go navigation and child-like exposition never really threatens to wow, but still manages to keep you hooked until the end, if only to find out where that admittedly brief storyline is heading.

Samurai Jack: Battle Through Time truly feels like a blast from the past. Instead of playing into modern action game trends, the game revisits the style and feel of old-school action games with great success. There are a few frustrating elements that come from that dated design style and hamper the experience, as well as an ultimately unnecessary weapon-durability system. Still, for fans of the original cartoon, this is a trip down memory lane well worth taking.

With very little to compete against it on the PS3, Overkill is the best on-rails shooter for the platform. The shooting itself is easy to master and rewarding, even more so when coupled with a partner, but the overall lack of original content will still put off a few potential customers.

It’s hard to replicate Portal’s success, and in the process of following a very similar narrative to that which can be found at Aperture, Magnetic: Cage Closed loses its way on more than one occasion. Thankfully, the magnet gun is fun to use, and most of the puzzles are smartly crafted with a great sense of accomplishment, pacing and difficulty.

The shine is somewhat diminished by an engine that just can't seem to cope with what it's being asked to do.

While Whispering Willows is an interesting experience it is a short one at three hours.

Toxic Commando never really manages to be more than the sum of its parts. It's enjoyable, and the big horde set pieces remain a gaming highlight, especially at its peaks in the finale, but like a 90s family holiday, there's also just a lot of time spent looking at a map to plan your route, and then driving to the next sightseeing stop while the kids in the back pretend to shoot stuff out the window.

A satisfying end to the story of Max and Chloe, Life is Strange: Reunion is a mature tale of the uncomfortable truth that you can’t truly go back, only learn from your mistakes and go forward.

Playing Star Trek: Bridge Crew is every Trek fan’s dream, giving you the opportunity to sit on the bridge of a Federation starship. It’s a great co-op game for VR, but takes a few direct hits when played with AI and when you think about the balance between roles and the mission structure. Even so, with the Trek license lending this game an awful lot of atmosphere and the paucity of must-have VR games right now, this is still a near essential buy.

If you’re eyeing up the PlayStation 3 version of Xtreme Legends then I can’t strongly recommend it. New characters are always great, as are new stages, but the lack of thought put into the addition to Ambition Mode is disappointing to say the least.

It does that single screen shooting very well. I would have liked some variation in the level design, and the graphics can get rather muddled at some points, but overall it’s a polished little package.

The mixture of side scrolling stealth with the cover-based 3D shooting is quite an ingenious one, but simple enough that when combined with the randomly generated levels, you can hop into the game for a few minutes and, ignoring a few flaws, find yourself staying for an hour.

However, Sons of Winter is certainly a more enjoyable episode than the previous two, with some decent character development. It often gets to the point much quicker with a lot less filler in between, while also taking characters to new places and surprising you along the way as we head towards the series’ conclusion.

Despite the various caveats and areas that Hello will look to improve upon over the coming months, you can so easily lose hours at a time landing on a new and interesting planet for the first time, giving the local flora and fauna idiotic names, before falling down a hole and getting lost in a sprawling cave system, only to do the exact same thing on the next planet over. There’s nothing quite like it.

Elderand is a worthy addition to the wider Metroidvania genre and offers plenty of bang for your buck. It takes clear inspiration from the best of Castlevania and marries it to challenging combat. That being said, there isn’t anything particularly new here, and there is a lack of consistency across the level design. The result is a solid indie game offering plenty for genre fans.

Arcade Spirits is a successful experiment in creating an inclusive and immersive visual novel experience, it just needs to nail the "novel" part of that experience. Yet, for as flawed as the line-to-line writing of Arcade Spirits can be, I still found myself really enjoying the overall story of the game. Arcade Spirits already won a lot of points with me for being a relatively bite-sized adventure, but I also loved the cast of characters and the casual nature of the entire experience. Unfortunately, a lot of rough writing and dialogue in the game keeps me from truly loving it.

The Order: 1886 features a wonderfully crafted and realistic alternate history setting with the greatest visuals and production values so far on the PS4. While the first half or so of the story really works, it’s let down by the final few hours, which abandon things shouting out to be explored in favour of introducing forced plot points which do the world and the main cast a disservice.

Warhammer: Chaosbane is a good, solid dungeon crawling action RPG, but outside of a well executed Warhammer theme it's just not doing anything new. I feel bad for underselling Chaosbane, as I did enjoy my time with it. However, it’s standing in the shadow of Diablo III, a titan that's been doing it for a long time and that you can’t help but make comparisons with. Warhammer: Chaosbane is good and it could mature into something great, but right now it pales next to its daddy.

All round, it’s a solid point and click adventure game that combines that familiar old-school formula with a couple of clever quirks. It has a decent story to boot as well, though there are slight issues with pacing, both in terms of the how the narrative unspools combined with some of the more obtuse puzzles. Together, these create a barrier that will stump players while ultimately holding Yesterday Origins back from greatness.

Kirby: Planet Robobot is a great addition to the franchise, adding a mechanic that doesn’t feel forced and is overall not a terribly shallow package. But looking under the hood the game uses a lot of the same tricks that Kirby Triple Deluxe did and will probably captivate your time about as well. It’s certainly one that younger audiences will get a kick out of, but it’s no Kirby’s Fun Pak.

There are various secrets and written pieces of lore scattered throughout the game and I found probably around 75% of these in my playthrough of just under 6 hours. The replayability mostly comes from the different endings that are hinted at by the achievement list and I do want to revisit Moroi to find out whether these hidden endings provide more answers.

It's tricky to see how large a market there is for a game like this but if, by some chance, you're a fan of vintage air combat from the WWII era then this is likely to have great appeal.

A fantastic game, held back by some frustrating design decisions. For every moment spent whooping in delight as you vanquish a foe, you'll spend two more grimacing as you have to mow someone's lawn, or try and pry yourself free from a lamppost. When it's good it's almost unbeatable, but the filler in-between is exactly that.

Whilst it never thrills, Dungeons and Dragons: Chronicles of Mystara is a perfectly enjoyable experience for those who are looking for a quick blast that doesn’t involve taxing the old grey-matter.