The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Warrior is a weirdly affecting hybrid, a 100-proof melodrama that's two-thirds Sylvester Stallone and one-third Eugene O'Neill. Think Rocky's "Long Day's Journey into Night."
  2. Contagion isn't meant to provide delicious roller-coaster chills. Released two days before the 10th anniversary of 9/11, it's a film meant to scare the bejesus out of us.
  3. Beyond the knights and rooks, Bobby Fischer Against the World tells the story of a Jewish kid raised in Brooklyn who spent his final years in exile as a fulminating anti-Semite and a raving anti-American.
  4. Political thrillers with flawed heroes demand a different potion, one that mixes the grit of reality with the seeds of excitement until they reach a critical mass and explode. In that sense, for all its strengths and good intentions, The Debt owes a debt to the wrong genre – Birkenau wasn't fantasy; too often, this movie is.
  5. The ensemble is unwieldy and the attendant yarn much too cluttered.
  6. 5 Days of War feels low-budget in everything except its battle sequences.
  7. The Guard is guilty of being overly cute, but it brims with talent and a freshness that extends beyond the clever script.
    • 56 Metascore
    • 75 Critic Score
    This is still a seriously entertaining horror movie, one that will please newcomers as well as fans of the original oddity. But by the end of the film, I was wishing the filmmakers had left us wondering about precisely who and what these critters were just a little bit longer.
  8. Though the threat of exposure and incarceration lurk behind every story, the characters' ingenuity and humour serve as impudent alternatives to authoritarian stupidity and brutality.
  9. 3D Sex and Zen: Extreme Ecstasy fails to live up to either its promise or title.
  10. The effort is admirable, the movie not so much, and yet, contrary to most pictures, it does improve towards the end. At least a little.
  11. The crash, lethal in an eye-blink, was hard to watch when I saw it live on television, and it's not any easier here. The day was clear – no rain in sight.
  12. In today's cultural climate, any remake of Conan the Barbarian can only be considered (a) redundant or (b) a cruel case of rubbing salt in our cinematic wounds. Either way, it ain't a pretty sight – in fact, it's downright barbaric.
  13. The new version is mildly entertaining with some fun performances.
  14. There is also a parallel subplot following the fate of two Ukrainian girls caught in the sex-slave ring Kathy targets. This storyline isn't dramatically satisfying, but it does provide context and ensures the victims in this story are not portrayed simply as faces in the dark.
  15. Approximate time spent laughing: 30 seconds or fewer.
  16. Periodically, thanks to the 3-D, a long and pointy object emerges from the screen, threatening to impale the viewers through their eyeballs, enhancing the movie's guilty pleasure by reminding us that we, too, are made of vulnerable flesh and bone.
  17. A high-school talent show, no doubt, but, at its best, well worth glorifying.
  18. Typically, this sort of film is an earnest tear-jerker with moments of levity. Instead, what we have here is a raucous rib-tickler with occasional pauses for a little dramatic relief.
  19. El Bulli barely registers a pulse stronger than a book's. There is no narration, there are no interviews and forget about any apron-ripping drama, as presented nightly on the Food Network.
  20. New Zealand-born director Lee Tamahori (Once Were Warriors, Die Another Day) avoids biopic tropes, filling the screen with the jolts of a violent thriller and exploiting the few comic possibilities.
  21. It can definitely grate on your nerves but, at best, it also gets into your mind, and sticks fast.
  22. Martin Scorsese, meet Djo Tunda Wa Munga, because you obviously have a lot in common. Viva Riva! is nothing less than the Congolese Mean Streets, oozing sexual heat and brute violence and powered by a locomotive's worth of raw kinetic energy.
  23. While there's some decent fun to be had in this fantasy world, The Change-Up drags on so long you may need to "visit the fountain" before Dave and Mitch become themselves again.
  24. The running time is efficient, the direction is clean, the story is simple but resonant, the effects are understated yet impressive, and the near-wordless star of the show puts on an acting clinic. Damned if the risen one doesn't lift us out of our seats.
  25. A combination of timing, access, a visual aesthetic that reflects ATCQ's Afrocentric "surface philosophy" (as the crew's look is described) and, most importantly, story-conscious editing elevates the doc above the norm.
  26. It's refreshing to see a movie tackling difficult ideas, even if, like the new Earth, it sometimes feels like the filmmakers have their heads up in the clouds.
  27. It's the sort of big thought that makes a small point, which is precisely the problem with Life in a Day. A documentary that looks to give this notion visual form, it strives awfully hard for depth but, more often than not, comes off too shallow.
  28. Sitcom star Harris puts his smart-aleck chops to good use as Patrick Winslow.
  29. Stacked against this summer's CGI-driven blockbusters, Attack the Block is definitely the fastest action ride (clocking under 90 minutes), and quite possibly the most fun.

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