The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. Garbage Dreams records the tremblings of a culture at a crossroads.
  2. An unnerving but unsatisfying chronicle of a German village filled with hidden cruelty, set on the eve of World War I.
  3. With its strained, quasi-poetic language that fitfully tries to soar, The Loss of a Teardrop Diamond is a significant, though less than monumental feat of reclamation.
  4. While it could stand to lose 20 minutes and several plot twists, Mr. Na’s debut manages to be thought-provoking and adventurous while providing solid thrills.
  5. There are worse things than loutish, laddish cool, and as a series of poses and stunts, Sherlock Holmes is intermittently diverting.
  6. It’s a full three-ring affair, complete with puffs of smoke, glitter and grunge, some hocus-pocus, mumbo jumbo and even a dwarf.
  7. Pleasurable, daffy if at times daft.
  8. And the ingenuity of “Sita” — is dazzling. Not busy, or overwhelming, or eye-popping. Just affecting, surprising and a lot of fun.
  9. The earlier “Alvin” movie made more than $217 million just in the United States. It’s hard to imagine this somewhat confused sequel doing as well.
  10. So much in this meticulous and moving film is between the lines, and almost nothing is by the book.
  11. There are barely enough titter-worthy one-liners in Marc Lawrence's good-natured romantic comedy Did You Hear About the Morgans? to prevent it from sinking under the weight of its clichés.
  12. Glorious and goofy and blissfully deranged.
  13. Straining to capture artistic frenzy, it descends into vulgar chaos, less a homage to Federico Fellini’s “8 ½” (its putative inspiration) than a travesty.
  14. Despite the filmmakers’ efforts to persuade us that The Young Victoria is a serious work, and despite some tense moments and gunfire, the movie’s pleasures are as light as its story. No matter. Albert may never rip Victoria’s bodice, but he does eventually loosen it, to her delight and ours.
  15. A small movie perfectly scaled to the big performance at its center.
  16. ATown Called Panic is an adventure story as fast-paced and exciting as any currently in theaters.
  17. The deeper Ricky plunges into allegory, the shakier its grasp of the material.
  18. It’s an exciting sports movie, an inspiring tale of prejudice overcome and, above all, a fascinating study of political leadership.
  19. The filmmakers’ evident affection for the book expresses itself as a desperate scramble to include as much of it as possible, which leaves the movie feeling both overcrowded and thin.
  20. While A Single Man has its flaws, many of these fade in view of the performance and the power of Isherwood’s story.
  21. Has its share of funny moments. But it also has its share of tired ones, like the subplot involving the inadvertent swallowing of a ring.
  22. Tenderness is a movie undone by its formulaic plot conventions, and its need to give its star more screen time than his characters merits.
  23. While watching Werner Herzog’s My Son, My Son, What Have Ye Done you might be tempted to murmur, “My Werner, My Werner, What Have Ye Done.”
  24. Mr. Kapoor, a heartthrob who has quickly become a star playing cads, turns in a skillfully understated performance. His Harpreet is an old-school hero: solid, righteous, compassionate. You can’t help cheering for him.
  25. One of the pleasures of Up in the Air is that its actresses share the frame with Mr. Clooney as equals, not props
  26. The kind of movie that gives literature a bad name. Not because it undermines the dignity of a great writer and his work, but because it is so self-consciously eager to flaunt its own gravity and good taste.
  27. Transylmania, a vampire-hunter, college road trip sex comedy, has a problem: someone has drained all the laughs out of it.
  28. A smart, well-meaning project -- never quite pulls itself together. It has a vague, half-finished feeling, as if it had not figured out what it was trying to do. Which may amount to a kind of realism -- an accurate reflection of where we are in Afghanistan.
  29. An unabashed B movie: basic, brutal and sometimes clumsy, but far from dumb, and not bad at all.
  30. The queasiness produced by this sentimental weepie builds into a wave of nausea during its interminable finale.

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