For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Liam Lacey
Sumptuous and schmaltzy, Steven Spielberg's First World War drama, War Horse, is a strange beast of a film.- The Globe and Mail (Toronto)
- Posted Dec 26, 2011
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Reviewed by
Rick Groen
Although the subject, school bullying, is as fresh as today's headlines, the treatment isn't. Despite the efforts of an impressive cast, the film starts out stale and then just gets tedious.- The Globe and Mail (Toronto)
- Posted Dec 23, 2011
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Reviewed by
Rick Groen
Director Cameron Crowe who, not having made a dramatic feature since his 2005 stinker "Elizabethtown," seems bound and determined to crank out a crowd-pleaser here.- The Globe and Mail (Toronto)
- Posted Dec 23, 2011
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- Critic Score
Bausch's work, as performed by her dance company Tanztheater Wuppertal, is shot exactingly by Wenders, who captures everything from the largest gestures to the subtlest facial nuances in ways impossible in 2-D – and of course in far closer detail than seeing the dances performed live.- The Globe and Mail (Toronto)
- Posted Dec 21, 2011
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Reviewed by
Kate Taylor
Hergé was the pioneer of an even-handed style of cartooning with solid lines and no shading that became known as ligne claire, but there is a decided lack of clear lines in this erratic movie adaptation of his work.- The Globe and Mail (Toronto)
- Posted Dec 20, 2011
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Reviewed by
Liam Lacey
Not too surprisingly, Fincher doesn't bring his auteur A-game here, though his crafty B-game is better than most. As well, the break-out performance of Rooney Mara as the semi-feral computer hacker, Lisbeth Salander, gives the film a residue of authentic anguish.- The Globe and Mail (Toronto)
- Posted Dec 19, 2011
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Reviewed by
Stephen Cole
Dragonslayer documents what happened when California stopped dreaming.- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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Reviewed by
Jennie Punter
Like the recent Adam Sandler dud "Jack and Jill," a sizable chunk of Chip-Wrecked was shot on the newest ship in the fleet of a major cruise company – the ultimate in movie product placement!- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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Rick Groen
This movie wants to be a horse but, even measured in box-office millions, it's just another nag.- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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Reviewed by
Rick Groen
This superb remake has the inevitable look of a period piece, a smoke-filled rendering of things past. However, thanks to Tomas Alfredson's direction, a taut screenplay, and a uniformly brilliant cast, the film also retains its contemporary relevance.- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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Reviewed by
Liam Lacey
The movie rolls on, with more clever but increasingly repetitive action sequences that entertain, but drain the film of any credible sense of jeopardy.- The Globe and Mail (Toronto)
- Posted Dec 15, 2011
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Reviewed by
Rick Groen
Add up these three intentions – the down-and-dirty tone, the tender and uplifting message, the starring vehicle – and the math ain't funny. Bottom line: This movie is a whole lot less than the sum of its parts.- The Globe and Mail (Toronto)
- Posted Dec 9, 2011
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Reviewed by
Dave McGinn
New Year's Eve. It's big and shiny and crowded and no matter how much you might look forward to it, it never lives up to the hype. The movie is even worse.- The Globe and Mail (Toronto)
- Posted Dec 9, 2011
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Reviewed by
Liam Lacey
At its simple core, Sleeping Beauty is a perfectly pitched chamber piece about the menace of voluntary oblivion.- The Globe and Mail (Toronto)
- Posted Dec 9, 2011
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Reviewed by
Rick Groen
By Herzog's lofty standards, the result is mildly disappointing. The film lacks the sociological depth of "The Executioner's Song" or the emotional wallop of "In Cold Blood." But it sure is a surpassingly, and compellingly, strange tale.- The Globe and Mail (Toronto)
- Posted Dec 9, 2011
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Reviewed by
Rick Groen
Here, in orderly fiction, the reverberations bring about the alignment of cultures, the meeting of minds and the comforting assertion that "our lives aren't that different." Maybe so, and the film deserves full marks for trying, at times movingly, to convince us. In the end, the argument is a little too neat to accept, but far too poignant to ignore.- The Globe and Mail (Toronto)
- Posted Dec 5, 2011
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Jennie Punter
It may be a slim story, but its gentle humour, natural rhythm and above all authentic performances make Tomboy beautiful, intimate cinema.- The Globe and Mail (Toronto)
- Posted Dec 1, 2011
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Liam Lacey
Essentially agenda-free, My Perestroika has the quality of a candid conversation with long-lost cousins from another country.- The Globe and Mail (Toronto)
- Posted Dec 1, 2011
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Rick Groen
This is an affecting picture that leaves the viewer as wrung out as the protagonist. No doubt you'll be seduced but, in the end, you may also feel abandoned.- The Globe and Mail (Toronto)
- Posted Dec 1, 2011
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Reviewed by
Liam Lacey
Almost everyone is scum. The venality spreads from the slums or favelas, up the ranks of local militias, crooked police and pandering politicians.- The Globe and Mail (Toronto)
- Posted Nov 30, 2011
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Reviewed by
Rick Groen
The acting is superb, the settings are beautifully recreated, the dialogue crackles with occasional wit, but where's the juice? Although lovely to gaze upon, the whole thing feels a bit precious and porcelain, more teapot than sexpot.- The Globe and Mail (Toronto)
- Posted Nov 30, 2011
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Reviewed by
Liam Lacey
Ezra Miller's sneering, absurdly precocious evil-child performance makes him just another bad-seed horror villain.- The Globe and Mail (Toronto)
- Posted Nov 29, 2011
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Reviewed by
Liam Lacey
With elements of "A Star Is Born" and "Singing in the Rain," The Artist is a rarity, an ingenious crowd-pleaser.- The Globe and Mail (Toronto)
- Posted Nov 23, 2011
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Reviewed by
Rick Groen
For the kids, the action is always lively and, for the rest of us, the dialogue has a witty and even caustic edge.- The Globe and Mail (Toronto)
- Posted Nov 23, 2011
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Reviewed by
Rick Groen
The Muppet charm, always more at home within the intimate frame of a TV set, is gone here.- The Globe and Mail (Toronto)
- Posted Nov 23, 2011
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Reviewed by
Liam Lacey
As well as an engaging fable about a homeless orphan living in a train station, Scorsese's film is a richly illustrated lesson in cinema history and the best argument for 3-D since James Cameron's "Avatar."- The Globe and Mail (Toronto)
- Posted Nov 23, 2011
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Reviewed by
Jennie Punter
Pitt and Damon deliver the best lines (wisecracks about the food chain, predators and evolution, etc.) but their characters also represent most of us.- The Globe and Mail (Toronto)
- Posted Nov 18, 2011
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Reviewed by
Liam Lacey
It's the most jumbled and tonally confused movie yet.- The Globe and Mail (Toronto)
- Posted Nov 18, 2011
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- The Globe and Mail (Toronto)
- Posted Nov 13, 2011
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