For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
As the movie's frenetic visual rhythms and mood swings synchronize with the zany, adrenaline-fueled impulsiveness of its lost youth on the rampage, you may find yourself getting lost in this teeming netherworld.- The New York Times
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Reviewed by
Vincent Canby
It seems to me that by describing horror with such elegance and beauty, Kubrick has created a very disorienting but human comedy, not warm and lovable, but a terrible sum- up of where the world is at... Because it refuses to use the emotions conventionally, demanding instead that we keep a constant, intellectual grip on things, it's a most unusual--and disorienting--movie experience.- The New York Times
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Reviewed by
Manohla Dargis
The film is a snort-out-loud-funny master class of controlled chaos.- The New York Times
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Reviewed by
Dana Stevens
Mr. Condon's great achievement is to turn Kinsey's complicated and controversial career into a grand intellectual drama.- The New York Times
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Sweet Sixteen shows that he's (Loach) as capable of anger as his protagonist and just as eager to draw attention to an unchanging problem: the blight of generational poverty.- The New York Times
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Reviewed by
Manohla Dargis
Innocenc doesn't just reveal a wealth of visual enchantments; it restates the case that there can and should be more to feature-length animations than cheap jokes, bathos and pandering.- The New York Times
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Reviewed by
Stephen Holden
This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.- The New York Times
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Reviewed by
A.O. Scott
Who would have expected Ms. Zellweger --- and Miramax -- to come through in a musical? And it's one of the few Christmas entertainments to run under two hours. Who couldn't love that?- The New York Times
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Reviewed by
Elvis Mitchell
The playful spookiness of Mr. Jackson's direction provides a lively, light touch, a gesture that doesn't normally come to mind when Tolkien's name is mentioned.- The New York Times
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Reviewed by
Dana Stevens
Mr. Bernal's soulful, magnetic performance notwithstanding, the real star of the film is South America itself, revealed in the cinematographer Eric Gautier's misty green images as a land of jarring and enigmatic beauty.- The New York Times
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Reviewed by
A.O. Scott
Never has a film so strongly been a product of a director's respect for its source. Mr. Jackson uses all his talents in the service of that reverence, creating a rare perfect mating of filmmaker and material.- The New York Times
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Reviewed by
Dana Stevens
A political thriller that manages to be at once silly and clever, buoyantly satirical and sneakily disturbing, but he (Demme) has recovered some of the lightness and sureness of touch that had faded from his movies after "The Silence of the Lambs."- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
A hilariously brazen comedy whose heroine is an improbable hoot.- The New York Times
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Reviewed by
Stephen Holden
Few films have explored the human face this searchingly and found such complex psychological topography. That's why The Wings of the Dove succeeds where virtually every other film translation of a James novel has stumbled.- The New York Times
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Reviewed by
Lawrence Van Gelder
Mr. Gast skillfully blends photographs, celebrity interviews with Norman Mailer and others, and colorful forays into the Zairian countryside, where Ali fostered black brotherhood and became a huge favorite, in a film that ''gazes well beyond the ring and seeks engagement with history''.- The New York Times
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Reviewed by
Vincent Canby
A huge, initially ambivalent but finally adoring, Pop portrait of one of the most brilliant and outrageous American military figures of the last one hundred years.- The New York Times
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Reviewed by
Janet Maslin
His Breakdown is a tough, vigorous exercise in pure action, shot with throwback expertise and, most refreshingly, without special effects.- The New York Times
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Reviewed by
Janet Maslin
Mr. Pitt moves through this unexpectedly solid thriller with dazzling confidence, showing off all the star power that he usually works overtime to hide.- The New York Times
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Reviewed by
Stephen Holden
Louisiana's delta country has never looked more darkly, lusciously sensual than it does in Eve's Bayou, a Southern gothic soap opera, written and directed by Kasi Lemmons, that transcends the genre through the sheer rumbling force of its characters' passions.- The New York Times
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Reviewed by
Janet Maslin
Before we go numb from such prefab excitement, here comes a mega-movie that actually delivers what mega-movies promise: strong characters, smart plotting, breathless action and a gimmick that hasn't been seen before.- The New York Times
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Reviewed by
Stephen Holden
One reason the film version of Terrence McNally's play Love! Valour! Compassion! is so moving is that this complicated group portrait never loses its slippery emotional footing.- The New York Times
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Reviewed by
Janet Maslin
As directed exquisitely by Gillian Armstrong in a headstrong spirit that recalls her debut feature, "My Brilliant Career," this elliptical tale makes up in visual beauty whatever it lacks in universal meaning.- The New York Times
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Reviewed by
Janet Maslin
If the film doesn't add up to a cogent legal argument, neither does it have trouble delivering 2 hours and 20 minutes' worth of sturdy, highly charged drama.- The New York Times
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Reviewed by
Janet Maslin
With a fine vengeance along with flashes of great, unexpected tenderness, Mr. Solondz lethally evokes every petty humiliation that his seventh-grade heroine can't wait to forget.- The New York Times
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Reviewed by
Janet Maslin
This is a formula film, but it has the kind of good cheer and fine tuning that occasionally give slickness a good name.- The New York Times
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Reviewed by
Janet Maslin
His sumptuous film is as strange and mesmerizing as it is imaginatively ghastly. It's a sophisticated, spookily intense rendering of Ms. Rice's story.- The New York Times
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