For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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Reviewed by
Stephen Holden
One of the most accomplished recent films about a non-European immigrant coming to the United States.- The New York Times
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Reviewed by
Neil Genzlinger
In the end, though, Mr. Garbarski makes no judgments, which leaves this film feeling sweet but light: we already knew that Judaism, like most other religions, is an ever-evolving collage.- The New York Times
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Reviewed by
Stephen Holden
The film’s rich performances, in which every shade of every character’s emotions registers, can go only so far to camouflage the glaring lapses in a drama that often confuses hints and allusions with coherent storytelling.- The New York Times
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Reviewed by
Stephen Holden
The lesson of this story: if enough money is involved, greed trumps morality.- The New York Times
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Reviewed by
Manohla Dargis
An agonizingly familiar refrain, but one that the young Argentine director Alexis Dos Santos relates with such tenderness and with so much ethereal beauty that it feels like something fresh.- The New York Times
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Jeannette Catsoulis
There used to be entertainment in the dodging and wit in the scripts; now there’s 3-D.- The New York Times
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Daniel M. Gold
The results are hit-and-miss. Some bits fall thuddingly flat, and the characters are rarely more than stick figures.- The New York Times
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Reviewed by
Manohla Dargis
This entertaining, glib movie is about the maintenance of a brand that Ms. Wintour has brilliantly cultivated since she assumed her place at the top of the editorial masthead in 1988 and which the documentary’s director, R. J. Cutler, has helped polish with a take so flattering he might as well work there.- The New York Times
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Reviewed by
Manohla Dargis
From the ample evidence, Mr. Harris’s own life in public was a bust. Ms. Timoner sees him as a cautionary tale as well as a visionary.- The New York Times
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Reviewed by
Jeannette Catsoulis
A stunningly witless revival of the infamous British film series about a girls’ boarding school.- The New York Times
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Reviewed by
Jeannette Catsoulis
This strikingly humane film may function as a prequel to Animal Planet’s “Whale Wars” but is light years ahead in visual clarity and narrative ambition.- The New York Times
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Reviewed by
Manohla Dargis
A spasmodically funny and bleak film about the love that speaks its name.- The New York Times
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Reviewed by
Jeannette Catsoulis
All the more disappointing, then, when what has been a celebration of last-ditch passion slides abruptly into a cautionary tale. Until that point the movie's refreshingly unbiased tone allows us to make our own moral judgments, teasing us with the possibility that, occasionally, the scarlet woman can escape unbranded. I, for one, was rooting for her.- The New York Times
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Reviewed by
Mike Hale
Halloween II is full of in jokes and references but nearly devoid of wit.- The New York Times
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Reviewed by
Stephen Holden
This likable, humane movie is not an attempt to recreate the epochal Woodstock Music and Art Fair captured in Michael Wadleigh’s documentary “Woodstock.” It is essentially a small, intimate film into which is fitted a peripheral view of the landmark event.- The New York Times
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Reviewed by
Manohla Dargis
Mostly, though, there is Landa, whose unctuous charm, beautifully modulated by Mr. Waltz, gives this unwieldy, dragging movie a much-needed periodic jolt.- The New York Times
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Reviewed by
Stephen Holden
With a merciless acuity this nihilistic comedy ridicules collective grief and the news media's cynical marketing of inspirational uplift after a death.- The New York Times
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Reviewed by
Jeannette Catsoulis
Ms. Bledel works her “Gilmore Girls” charm to the hilt, but no amount of cerulean-eyed sparkle can transcend this level of thudding mediocrity.- The New York Times
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Reviewed by
Jeannette Catsoulis
Soon becomes tiresome, but it’s emblematic of a film that is dancing as fast as it can to entertain.- The New York Times
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Manohla Dargis
A taut, unnerving, forcefully unromantic fictional film.- The New York Times
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Reviewed by
Stephen Holden
A streamlined, adrenalized thriller that is not as deep as it would like to appear, treads a retrospective political tightrope.- The New York Times
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Reviewed by
Manohla Dargis
A feature-length talkathon built on a sketchy premise, some unpersuasive psychology, a pinch of politics and strong star turns from Liam Neeson and James Nesbitt, the appeal of all those words runs out long before the director Oliver Hirschbiegel turns off the spigot.- The New York Times
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Reviewed by
Mike Hale
The world may be going “Mad Men,” but Doug Pray’s documentary Art & Copy,”which is being released just five days after the season premiere of that acclaimed television series, presents a very different picture of the advertising industry.- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
A show not simply preserved by Mr. Lee’s camera, but brought, somehow, to its fullest, strangest, most electrifying realization.- The New York Times
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Reviewed by
Rachel Saltz
This odd, unsuccessful movie, written and directed by Piyush Jha, is too rigged to have any broader implications about the bloody standoff in Kashmir between militants and the Indian Army.- The New York Times
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Reviewed by
Mike Hale
It’s disappointing, though, to see that his work, while it’s become more polished, has remained essentially self-indulgent and superficial despite the big themes of racism and identity that it takes on.- The New York Times
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Reviewed by
Jeannette Catsoulis
As the film picks up speed it also accrues a socially progressive agenda. If only this were half as well developed as the female leads.- The New York Times
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Reviewed by
Manohla Dargis
This is life as it’s lived, not dreamed. And this is a family bound not only by sorrow, but also by a shared history that emerges in 114 calibrated minutes and ends with a wallop.- The New York Times
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Reviewed by
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- The New York Times
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