The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Though something less than a masterpiece, The Illusionist is a rare animated film of fleeting charms rather than loud noises, aimed more at wistful adults than thrill-hungry kids.
  2. The movie makes for quite a hike. It's also, at times, a bit of a slog.
  3. Not half bad for a formulaic rom-com.
  4. The film itself struggles to do justice to each victim. Turns out three stories are two too many. The Company Men should have been downsized.
  5. Extracting big drama out of small events is Mike Leigh's forte, and with his latest little masterpiece, Another Year, the English director pushes himself to the extreme.
  6. The high point might be the opening scene, before the stars arrive on screen.
  7. Where the hell is the movie?
  8. Throughout, Dorff is doggedly credible as an obtuse actor, but the richer performance here is from Fanning, and it might have been a stronger movie told from her character's point of view.
  9. Country Strong has a pleasant soundtrack of conservative country music, many of the tunes newly written for the movie, some of them performed by old pros and some of them performed by the cast.
  10. The pretty good stuff comes early, when Nic and Ron, weary of wasting women and children, suffer an attack of conscience and desert the Crusades.
  11. For a novel written nearly 300 years ago by a dour Irish cleric with a mad-on about the material world and a satiric mindset dark enough to flirt with misanthropy, it's amazing how well Gulliver's Travels travels. Even Jack Black can't ruin the thing, although not for lack of trying.
  12. A feisty domestic comedy about a curmudgeon with a heart, looking back over his misspent life.
  13. As for Keitel, he pops up in a brief cameo as a housing contractor, with a dump-truck full of sand, the one that De Niro is standing right behind. The pair engage in a heated argument, as they once did so memorably those many years ago, and then the truck dumps that load exactly where you know it must. An esteemed actor gets buried but, what-the-fock, the franchise laughs on.
  14. As usual, the Coens' visual elements are pristine. The contrasting colours in the fire-lit interiors are gorgeous, while cinematographer Roger Deakins keeps the camera close, resisting traditional panoramic views.
  15. While the outdoor sequences were filmed in New Zealand's Woodhill State Forest – the movie's most stunning 3-D moments – Yogi Bear does feature notable "Canadian content" via two Ottawa-born thespians.
  16. Brooks knew how to engineer a well-crafted script. Yet on the evidence here – a stuttering two-hour outing bereft of any rhythm, a bunch of scenes in search of a movie – he's apparently forgotten.
  17. With a curiously stubborn kind of integrity, Tron: Legacy follows what did and didn't work the first time – another weak story with sub-B-movie dialogue, partly compensated for by intensely conceived geometric design and special effects.
  18. The picture makes too many concessions to the Hollywood judges, pulls too many punches. But at least it has real punches to pull, because there's honest sweat here too, and a full complement of those archetypes that lie at the popular heart of the genre.
  19. Don't go down this Rabbit Hole unless you wish to see a superb film that treats a sad topic with unflinching honesty. Don't go down this Rabbit Hole unless you believe that tragedy's grief, when transmuted through art's protective lens, can feel liberating, even joyful in its painful truths.
  20. A taut, gorgeously filmed and enjoyably wicked cinematic treat.
  21. Sad news for Bard watchers: Julie Taymor's adaptation of William Shakespeare's The Tempest is not such stuff as dreams are made on.
  22. The plot is rich, the execution poor.
  23. Manic with an itch.
  24. Jam-packed but never disorienting, Cool It will definitely get your head spinning.
    • 69 Metascore
    • 50 Critic Score
    Though inspired by a real incident, the movie is an opportunistic political allegory about an economy that's out of control and industries that are weakened by layoffs, under-staffing and corporate callousness.
  25. Love & Other Drugs is quite the little cocktail of mood-brighteners, a movie narcotic easy to take and, since the effects wear off quickly, even easier to forget.
  26. Anyone interested in a no-seatbelts, out-of-control action flick will find much to enjoy in Faster; although even they may prefer seeing it in Blu-Ray at home, which would allow for trips to the fridge for fuel when the film begins to idle in the last reel.
  27. With Monsters, Edwards transcends the special-effects auteur label, creating a memorable sci-fi story in which the hero and heroine are true equals in the adventure. How's that for an alien concept?
  28. No matter who you side with here, Waste Land – the title should come with a question mark – is a fascinating adventure, populated by memorable characters.
  29. Yes, The King's Speech is a lively burst of populist rhetoric, superbly performed and guaranteed to please even discriminating crowds.

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