The A.V. Club's Scores

For 10,413 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10413 movie reviews
  1. When victims and their families talk about having their lives wrecked by a sexually abusive priest in the forceful documentary Deliver Us From Evil, that destruction is as much spiritual as psychological.
  2. Ultimately, the problem with Infamous isn't that it revisits Capote's turf--it's that it does the same things well, and leaves the same unsatisfying holes.
  3. It's no "trip through the dark to appreciate the light." It's a nightmare from start to finish.
  4. All the nudity in Zerophilia is either prosthetic or body-doubled. Which means the sex scenes--and the feeling and meaning behind them--are just as phony.
  5. Rourke's hammy, eyeliner-enhanced acting alone almost makes Alex Rider worth a look.
  6. The movie captures the way scientists sometimes make breakthroughs simply by attempting the impossible.
  7. When a director of Scorsese's caliber is working at the top of his game, it's a reminder of why we go to the movies in the first place.
  8. Decades removed from his dreamy Kelly in the "Bad News Bears" movies, Haley pulls off the remarkable feat of bringing childlike vulnerability to his character while still suggesting ungodly menace.
  9. A symptom of cinematic de-evolution run amok.
  10. It's really gory and really dull. Mostly just dull.
  11. While all the "Up" films hold a fascination akin to a Christmas letter from an almost-forgotten friend, 42 Up didn't show much progress from "35 Up." Even fans of the series had to wonder whether the faces of England were going to remain permanently frozen.
  12. There's been a proliferation of "globalization sucks" documentaries over the past couple of years, but few have been as blunt as Black Gold.
  13. Developed by Mitchell and the actors, the characters don't always seem consistent from moment to moment, but a sharp sense of humor and comfortable performances by a committed and--it must be said--remarkably limber cast help smooth over the rough edges.
  14. Mirren begins the film having her portrait painted, looking every inch the monarch and proud to play the part. By the end, she's let the pressure of one week, and maybe a lifetime, show in her eyes.
  15. Tries tremendously hard to win audiences over with manly derring-do, exciting action, and impossible-obstacles-overcome uplift. And it's undeniably compelling for minutes at a time
  16. No one makes it out of this laughless mess unscathed.
  17. As usual, Thornton remains fully committed to the performance. Viewers could make a game of scanning his face for even the slightest hint of warmth. By the end of the film, that may be the surest source of entertainment.
  18. The film feels like an earnest retread over old territory, albeit one that intermittently comes to life thanks to an amazing cast, expressive cinematography by French master Eric Gautier (Irma Vep), and Montiel's obviously heartfelt sentiments.
  19. The documentary dashes any lingering hope that Pixies would ever record a new album, even though it makes no definitive statement to that effect.
  20. The Last King Of Scotland makes a stronger case when it's demonstrating how opulent power-lunches corrupt absolutely.
  21. The movie's more damnable problem is it irrelevance.
  22. There's something almost perversely old-fashioned about Flyboys.
    • 66 Metascore
    • 75 Critic Score
    Some movies simply shouldn't be seen sober or alone.
  23. It's as subtle as a spinning kick, but some films aren't built for subtlety.
  24. Gulager shows that he truly is PGL's most gifted alumnus.
  25. Why do Ewing and Grady feel the need to tip their hand by underscoring it all with creepy ambient music or by using Air America host Mike Papantonio as a Greek Chorus expressing the voice of reason?
  26. A raucous, relevant documentary, capturing the mood of the times and the participants' best anecdotes.
  27. An indie version of Gondry's "Eternal Sunshine of the Spotless Mind," albeit with none of the star power, a quarter of the budget, half the angst, and twice the charm.
  28. Some kind of wonderment.
  29. Old Joy doesn't try for too much, but its subtle victories leave plenty to savor.

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