The New York Times' Scores

For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20278 movie reviews
  1. As the movie's frenetic visual rhythms and mood swings synchronize with the zany, adrenaline-fueled impulsiveness of its lost youth on the rampage, you may find yourself getting lost in this teeming netherworld.
  2. It seems to me that by describing horror with such elegance and beauty, Kubrick has created a very disorienting but human comedy, not warm and lovable, but a terrible sum- up of where the world is at... Because it refuses to use the emotions conventionally, demanding instead that we keep a constant, intellectual grip on things, it's a most unusual--and disorienting--movie experience.
  3. The film is a snort-out-loud-funny master class of controlled chaos.
  4. Mr. Condon's great achievement is to turn Kinsey's complicated and controversial career into a grand intellectual drama.
  5. Praise will stick with you. It's more than worthy of its title.
  6. Be warned: it's a downer, and a knockout.
  7. Stringent, clinical and almost unbearably moving.
  8. Sweet Sixteen shows that he's (Loach) as capable of anger as his protagonist and just as eager to draw attention to an unchanging problem: the blight of generational poverty.
  9. Innocenc doesn't just reveal a wealth of visual enchantments; it restates the case that there can and should be more to feature-length animations than cheap jokes, bathos and pandering.
  10. This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.
  11. Who would have expected Ms. Zellweger --- and Miramax -- to come through in a musical? And it's one of the few Christmas entertainments to run under two hours. Who couldn't love that?
  12. The playful spookiness of Mr. Jackson's direction provides a lively, light touch, a gesture that doesn't normally come to mind when Tolkien's name is mentioned.
  13. Mr. Bernal's soulful, magnetic performance notwithstanding, the real star of the film is South America itself, revealed in the cinematographer Eric Gautier's misty green images as a land of jarring and enigmatic beauty.
  14. Never has a film so strongly been a product of a director's respect for its source. Mr. Jackson uses all his talents in the service of that reverence, creating a rare perfect mating of filmmaker and material.
  15. A political thriller that manages to be at once silly and clever, buoyantly satirical and sneakily disturbing, but he (Demme) has recovered some of the lightness and sureness of touch that had faded from his movies after "The Silence of the Lambs."
  16. The English director Mike Leigh's best work in a decade.
  17. A hilariously brazen comedy whose heroine is an improbable hoot.
  18. Few films have explored the human face this searchingly and found such complex psychological topography. That's why The Wings of the Dove succeeds where virtually every other film translation of a James novel has stumbled.
  19. Mr. Gast skillfully blends photographs, celebrity interviews with Norman Mailer and others, and colorful forays into the Zairian countryside, where Ali fostered black brotherhood and became a huge favorite, in a film that ''gazes well beyond the ring and seeks engagement with history''.
  20. A huge, initially ambivalent but finally adoring, Pop portrait of one of the most brilliant and outrageous American military figures of the last one hundred years.
  21. His Breakdown is a tough, vigorous exercise in pure action, shot with throwback expertise and, most refreshingly, without special effects.
  22. Mr. Pitt moves through this unexpectedly solid thriller with dazzling confidence, showing off all the star power that he usually works overtime to hide.
  23. Louisiana's delta country has never looked more darkly, lusciously sensual than it does in Eve's Bayou, a Southern gothic soap opera, written and directed by Kasi Lemmons, that transcends the genre through the sheer rumbling force of its characters' passions.
  24. Before we go numb from such prefab excitement, here comes a mega-movie that actually delivers what mega-movies promise: strong characters, smart plotting, breathless action and a gimmick that hasn't been seen before.
  25. One reason the film version of Terrence McNally's play Love! Valour! Compassion! is so moving is that this complicated group portrait never loses its slippery emotional footing.
  26. As directed exquisitely by Gillian Armstrong in a headstrong spirit that recalls her debut feature, "My Brilliant Career," this elliptical tale makes up in visual beauty whatever it lacks in universal meaning.
  27. If the film doesn't add up to a cogent legal argument, neither does it have trouble delivering 2 hours and 20 minutes' worth of sturdy, highly charged drama.
  28. With a fine vengeance along with flashes of great, unexpected tenderness, Mr. Solondz lethally evokes every petty humiliation that his seventh-grade heroine can't wait to forget.
  29. This is a formula film, but it has the kind of good cheer and fine tuning that occasionally give slickness a good name.
  30. His sumptuous film is as strange and mesmerizing as it is imaginatively ghastly. It's a sophisticated, spookily intense rendering of Ms. Rice's story.

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