The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Some of the later scenes capture the spirit of majestic sweetness of "Close Encouners of the Third Kind" and "E.T: The Extra-Terrestrial" period, but the elevated moments don't last. They're relentlessly undermined by the f-bombs, groin kicks, and anal-probing jokes.
  2. There are many good reasons why the world doesn't need yet another adaptation of the Charlotte Bronte classic. Yet they all pale before the one great reason why it does – the chance to marvel at Wasikowska's performance.
  3. Patricio Guzmán's documentary, Nostalgia for the Light, pays equal attention to the astronomers and searchers, regarding their quest as the same – a search for life.
  4. With its stilted dialogue, fragments of voice-over and over-busy camera, Red Riding Hood feels off-kilter from the start.
  5. It's amazing to see, but potentially unsettling. Green is now 37. And it may be more than some mothers can take, imagining themselves cleaning up after their "little boy" when he's crowding 40.
  6. Don't mean to boast, but I can suspend my disbelief as willingly as any credulous moviegoer. Yet not even an industrial crane would have helped here.
  7. Sometimes, a strong premise makes for a weak movie, which ends up drowning in its own clever conceit.
  8. Though its level of execution is consistently high, Rango is a non-pandering comedy that takes its message of western individualism seriously: It's here for you and your children to enjoy – or not – as you please.
  9. There are moments of salty wit to its teen TV sensibility, and the story offers proof, once again, than there are few stories that can't be adapted to the theme of teenaged popularity politics.
  10. This parade of admiration is almost as exhausting as the experience of a Motörhead concert.
  11. Has a provocative, ticklish premise – five North England Muslims become suicide bombers, but can't decide who or what to take with them.
  12. Strictly for the midnight-movie crowd, Drive Angry serves up a non-stop stream of female nudity, flying body parts, gun battles and smart-alecky dialogue.
  13. Be prepared to exercise the same patience and forbearing as the Trappists, because the pacing here is all Grecian urn – so much "silence and slow time."
  14. Wisdom lies in taking a pass on Hall Pass, but bravery demands something else, something far more instructive: Watch it, every vacuous frame, if only to measure the precise aesthetic distance from blessing to curse.
  15. A light, slight, wry look at the beautiful and besotted, which gets away with not having much to say, thanks to its charm and excessive good looks.
  16. Say this for I Am Number Four: It's blessedly free of any original sins. Instead, they're all copied. Here a little "Superman," there a bit of "Spider-Man," now it's "Twilight" with aliens, then it's a spaghetti western with trucks – this thing borrows more heavily than an investment bank in an unregulated market.
  17. The art of the classic Hitchcockian thriller is about style, pace and misdirection – and though Unknown is occasionally baffling and involves running and car chases, the film rarely manages to thrill.
  18. This is the reliable raunch-plus-sweetness comic formula that goes back through the Farrelly brothers, Adam Sandler's comedies, "Revenge of the Nerds," "Porky's" and "Animal House."
  19. The movie is nothing if not anxious to please. There's a big, diverse, celebrity voice cast – Maggie Smith, Hulk Hogan and Dolly Parton as well as Caine and Osbourne.
  20. They're not much company, our Marcus and Esca. But there we are, mucking through crazy Scotland with them.
  21. Equal parts biopic, concert film and pep rally, the movie's 105 minutes do a good job of conveying the pleasures of pop, courtesy of the very real talents of Justin Bieber.
  22. In this vast balloon of a film, Bardem is the ballast – that Manichean face is a movie onto itself.
  23. The Super Bowl MVP is awarded a trip to Disneyland. Maybe in the future, he should be awarded a part in an Adam Sandler movie. There is no bigger male fantasy land.
  24. Living in a part of the world where politics, and the pursuit of politics by warring means, are the rule, director Elia Suleiman is the exception.
  25. To wit, stick that camera down an aquatic cave, wrap a paper-thin plot around it, slap the whole thing up on an IMAX screen and call it a movie. More truth in advertising: Call it a lame movie.
  26. The facts really get in the way of the portrait here, and we are left hungry for more Spacey and more insight into a man with the hubris to wonder if he has disappointed God.
  27. Lanthumos's accomplished and fascinating Dogtooth pushes the notion of parents screwing up their kids into seriously disturbing and darkly comic terrain.
  28. Some of the most memorable performances from great actors are also their worst: Add to that list Anthony Hopkins's turn as a sinister old Jesuit.
  29. Two superb actors etch an unflinching portrait of a young marriage doomed never to grow old.
  30. Has a deliberately minimalist, retro look to it as well.

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