The New York Times' Scores

For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20278 movie reviews
  1. Doesn't try to cram messages of uplift down its audience's gullet. It's a great eggscape from banality.
  2. A strange and funny film, smart, complex and difficult to shake.
  3. It seems almost unthinkable that such a charismatic, generous and lively man could be gone. It also makes you understand what it means for a country like Haiti to lose a citizen like Jean Dominique.
  4. The sweet, solemn music of George Harrison, who died two years ago, has rarely sounded more majestic than in the sweeping performances of the enlarged star-studded band that gathered in London at Royal Albert Hall on Nov. 29 to commemorate his legacy.
  5. Is still sleek, gripping entertainment with a raw-nerved, changeable camera style that helps to amplify its meaning.
  6. Delicate and altogether satisfying romantic comedy.
  7. It is galvanizing because of Al Pacino's splendid performance in the title role and because of the tremendous intensity that Mr. Lumet brings to this sort of subject. (Review of Original Release)
  8. Enough drama, humor and unfiltered nail-biting suspense to put all the thrill-mongering screenwriters in Hollywood to shame.
  9. Recoing's performance is a sensitive portrayal of a man in the throes of an excruciating spiritual crisis.
  10. By the end of this reflective, wise, often hilarious movie, you feel as though he (McElwee) has slapped a huge chunk of raw, palpitating life onto the screen.
  11. The thrills come in following a succession of dawnings in people's minds.But Mr. Hitchcock has presented this mental material on the screen with remarkable visual definition of developing intrigue and mood.
  12. The movie's writer and director, Tom McCarthy, has such an appreciation for quiet that it occupies the same space as a character in this film, a delicate, thoughtful and often hilarious take on loneliness.
  13. Even better on a second viewing because the film is such a pure expression of the director's love for the music, a love so infectious it should leave you elated.
  14. Something special.
  15. Smoothly directed and acted with glee... showing quick-witted comic spirit.
  16. Director Alfonso Cuarón works with a quicksilver fluidity, and the movie is fast, funny, unafraid of sexuality and finally devastating.
  17. Its effects seem more like those of a poem or a piece of music than a movie. Requires the reverent darkness and communal solitude of a theater.
  18. Offers the kind of experience that makes you glad movies exist.
  19. It tells a finely nuanced tale of right, wrong and the gray area in between.
  20. An almost unbearably powerful documentary.
  21. The kind of movie that seduces you into becoming putty in its manipulative card-sharking hands and making you enjoy being taken in by its shameless contrivance.
  22. A rueful, warmly affecting film featuring a wonderful performance by Mr. Troisi, The Postman would be attention-getting even without the sadness that overshadows it. [14 June 1995, p. C15]
  23. Has a quiet, cumulative magic, whose source is hard to identify. Its simple, meticulously composed frames are full of mystery and feeling; it's an action movie that stands perfectly still.
  24. It's undeniably a trifle, but rarely is something like this done with such skill and, well, savoir-faire.
  25. There are times when The Shawshank Redemption comes dangerously close to sounding one of those "triumph of the spirit" notes. But most of it is eloquently restrained.
  26. The film's strength is that it sustains an intimate and realistic tone. Mr. Fishburne, who is called upon to deliver several lectures, manages to do so with enormous dignity and grace, and makes Furious a compelling role model, someone on whom the whole film easily pivots.
  27. Tsai not only gives the audience a chance to breathe but also lets us luxuriate in the mood of deadpan melancholy his movie evokes so beautifully.
  28. Supremely entertaining.
  29. Sustains a perfect balance of pathos, humor and a clear-headed realism. One tiny misstep, and it could have tumbled into an abyss of tears.
  30. Melancholy little gem of a movie.

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