For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
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Reviewed by
A.O. Scott
Doesn't try to cram messages of uplift down its audience's gullet. It's a great eggscape from banality.- The New York Times
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Reviewed by
Dave Kehr
A strange and funny film, smart, complex and difficult to shake.- The New York Times
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Reviewed by
Dana Stevens
It seems almost unthinkable that such a charismatic, generous and lively man could be gone. It also makes you understand what it means for a country like Haiti to lose a citizen like Jean Dominique.- The New York Times
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Reviewed by
Stephen Holden
The sweet, solemn music of George Harrison, who died two years ago, has rarely sounded more majestic than in the sweeping performances of the enlarged star-studded band that gathered in London at Royal Albert Hall on Nov. 29 to commemorate his legacy.- The New York Times
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Reviewed by
Janet Maslin
Is still sleek, gripping entertainment with a raw-nerved, changeable camera style that helps to amplify its meaning.- The New York Times
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- The New York Times
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Reviewed by
Vincent Canby
It is galvanizing because of Al Pacino's splendid performance in the title role and because of the tremendous intensity that Mr. Lumet brings to this sort of subject. (Review of Original Release)- The New York Times
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Reviewed by
Dana Stevens
Enough drama, humor and unfiltered nail-biting suspense to put all the thrill-mongering screenwriters in Hollywood to shame.- The New York Times
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Reviewed by
Stephen Holden
Recoing's performance is a sensitive portrayal of a man in the throes of an excruciating spiritual crisis.- The New York Times
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Reviewed by
Stephen Holden
By the end of this reflective, wise, often hilarious movie, you feel as though he (McElwee) has slapped a huge chunk of raw, palpitating life onto the screen.- The New York Times
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Reviewed by
Bosley Crowther
The thrills come in following a succession of dawnings in people's minds.But Mr. Hitchcock has presented this mental material on the screen with remarkable visual definition of developing intrigue and mood.- The New York Times
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A.O. Scott
The movie's writer and director, Tom McCarthy, has such an appreciation for quiet that it occupies the same space as a character in this film, a delicate, thoughtful and often hilarious take on loneliness.- The New York Times
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Reviewed by
A.O. Scott
Even better on a second viewing because the film is such a pure expression of the director's love for the music, a love so infectious it should leave you elated.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
Smoothly directed and acted with glee... showing quick-witted comic spirit.- The New York Times
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Reviewed by
A.O. Scott
Director Alfonso Cuarón works with a quicksilver fluidity, and the movie is fast, funny, unafraid of sexuality and finally devastating.- The New York Times
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Reviewed by
Dana Stevens
Its effects seem more like those of a poem or a piece of music than a movie. Requires the reverent darkness and communal solitude of a theater.- The New York Times
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Reviewed by
Dana Stevens
Offers the kind of experience that makes you glad movies exist.- The New York Times
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Reviewed by
Janet Maslin
It tells a finely nuanced tale of right, wrong and the gray area in between.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
The kind of movie that seduces you into becoming putty in its manipulative card-sharking hands and making you enjoy being taken in by its shameless contrivance.- The New York Times
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Reviewed by
Janet Maslin
A rueful, warmly affecting film featuring a wonderful performance by Mr. Troisi, The Postman would be attention-getting even without the sadness that overshadows it. [14 June 1995, p. C15]- The New York Times
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Reviewed by
Dana Stevens
Has a quiet, cumulative magic, whose source is hard to identify. Its simple, meticulously composed frames are full of mystery and feeling; it's an action movie that stands perfectly still.- The New York Times
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Reviewed by
A.O. Scott
It's undeniably a trifle, but rarely is something like this done with such skill and, well, savoir-faire.- The New York Times
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Reviewed by
Janet Maslin
There are times when The Shawshank Redemption comes dangerously close to sounding one of those "triumph of the spirit" notes. But most of it is eloquently restrained.- The New York Times
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Reviewed by
Janet Maslin
The film's strength is that it sustains an intimate and realistic tone. Mr. Fishburne, who is called upon to deliver several lectures, manages to do so with enormous dignity and grace, and makes Furious a compelling role model, someone on whom the whole film easily pivots.- The New York Times
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Reviewed by
A.O. Scott
Tsai not only gives the audience a chance to breathe but also lets us luxuriate in the mood of deadpan melancholy his movie evokes so beautifully.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Sustains a perfect balance of pathos, humor and a clear-headed realism. One tiny misstep, and it could have tumbled into an abyss of tears.- The New York Times
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Reviewed by
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- The New York Times
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