The A.V. Club's Scores

For 10,413 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10413 movie reviews
  1. Hartnett and co-star Scarlett Johansson--that most fatale of current filmic femmes--are naturals for this kind of noir-hued material, but the pairing of Ellroy and De Palma proves a marriage made in hardboiled heaven.
  2. It's a shallow, treacly movie for children too little to question its many pointless puerilities. But do kids that young really belong in a theater? Keep 'em at home and wait for this to hit cable.
  3. None of their stories are particularly resonant, but the film is really about a grand social experiment gone right, and it succeeds well enough on that front, even while it isn't that convincing in the particulars.
  4. Unfortunately, nothing about Tony Goldwyn's vapid, navel-gazing, claustrophobic adaptation of a 2001 Italian film rings remotely true.
  5. Anyone who's been closely involved with a wedding knows exactly how these beleaguered schmucks feel. Those who haven't may just take Confetti as a lighthearted but convincing argument for elopement.
  6. Foulkrod's film covers little new ground, but some painful truths are worth repeating.
  7. The film boasts compelling performances--from Bruckner, and especially from Stephen Dillane as a wildly pragmatic money-man who radiates well-deserved cynicism. But Bloom is the giant void at the center of the film, and his laughable histrionics pull Haven firmly into camp territory.
  8. There's precious little of Lennon's legendary crankiness on display in The U.S. Vs. John Lennon, a fawning hagiography that diligently shaves away the ex-Beatle's rough edges and knotty idiosyncrasies.
  9. Keeping Mum never really gets going, and it inches to the finish line like a narcoleptic turtle.
  10. The film ends with Franken contemplating a run for U.S. Senate, but it's clear that his political campaign began long ago.
  11. Like Affleck's performance, Hollywoodland has its affecting moments. But generally it feels like an HBO original movie, where respectable but uninspired execution mars a fascinating subject and great cast.
  12. Delivers a steady stream of cheap B-movie thrills, plus two positive messages for young people: Be nice to animals, and when in doubt, always aim for the tendons.
    • 19 Metascore
    • 33 Critic Score
    Okay, so it isn't challenging. There are worse things for a horror-thriller about supernatural high-schoolers to not be. Like not scary. Or not thrilling. Or not as entertaining as an episode of "Charmed."
  13. Theirs is a well-worn story that may not need to be told, but they do tell it well.
  14. In the end, the film belongs to Baye, a veteran French actress who handles the part with toughness and vulnerability without overselling either facet of her character.
  15. Quietly heartbreaking.
  16. Still, after an hour and a half of exquisite photography and mushy action, audiences may well ask the unspoken question that plays across the faces of the Rolling Family clan right before the closing credits. Was it worth it?
  17. Country Music Television's answer to "Elizabethtown."
  18. Its a stupid thrill for a while, but the high wears off, and the anything-goes approach gets headache-inducing.
  19. Crossover doesn't have the competence to make it exciting or the desire to explore what's really at stake for these players.
  20. Turns a cultishly creepy classic into a dull and windy farce.
  21. Writer-director Charles Sturridge doesn't mess with the Lassie formula--he provides plenty of dog-porn shots of the collie bounding through scenery in slow motion--but the overqualified cast puts the film over the top.
  22. Burns has continued to cram one-dimensional characters into thinly plotted comedy-dramas, hoping to re-impress moviegoers with his aloof leading-man charm and faux-natural, trying-too-hard-to-be-funny dialogue.
  23. Bujalski's brand of stylized dialogue sounds genuinely fly-on-the-wall.
  24. Zhang Yimou is a master of intimate character pieces.
  25. It thoroughly eviscerates the MPAA and makes a solid case that the culture has paid the price for its censorious practices. His (Dick's) attacks are the equivalent of shooting ducks in a barrel, but these ducks had it coming.
  26. There's a good chance that Judge's smartly lowbrow Idiocracy will be mistaken for what it's satirizing, but good satire always runs the risk -- of being misunderestimated.
  27. Random silliness rules the day, but the gags are frequently surprising.
  28. Idlewild boasts too much personality around the edges--especially in Terrence Howard and Macy Gray's scene-stealing turns--and not enough at its center. It's a vehicle for OutKast's music and personality in which the music and lead roles feel like afterthoughts.
  29. There's no great art to Fried Worms' simple, family-friendly style and obvious clichés, but there's a refreshing lack of x-treme attitude, slapstick violence, and all the other things that make most kids' movies feel like they were generated by a marketing committee.

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