For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Liam Lacey
Redford hasn't moved too far here from an earlier political-thriller template: With its skulduggery, late-night meetings and the contemptuous political cabal out to thwart justice, The Conspirator can be thought of as "All the President's Men – The Lincoln Edition."- The Globe and Mail (Toronto)
- Posted Apr 29, 2011
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- The Globe and Mail (Toronto)
- Posted Apr 29, 2011
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Reviewed by
Rick Groen
More interestingly, it's also kind of sweet in a contrived and fumbling first-kiss sort of way.- The Globe and Mail (Toronto)
- Posted Apr 29, 2011
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Reviewed by
Stephen Cole
The 131-minute, car-racing film is adolescent guy date histrionics – screaming tires, snappy putdowns and, because we're in Rio, an occasional influx of bodies beautiful in Band-Aid bikinis.- The Globe and Mail (Toronto)
- Posted Apr 29, 2011
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Reviewed by
Liam Lacey
Not surprisingly, it's a cinematic mash note, but apparently a deserved one.- The Globe and Mail (Toronto)
- Posted Apr 22, 2011
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Rick Groen
No doubt, life is tough in the wild but, this being a Disney flick, it's loving too and even comes with a kiddie-friendly narrative that's easy to summarize and hard to dispute.- The Globe and Mail (Toronto)
- Posted Apr 22, 2011
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Reviewed by
Rick Groen
When the tent folds and the dust settles, the question is not whether the movie is good – sorry, not a chance – but whether it's garish enough, sappy enough, Hollywood enough to rise to the level of being likeably bad. Is it, in short, a guilty pleasure?- The Globe and Mail (Toronto)
- Posted Apr 22, 2011
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Reviewed by
Rick Groen
Give director Susanne Bier full marks: Her encasing parable is brand new and immediately provocative.- The Globe and Mail (Toronto)
- Posted Apr 15, 2011
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- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Reviewed by
Liam Lacey
Though it's undoubtedly ingenious, for such a clever movie, it's a shame Rubber couldn't be more fun.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Reviewed by
Jennie Punter
While the visuals aren't nearly as eye-popping as those of the underwater movies, the film is more inspiring thanks to its human heroines.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Reviewed by
Liam Lacey
By comparison to this effort, "Pineapple Express" seems like a model of thoughtful maturity.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Reviewed by
Rick Groen
It's one of those imperfect pictures that manages to command and hold our attention straight from the opening frames.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Rick Groen
Apparently, somebody thought it was time for a remake. Clearly, somebody was dead wrong.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Reviewed by
Rick Groen
It's Adrien Brody's turn to find himself the lone and immobilized star of an emerging new genre: Call it the anti-action flick.- The Globe and Mail (Toronto)
- Posted Mar 31, 2011
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Reviewed by
Rick Groen
View the Second World War through a child's eyes and the result isn't hard to predict: a loss-of-innocence tale. Winter in Wartime is the boilerplate version, with the already dramatic facts of the era ramped up to melodramatic levels. Little wonder it rings so false.- The Globe and Mail (Toronto)
- Posted Mar 31, 2011
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Reviewed by
Liam Lacey
Throughout, Wilson and Byrne play these parts straightforward and there's an undercurrent of real anguish in the struggle of parents coping with a child's long-term care.- The Globe and Mail (Toronto)
- Posted Mar 31, 2011
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Reviewed by
Liam Lacey
In this Willy Wonka-like animated world where multihued candies move about on assembly lines, the constant introduction to Rube Goldberg-style devices and slapstick action grows increasingly tiresome.- The Globe and Mail (Toronto)
- Posted Mar 31, 2011
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Stephen Cole
Michelle Monaghan's clowning response to her boyfriend's sudden histrionics lends the drama a giddy fizz.- The Globe and Mail (Toronto)
- Posted Mar 31, 2011
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Jennie Punter
A great-looking, fast-paced film and, to his credit, Bouchareb doesn't bathe the F.L.N. in a completely flattering light. But narrowing the focus to one central conflicted character and tightening the time frame might have given the audience something more to ponder than the action of a historical revenge thriller.- The Globe and Mail (Toronto)
- Posted Mar 24, 2011
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Liam Lacey
Ultimately, Certified Copy – with its unresolved loose ends – is a puzzle box without a key.- The Globe and Mail (Toronto)
- Posted Mar 24, 2011
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Reviewed by
Rick Groen
From that title on down, White Irish Drinkers is a compendium of clichés struggling to upgrade its status and become a respectable archetype.- The Globe and Mail (Toronto)
- Posted Mar 24, 2011
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Rick Groen
Win Win is a paragon of truth at a slow jog, but that upbeat sprint to the finish feels like a big cheat.- The Globe and Mail (Toronto)
- Posted Mar 24, 2011
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Reviewed by
Stephen Cole
Once it becomes clear that the new Diary of a Wimpy Kid is an equal-opportunity offender, and that it is the politically correct modern family that is being picked on, rather than young Greg, the film becomes cheerfully mischievous fun for everyone.- The Globe and Mail (Toronto)
- Posted Mar 24, 2011
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Reviewed by
Rick Groen
Add it all up, including the nifty twist at the end, and what we have here is a fun Hollywood flick with a good head on its shoulders.- The Globe and Mail (Toronto)
- Posted Mar 19, 2011
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Reviewed by
James Adams
Yes, it's all quite mad, Max, with a shaggy-dog ending to boot. But this giddiness, its go-for-broke/what-the-hellness, also is the film's strength.- The Globe and Mail (Toronto)
- Posted Mar 17, 2011
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Reviewed by
Stephen Cole
A big, bloated, though frequently engaging gangster movie, Kill the Irishman should properly be viewed late night on TV, flipping back and forth between the film, David Letterman and a west-coast ball game.- The Globe and Mail (Toronto)
- Posted Mar 17, 2011
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Reviewed by
Rick Groen
What began as quick and engaging, Hollywood craft at its most proficient, ends as dull and predictable, Hollywood product back in formulaic mode.- The Globe and Mail (Toronto)
- Posted Mar 17, 2011
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- The Globe and Mail (Toronto)
- Posted Mar 17, 2011
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