For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
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Reviewed by
A.O. Scott
The movie is full of juices that give it a healthy, pungent flow.- The New York Times
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Reviewed by
Bosley Crowther
For the most part, Nino Rota's music provides a rich melodic surrounding for the pictorial magnificence, and a heretofore unknown Verdi waltz that is played at the ball at the finish appropriately supplements this remarkably vivid, panoramic, and eventually morbid show. (Review of Original Release)- The New York Times
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Reviewed by
Dana Stevens
Like so many European pictures these days, Read My Lips seems destined to be remade in Hollywood, and it is unlikely to be improved by the addition of vainer actors, a simpler screenplay and flashier direction.- The New York Times
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Reviewed by
A.O. Scott
There's more to everyone here than we're initially led to think. The Good Girl is like a neurotically charged post-millennial take on the trailer-park comedies that Jonathan Demme once claimed for himself.- The New York Times
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Reviewed by
Janet Maslin
A handsome and fully imagined work of cautionary futuristic fiction.- The New York Times
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Reviewed by
Janet Maslin
Drawing a parade of colorful performances from a constantly surprising cast, the curiously titled ''John Grisham's 'The Rainmaker' '' is Mr. Coppola's best and sharpest film in years.- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Something not seen in movie theaters for a long time: an intelligent, modern screwball comedy, a minor classic on the order of competent, fast-talking curve balls about deception and greed like Mitchell Leisen's "Easy Living" and Billy Wilder's "Major and the Minor."- The New York Times
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- The New York Times
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Reviewed by
Elvis Mitchell
Their comedy gives audiences that have never seen anything like it a hilarious window on a new world.- The New York Times
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Reviewed by
Dana Stevens
All the drinking, arguing and brooding, which in lesser hands might have produced oppressive and unvarying dreariness, somehow adds up to a tableau of extraordinary vividness and variety.- The New York Times
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Reviewed by
Janet Maslin
Unfolds beautifully, with a rueful, knowing intelligence that rises above easy assumptions. [27 September 1996, p.C1]- The New York Times
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Reviewed by
Janet Maslin
One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as "Shakespeare in Love."- The New York Times
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Reviewed by
Dave Kehr
At once highly naturalistic and dreamily abstract, playing out its mythic themes through vibrantly detailed characterizations (and remarkable performances by the entire cast). The Return announces the arrival of a major new talent.- The New York Times
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- Critic Score
This is neither an easy film, nor, in the show biz sense, an entertaining one. It makes large demands upon its audience, and in return confers exceptional rewards.- The New York Times
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Reviewed by
Janet Maslin
Mr. Russell's wonderfully mad odyssey of a movie, in which a man sets out to find his biological parents and winds up meeting more weirdos than Alice found down the rabbit hole.- The New York Times
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Reviewed by
Dana Stevens
It is, all in all, a rambunctious and inspired ride in which the Coen brothers' voracious fascination with the arcana of American popular culture and their whiz-kid inventiveness reach new heights of whimsy.- The New York Times
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Reviewed by
Janet Maslin
Grandly entertaining...matches the Austen-based "Clueless" for sheer fun. [13 Dec 1995]- The New York Times
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Reviewed by
Janet Maslin
Stunning...a film much tougher and more transfixing than its wan title.- The New York Times
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Reviewed by
Janet Maslin
For all its exaggerated ordinariness, this film seems to start where others leave off.- The New York Times
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Reviewed by
A.O. Scott
Deftly swings to a spartan, engrossing climax, and the final twists spell out what the murderers are made of and the setting responsible for creating them. It is a true piece of film magic.- The New York Times
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Reviewed by
Janet Maslin
This poisonous, brazenly autobiographical comedy shows off the best of Mr. Allen's misanthropic humor.- The New York Times
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Reviewed by
Stephen Holden
One of the juiciest male characters to pop up in an independent film this year.- The New York Times
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Reviewed by
A.O. Scott
This dream of a movie is set in such a place; with its delicate shifts of tone, it could be a fairy tale by Faulkner- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
You realize you are witnessing a psychodrama of novelistic intricacy and epic scope.- The New York Times
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Reviewed by
Dave Kehr
To watch the biggest stars of their time in casual conversation, trading riffs and passing bottles, without benefit of publicists, handlers and security goons is to relive an innocent, anarchic time in the entertainment business when music, not marketing, was at the center of the enterprise.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Janet Maslin
If you don't share the film's piercing vision of what really matters, someday you will.- The New York Times
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