The New York Times' Scores

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For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,401 out of 20313
  2. Mixed: 8,446 out of 20313
  3. Negative: 2,466 out of 20313
20313 movie reviews
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  1. Motherhood
    Has shockingly little to say.
  2. Ong Bak 2
    It’s really all about the fighting, carried out in a variety of Asian styles, including one Mr. Jaa invented for the film. Aficionados may find this thrilling. The rest of us will sink lower in our seats.
  3. The Wedding Song
    A seductively fluid and tactile drama from the writer and director Karin Albou, explores love and identity through the prism of the female body and the rights of its owner.
  4. Bam gua nat
    Korean director Hong Sang-soo unleashes yet another emotionally stunted antihero in Night and Day, a rambling study of male arrested development.
  5. Eulogy for a Vampire
    Someone really needs to take away Patrick McGuinn’s camera equipment. A few years ago he made a spectacularly bad gay-sex movie called “Sun Kissed,” and now he has made another, Eulogy for a Vampire.
  6. Killing Kasztner
    The film leaves you with a sense that Kastner’s name is a casualty of rhetorical crossfire.
  7. Rembrandt's J'Accuse...!
    Generally absorbing if sometimes fog-inducing.
  8. Where the Wild Things Are
    With Where the Wild Things Are Jonze has made a work of art that stands up to its source and, in some instances, surpasses it.
  9. Law Abiding Citizen
    Wears its preposterousness with a certain pride. It’s about the cat-and-mouse game between two very smart guys, and it’s perfectly happy to be as dumb as it wants.
  10. New York, I Love You
    The pieces of New York, I Love You make up a parallel city that no one would want to live in, much less visit.
  11. Food Beware: The French Organic Revolution
    Takes a pragmatic, health-based approach, buttressed by frightening statistics about cancer rates among children, that’s a refreshing change from the moral and high-cultural preening that sometimes enter this debate in America.
  12. The Stepfather
    A clumsy remake of the 1987 cult thriller.
  13. The Little Traitor
    A muddled morality tale more interested in coming of age than getting of wisdom.
  14. The Maid
    It takes Mr. Silva a while to finish his story, but the ending of The Maid is so intelligently handled and so generously and honestly conceived, it proves well worth the wait.
  15. Adela
    A gem of contemporary neo-realism, the movie offers a ground-level view of a poor but vital community where many residents survive by scavenging bits of recyclable steel and plastic.
  16. An Education
    If in hindsight An Education might make you a little queasy, it is hard to resist, like David himself.
  17. The Damned United
    The rare sports movie that deals with -- indeed positively relishes -- humiliation and disappointment.
  18. Couples Retreat
    An R-rated version of this mess would be only more gratingly dishonest as it tried to hide its weak sentimentality behind a fig leaf of vulgarity.
  19. Bronson
    Bronson invites you to admire its protagonist as a pure, muscular embodiment of anarchy. And perhaps you will, but you may also be glad that he’s still behind bars.
  20. Good Hair
    Spirited, probing and frequently hilarious, it coasts on the fearless charm of its front man and the eye-opening candor of its interviewees, most of them women.
  21. Trucker
    Trucker sometimes feels like a performance in search of a movie.
  22. Visual Acoustics
    It’s about lovely photographs of graceful buildings and those who can afford the real estate. But it does pay proper respect to a deserving artist.
  23. Eating Out: All You Can Eat
    The sex (of which there isn’t much) isn’t sexy, and the humor isn’t funny.
  24. Adventures of Power
    Sprinkled with moderately amusing comic moments, but basically your enjoyment of this film will be proportional to your tolerance for the one-joke phenomenon of air drumming.
  25. Peter and Vandy
    More a designer frame for actors than nourishing entertainment. Like the Chinese food the leads are always arguing over, the story leaves you hungry for more.
  26. The Heretics
    Gives a joyful sense of what it was like to be a feminist in the 1970s, a time when “everything seemed possible.”
  27. The Yes Men Fix the World
    If the Yes Men’s antics have a lot in common with the stunts of Sacha Baron Cohen and Michael Moore, they are executed more in the spirit of dry amusement than as showboating, gotcha moments.
  28. Araya
    Whatever visual poetry the film possesses is overwhelmed by the thuddingly bad and nearly ceaseless narration, written by Ms. Benacerraf and Pierre Seghers.
  29. After the Storm
    Directed by Hilla Medalia with exactly the right balance of musical theater and personal drama, After the Storm presents a touching affirmation of the healing power of right-brain stimulation.
  30. A Serious Man
    The story is at once hilarious and horrific, its significance both self-evident and opaque. The same could be said of most of the Coen brothers’ movies, in which human existence and the attempt to find meaning in it are equally futile, if also sometimes a lot of fun. (For us, at least.)
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