Perhaps Iconoclasts just tries to do a bit too much of everything, which is stunning considering it has come from a single person’s creative drive, which is so compellingly impressive. A decent edit of the script, fewer bosses and puzzle repetitions, and the rest could have been refined even more.

Sadly, there’s one control scheme for Worms WMD on the Switch does get a bit cumbersome, though really this isn’t the fault of the developers. Moving the camera if they’re using the Joy-Cons turned sideways requires players to adopt a rather interesting position with their hands, positioning one finger behind the controller as it were. It’s probably more convenient to have the game as a hot-seat experience if you’re running low on controllers.

Assassin's Creed Odyssey throws so much stuff at you, it's difficult to sift through it all. It's a beautiful game to look at and the story is intriguing, but it feels like a game that could have been a little more ambitious if given more time to develop. There's good ideas, from the branching story and character choice to the return of ship-based combat, but its ambitions also fray around the edges in a way that Origins didn’t.

It does take a while for the action to really heat up and draw in the player but if you stick with it you'll find 50 plus hours of fun and a truly original gaming experience.

BlazBlue: Continuum Shift Extend is a brilliant fighting game that will take an absolute age to master.

Beyond Sol is a very good blend of RTS and action game rolled into a package that has a rather unique approach to games taking place in space.

Digimon Survive is an exciting alternate take on the tone and style of the Digimon series. It doesn't execute things flawlessly - those opening chapters are a bit of a chore and the tactics gameplay is simple with a capital 'S'. Still, when things kick off and the story starts to come together, it's a suspenseful and gripping journey that I'm glad I got to experience.

Snufkin: Melody of Moominvalley is a delightful game, which will please long time Moomin fans, and could introduce the characters to a new audience and generation. The game is wholesome, one for all ages, and addresses the issue of environmentalism in a careful and constructive way. It is definitely worth playing.

Threshold is a game that deserves to find an audience that will truly appreciate its provocative and philosophical approach and represents another excellent title in Critical Reflex’s library. The opening credits claim that it is a true story and this detail in particular has lead me to speculate on possible metaphorical interpretations ranging from the highly personal to the global political. It is rare for a game to make you think quite this much and that is meant as high praise.

The Hundred Line Last Defense Academy is a must-play for fans of tactical RPGs, sci-fi thrillers, and just high-quality incredibly well written games in general. It's a wild ride from beginning to end, and I'm still not even truly sure if the ride has actually ended or not.

Lynked: Banner of the Spark is a hot chocolate of a game. Sweet, sumptuous and oh, so cosy. It offers an intriguing and fresh experience thanks to combining roguelite dungeon crawling with town-building, and it keeps you engaged from beginning to end. It's just a shame that, on PS5 at least, it’s a resolutely single-player experience rather than the multiplayer one that it’s intended to be.

Atelier Mysterious Trilogy Deluxe Pack brings the best of the franchise to a brand new console. Atelier Sophie is an iconic piece of the series with a brand new lease on life, Atelier Firis has unique exploration gameplay that hasn't been attempted in any other entry, and the new story content in Atelier Lyde & Suelle is a delight for longtime fans. These games have never looked better, and are a must-play for anyone interested in the Atelier series.

There’s very little you haven’t played before in the campaign and the new cinematics and voiceovers do little to assist the bare story, but the gameplay is still great, it looks and sounds fantastic, and fans will no doubt enjoy playing the formerly PC-exclusive section they missed the first time.

Death Howl has a strong central theme to it, the cards are well made, and there's a decent variety to build out decks. But it is also a game that can require a lot of repetitive grinding to make small amounts of progress, and the quests could have been better designed.

A naked shower scene away from being an official Starship Troopers game, Helldivers 2 is gloriously daft fun when you can get a group of friends together to play. It's just a shame about the matchmaking and crash bugs at launch.

I truly believe that Ys: Memories Of Celceta could be one of the strongest Vita titles introduced since the console’s launch.

Laser League is phenomenal. It’s easy to pick up, thoroughly appealing in its style, and dangerously captivating.

It Takes Two on Nintendo Switch is a welcome and solid port of a modern co-op classic. The usual caveats around the game graphics apply – if you can play on a higher-powered console, then you should – and you’ll have to figure out your own voice chat solution if playing online, but this is the same great game that Hazelight released last year.

You owe it to yourself to play No More Heroes, and if you do, it needs to be on the Nintendo Switch.

Watch Dogs 2 is the perfect sequel. It takes everything that made the first game unique and original, and expands on all of it. Everything is better, from the hacking, to the story, the setting and the variety of content. Watch Dogs 2 is far from being just more of the same. An apt comparison could be the jump from the first Assassins Creed game to Assassins Creed 2. While the first was a promising yet clunky new idea, the sequel delivered on that idea and turned it into one of the most iconic series of the last decade. With Watch Dogs 2, Ubisoft is well on its way to recreating that same magic.

If the combat were just a touch more dynamic, Hand of Fate 2 would be essential. As it stands, it’s still a great sequel and perfect for anyone wanting the thrills of an RPG without feeling loss. Defiant constantly prod players into the unknown and the results are always fun and rewarding.

The opportunity to re-explore Hoenn is a thrilling one, and there’s more than enough new content and tweaks to the old to justify the return trip.

In the crowded roguelite genre, The Rogue Prince of Persia stands apart, thanks to super-smooth animation and deliriously fun free running. Whilst it never quite escapes the traps that occupants of its chosen genre often fall into, it still provides plenty of top-quality platforming fun.

I don't need games to be life-changing, but I do need a bit more mechanical depth than what Vampire Crawlers has, and while you can craft some incredibly entertaining combos as you play, and each new characters offers new cards, the core concept remains the same throughout. I think this is a solid dungeon crawler, if not fantastic.

Wreckfest is a surprising triumph in blending the best that sim and arcade racers have to offer in an explosive and visually gratifying package. A few visual issues and overly aggressive AI do little to spoil one of the best driving games of 2019.

Modern Warfare had a great run, but Black Ops is now back on top in their ongoing sibling rivalry. Fluid character movement, high-tempo multiplayer, evolved Zombies co-op, and an incredible campaign come together in 2024’s most irresistible first person shooter.

So, this marks the start of the PS3's entry into the casual gamer market, and we can't think for a minute why this won't be a roaring success.

Space will likely be the issue that prevents users from experiencing L.A. Noire: The VR Case Files, but while it isn’t a perfectly controlled VR experience, it’s impressive that we’re seeing a VR game that utilises Room Scale VR in ways that make sense. To actually be part of this crime drama, investigating crime scenes and apprehending criminals, was more enjoyable in VR. Here’s hoping the next time we see something like this, it’s a dedicated experience.