The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
  1. This convulsively funny movie takes an up-close and sometimes queasy-personal approach to its motormouth subject, who, when she's not making you howl with laughter (or freeze up in horror), brandishes her deeply held hurts, fears, prejudices, poor judgment and bad taste as if they were stigmata.
  2. So good it leaves you starved for more.
  3. Essential viewing for anyone who desires a sense of the finer human grain of a war that now commands the attention of the world as never before.
  4. Mr. Patwardhan has located so much information and found so many willing interview subjects that his War and Peace has a riveting intelligence all its own and earns its epic title.
  5. In juxtaposing two extraordinary personal histories, it ponders in a refreshingly original way unanswerable questions about memory, imagination, history and that elusive thing we call truth.
  6. Propelled by a captivating, wrenching performance by Karine Vanasse as Hanna, a 13-year-old girl adrift in a sea of powerful emotions in Montreal in 1963.
  7. Dense, contradictory and distressingly honest, Valley of Tears is that rarity among political documentaries: a genuinely thought-provoking film.
  8. One of the strengths of Sunset Story is that it introduces us to a pair of extraordinary women who have kept their dignity and independence in a world that conspires against them having either. The story of Lucille and Irja may break your heart, but it will also make your day.
  9. Mr. Bogosian's venomously funny play, which he adapted himself for the screen, is given warmth and generosity by Mr. Linklater, whose elegantly fluid direction and great skill with actors are accentuated by the play's spareness.
  10. The film is a requiem for the living as well as for the dead.
    • 82 Metascore
    • 90 Critic Score
    A complex and quietly devastating indictment of chauvinist societies that see women as lovers, mothers and servants, and treat anyone who can’t fulfill those roles as a nonperson.
  11. What’s explicit here is ravenous passion and the depiction of desire as a creating, destroying force that invades the very flesh. It's terribly French.
  12. An erotically charged, beautifully directed story of a woman preyed upon by different men and her own warring desires.
  13. How was this careless, self-destructive human rhythm machine able to outlast almost all her peers? Maybe the vitality of the jazz she made kept her alive. She was one tough lady.
  14. Mr. Jacobs has succeeded at one of the most difficult tasks given a director, which is to make a character come alive through the filmmaking, not exposition.
  15. In the manner of a Satyajit Ray film, The Pool avoids melodrama, the better to capture the texture of Venkatesh's vagabond life.
  16. Because this is also a document of an actress actually at work, much of the movie's pleasure comes from watching another brilliant performance take shape as Ms. Streep tries out different line readings, gestures and poses in her search for Mother Courage.
  17. Filmmaker Kevin Rafferty makes the case for remembrance and for the art of the story in his preposterously entertaining documentary Harvard Beats Yale 29-29, preposterous at least for those of us who routinely shun that pagan sacrament.
  18. Cool-headed, lighthearted and outrageously entertaining.
  19. More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.
  20. A show not simply preserved by Mr. Lee’s camera, but brought, somehow, to its fullest, strangest, most electrifying realization.
  21. This strikingly humane film may function as a prequel to Animal Planet’s “Whale Wars” but is light years ahead in visual clarity and narrative ambition.
  22. It makes for continuously riveting, visceral entertainment that evokes a Gallic "Scarface" without the drugs.
  23. The story is deepened with a distinctively European political subtext as the increasingly grandiose Mesrine engages in a running dialogue with various characters about the differences between gangsters and revolutionaries.
  24. An agonizingly familiar refrain, but one that the young Argentine director Alexis Dos Santos relates with such tenderness and with so much ethereal beauty that it feels like something fresh.
  25. One of the pleasures of Ajami, a tough and in many ways unsparing movie, is its deep immersion in the beats and melodies of everyday life in Jaffa and beyond.
  26. Not a horror movie but a witty, expertly constructed psychological thriller.
  27. Its scrupulous, humane sympathy gives this small, sorrowful film a glow of insight and a pulse of genuine, openhearted curiosity.
  28. Ms. Abt provides an unusually honest, compassionate and challenging view of contemporary youth, neither sugarcoated nor prurient.
  29. As concert documentaries go, both “Neil Young: Heart of Gold” (2006) and the new Neil Young Trunk Show are luxury goods.

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