Walking around a fun fair for an hour with a shouty, sweary woman who is only interested in herself is about as much fun as it sounds. I suggest you save your money for a ticket to a real fun fair and hope you get stuck on a rollercoaster for an hour. That would be much more thrilling than The Park.

Quite how anyone thought this game was ready for release is beyond me. It’s more like a proof-of-concept demo, and for the many people looking for a nostalgic return to classic football games, a massive disappointment.

This game is beyond broken and almost entirely not fun, going from bad to worse as it progresses; it's nowhere near worth the asking price of £15 or so, nor the title of the series it is based on.

I’m truly sorry. From the bottom of my heart, I am. I had wished and wished for years that Bandai Namco would give Gundam fans outside Japan a proper way to experience some of the amazing games they’ve developed in the series. Today, this wish has come true, but like a cursed monkey’s paw, it has come with a terrible price. New Gundam Breaker is available in Europe and America, yes, but it is also terrible. It is not fun to play, look at, or think about.

There is nothing wrong with My Aquarium per se. It does what it's supposed to do. It's just pretty tedious.

The easily outrun and overly simplistic combat is a major blow that Road Rage never manages to recover from. The basic open world design, ugly visuals, and various bugs become harder to tolerate knowing just how deeply unfulfilling the core gameplay is, even when you factor in the budget price tag.

The sad thing about Weeping Doll is that the concept could have generated some excellen VR games. Taking tales from across Asia and adapting them in to spooky VR experiences, a virtual reality version of Ringu, for example, would be brilliant. However, the execution for Weeping Doll is poor, from the laughable dialogue to the puzzles which can be solved in a matter of seconds. When rated next to the brilliant Here They Lie for PlayStation VR, Weeping Doll just doesn’t come up to scratch.

Fast & Furious Crossroads is a melting pot of ideas, none of which have had time to mature. Poor vehicle handling, weird pacing, unloved online multiplayer, inconsistent visuals, the list goes on. All of those Facebook comments lambasting the trailer for ‘PS2-era graphics’ are wide of the mark. It’s PS2-era physics, dialogue and level design too.

Fight of Gods was bad on PC and it's still bad on the Switch. It looks horrific on and off the dock, controls terribly and lacks any variety in modes to keep you interested. There are a lot of good fighters already available on Switch, and this has no place among them. It’s just a bad game and there’s not much more to be said than that. Do yourself a favour and save your pennies. Avoid at all costs.

It is almost embarrassing to play a game with such a lack of polish and refinement.

The whole game feels like a build that has sat unreleased for 15 years and has finally been pushed out in 2018. If it were a low priced game aimed at the younger fans of the book series I might have been more lenient, but to release such a cynically shoddy game and then have the sheer cheek to slap a £30 price on it is inexcusable, and I wouldn’t even recommend picking this up at a sale price. It doesn’t even work on a ‘so bad it’s good’ level. Beast Quest is the gaming equivalent of Old Yeller, but without the emotional attachment.

Unfortunately, there are barely any redeeming qualities in Smash 'N' Survive. Despite a few visual perks, the gameplay, and thereby foundation, of Smash 'N' Survive is dysfunctional with huge implications on the rest of the experience.

With Codemasters publishing this title you would expect a decent end product. But as it stands this game is in need of a new title, such as “Damn-we fluffed that one”.

If it means having to play Eternity to save them, you're better off letting that last Unicorn go extinct.

I wanted to like Maize, I really did. The initial trailers promised precise puzzle solving and surreal Pythonesque humour, yet there is very little here for me to be able to recommend and I find myself being very s-corn-ful. The dull and tedious gameplay and misjudged humour making the limited run time a dreary drudge to the finish line. It simply shucks.

There is little to redeem the myriad of fundamental flaws and inadequacies that are apparent throughout.

While I struggle to play One Way Trip, I also feel a muffled yet ever present pangs of fascination. This is a rare specimen – an experimental approach to game design the likes of which we’re never likely to see again, at least not on consoles. Its incredibly niche appeal creates a barrier between Beret and a good 99% of those who own a Vita and PlayStation 4 (if not more). Then again, in some bizarre way, that seems completely intentional.

If developer Screaming Villains had gone back and reworked parts of the original game – perhaps adding rewind or “no fail” features – then at least Night Trap would be playable. By today’s standards, however, it’s a broken, incoherent mess. A relic that, despite being deeply nostalgic, is almost impossible to stomach for those who aren’t already zealous fans of the original. Still, for all its flaws, it’s a unique piece of video game history and one enthusiasts should definitely look into, even if they don’t actually play Night Trap for themselves.

Compared to the original, Nights of Azure 2: Bride of the New Moon is an utter disgrace. For me, it took all the good stuff out and amplified the things that didn’t work. Performance is notably worse, and don’t get me started again about how bad the dialogue is in this cookie cutter excuse for a sequel. Even if you like this kind of titillation, this is a remarkably poor example of it. Avoid at all costs.

Functional yet heavily flawed, No Man's Land is certainly a step forward for PlayStation Home though, regrettably, a step in the wrong direction.

We’ve seen some bad permutations of the battle royale genre, but this one takes the dog biscuit. Don’t Even Think is an opportunistic trainwreck that, while free to play, will leave you feeling emotionally out of pocket.

While I liked a couple of the ideas behind Dead Alliance, they’re not capitalised on to create something truly interesting. What we’re left with is a painfully generic, often broken online shooter that’s begging to be put in the ground, preferably under ten feet of quick-set cement.

A downright awful dagger in the hearts of Resident Evil fans. We can only hope that, with one final nail in the coffin, Capcom will bury this tragic era and leave it dead forever.

Left Alive is an ambitious new development from Square Enix. Unfortunately, that ambition is squandered. The gameplay is dreadful, the enemy AI is broken, and the visuals are bland as all hell. Those issues are complemented by a boring story and a slew of audio and gameplay bugs that simply make Left Alive a failure on all fronts.

With such a diabolical amalgamation of defunct mechanics and monotonous mission design, it will take half an hour tops to tire of Knight's Contract and shelve it for good.

How best to sum up Drunken Fist? This is a game that you'll have a laugh with for ten minutes before never, ever playing again. Once the physics-based slapstick humour has stopped being funny, Drunken Fist has nothing else going for it. We might still be at the start of 2021, but I reckon I've already played the worst game I'll play all year.

A few weeks after the console’s release, you have to scroll a little way to reach the bottom of the Nintendo eShop’s Recent Releases list to find Vroom! in the Night’s Sky. Don’t bother. It’s complete bobbins.

Flashback 2 is a shameful nostalgia cash-in that is an affront to the classic original. Unfortunately awful in every way imaginable, do not buy this game.