For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dave Kehr
One of the most pleasant foreign films of the year, a funny, graceful and immensely good-natured work.- The New York Times
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Reviewed by
Dana Stevens
It's amazing to see a film so brazenly experimental, so committed to reflecting on the circumstances and techniques of its making, that is at the same time so intent upon delivering old-fashioned cinematic pleasures like humor and pathos, character and plot.- The New York Times
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Reviewed by
Dana Stevens
By allowing the stories to play off one another and allowing layers of meaning to accumulate before we even notice them, the filmmakers capture some of the essential strangeness of life -- the way our relations are governed by laws that remain invisible to us until art reveals their workings.- The New York Times
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Reviewed by
Janet Maslin
Jerry Maguire is loaded with them: bright, funny, tender encounters between characters who seem so winningly warm and real.- The New York Times
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Reviewed by
Vincent Canby
A big commercial entertainment of unusually satisfying order. [11 Dec 1992]- The New York Times
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Reviewed by
Bosley Crowther
On that simple framework and familiar story line, director Kurosawa has plastered a wealth of rich detail, which brilliantly illuminates his characters and the kind of action in which they are involved. He has loaded his film with unusual and exciting physical incidents and made the whole thing graphic in a hard, realistic western style.- The New York Times
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Reviewed by
Stephen Holden
Paxton's Dad may be the most terrifying father to appear in a horror film since Jack Nicholson went crazily homicidal in "The Shining."- The New York Times
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Reviewed by
Janet Maslin
Fierce and disturbing, with a plot that skillfully resists following any familiar course. The film's hero fears that he's half-crazy, and for two hours Mr. Gilliam artfully keeps his audience feeling the same way.- The New York Times
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Reviewed by
Vincent Canby
Although Mr. Petri quite consciously makes movies about ideas, he has, in his "Investigation," made a movie in which the ideas, and the man who seethes with them, have the shock and impact of the most fundamental kind of melodrama.- The New York Times
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Reviewed by
Dana Stevens
To call The Son a masterpiece would be to insult its modesty. Like the homely, useful boxes Olivier teaches his prodigals to build, it is sturdy, durable and, in its downcast, unobtrusive way, miraculous.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
When you get the shivers watching this wintry tale unfold, it won't be from the cold.- The New York Times
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Reviewed by
A.O. Scott
The anomalous proliferation of scenic beauty gives Mr. Nolan irony to play with, and he uses it spectacularly. The director and his gifted cinematographer, Wally Pfister, are clearly turned on by all this wasted beauty.- The New York Times
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Reviewed by
Stephen Holden
The concert scenes find the stage awash in such intense joy, camaraderie and nationalist pride that you become convinced that making music is a key to longevity and spiritual well-being.- The New York Times
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Reviewed by
Janet Maslin
Ronin can be watched as appreciatively for its hard-boiled performances as for its visceral excitement.- The New York Times
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Reviewed by
Janet Maslin
Even when it turns turbulent, the film sustains its warm summer glow, and makes itself a conversation piece about the moral issues it means to raise.- The New York Times
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Reviewed by
Janet Maslin
Morris has fashioned a brilliant work of pulp fiction around this crime. [26 Aug 1988, p.C6]- The New York Times
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Reviewed by
A.O. Scott
This film has a conquering spirit. The dankness is replaced by an optimistic blast of sunlight at the end, a contrast to the earlier lighting dimmed with human misery. Mr. Frears blasts away the blight, though he doesn't have to work to restore Okwe's dignity. It shines through from the start.- The New York Times
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Reviewed by
Vincent Canby
"E.T." is as contemporary as laser-beam technology, but it's full of the timeless longings expressed in children's literature of all eras.- The New York Times
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Reviewed by
A.O. Scott
Marvelously quick-witted and gloriously goofy hand-drawn feature shows there's still more than 21 grams of life left in the form.- The New York Times
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Reviewed by
Stephen Holden
Fowler may be the richest character of Mr. Caine's screen career. Slipping into his skin with an effortless grace, this great English actor gives a performance of astonishing understatement whose tone wavers delicately between irony and sadness.- The New York Times
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Reviewed by
A.O. Scott
Has enough going on to make it a classic. You'll want to own it.- The New York Times
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Reviewed by
Dana Stevens
Osama's unvarnished vulnerability, along with the director's combination of tough-mindedness and lyricism, prevents the movie from becoming at all sentimental; instead, it is beautiful, thoughtful and almost unbearably sad.- The New York Times
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Reviewed by
Stephen Holden
This hilarious fake documentary -- deserves a place beside the comedies of Christopher Guest in the hall of fame of semi-deadpan spoofs.- The New York Times
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Reviewed by
Janet Maslin
It has taken only two films, "Welcome to the Dollhouse" and now Happiness, for Todd Solondz to establish his as one of the most lacerating, funny and distinctive voices in American film.- The New York Times
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Reviewed by
Janet Maslin
Mr. Redford has found his own visually eloquent way to turn the potboiler into a panorama, with a deep-seated love for the Montana landscape against which his rapturously beautiful film unfolds.- The New York Times
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Reviewed by
Stephen Holden
Not since "Y Tu Mamá También" has a movie so palpably captured the down-to-earth, flesh-and-blood reality of high-spirited people living their lives without self-consciousness.- The New York Times
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Reviewed by
Dana Stevens
An astute and surprisingly gripping drama not only about the ethics of magazine writing, but also, more generally, about the subtle political and psychological dynamics of modern office culture.- The New York Times
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Reviewed by
Janet Maslin
BLACK humor, abundant originality and a brilliant visual style make Joel Coen's Blood Simple a directorial debut of extraordinary promise.- The New York Times
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Reviewed by
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- The New York Times
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