The A.V. Club's Scores

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For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,571 out of 10414
  2. Mixed: 3,736 out of 10414
  3. Negative: 1,107 out of 10414
10414 movie reviews
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  1. Fuck
    The movie doesn't add much to the culture wars, beyond histrionics from a lot of people who take their causes too f*cking seriously.
  2. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
    In choosing cheap gags over incisive cultural commentary, Borat scores more as scatology than satire, but it's easy to overlook its ramshackle nature in light of the explosive laughter.
  3. Flushed Away
    As with the Wallace & Gromit films, most of the fun is in the deft characterizations, the zippy banter, and the joyous sight gags.
  4. The Santa Clause 3: The Escape Clause
    There must be some solid marketing reason for putting out a Christmas movie before the jack o'lanterns have begun to rot, but if so, it's elusive. Couldn't this lump of coal have waited another month?
  5. Volver
    Almodóvar is still one of the few directors worth watching just for how he uses color on the screen. But the pleasures have always run much deeper, and now they run deeper still.
  6. Commune
    It's fascinating to see how the Black Bears got onto their current path, but we don't see enough of the journey.
  7. Unknown
    Unknown manages a hat trick by making its march toward the climax so tedious and unlikely that it unravels even as it gets off the ground.
  8. Romántico
    There's nothing extraordinary about mariachi singer Carmelo Muñiz Sánchez, and nothing extraordinary about Mark Becker's documentary profile Romántico.
  9. Babel
    When the best part of the movie is when no one's talking and the anguish relents, it says something. It says that Iñárritu is a great director in need of a screenwriter who has more than one card to play.
  10. Catch a Fire
    The problem with Tim Robbins' dreadful turn as a South African "anti-terrorist" official in Catch A Fire--and it was also a problem with his sniveling Bill Gates impersonation in "Antitrust"--is that he can't hide his distaste for his own character.
  11. Saw III
    Saw III may be the best of the trilogy; hopefully, it'll encourage its makers to wrap the franchise on a relatively high note.
  12. Climates
    Though Climates lacks "Distant's" haunted, poetic melancholy, it has a vivid, sensual texture that's unmistakably Ceylan's. He's one of those rare directors who doesn't need a credit for identification.
  13. Shut Up & Sing
    Maines' big mouth and winning candor got her into trouble, but Shut Up & Sing suffers from filmmakers who are intent on playing it safe.
  14. Death of a President
    Many of its fiercest detractors may be surprised to find that it's a far more sobering piece of speculative fiction than they might have imagined.
  15. Cocaine Cowboys
    Ultimately, Cocaine Cowboys' lesson isn't that crime doesn't pay, but that it maybe pays too well.
  16. The Bridge
    The Bridge packs a visceral emotional wallop. How could it not? But along with plenty of difficult questions, Steel's film leaves a sour, disturbing aftertaste.
  17. The Wild Blue Yonder
    The Wild Blue Yonder has a small message to deliver about the importance of ecological conservation, but mostly, it's an excuse to cut together mesmerizing undersea and outer-space photography while a hypnotic soundtrack drones on.
  18. Exit: The Right to Die
    In the wrenching final scene, the concept of "dying with dignity" becomes much more than just a catchphrase used to justify a controversial practice.
  19. Marie Antoinette
    It's a daring move, focusing on the isolated splendor and interior dramas, and letting the politics remain at most a distant rumble; Coppola deserves credit for offering a different, and probably truer, perspective on life as a royal. But the perspective rarely lends itself to compelling filmmaking.
  20. Running with Scissors
    The surreality is distancing, but authentic, believable performances and a low-key affect keep Running From Scissors from turning shrill.
  21. Flags of Our Fathers
    What begins as a sophisticated meditation on the meaning of heroism gradually slumps into leaden repetition in the second half, as the point gets watered down and belabored. After such provocative beginnings, the film finally, dutifully raises its hand in salute.
  22. Flicka
    Give Flicka credit for one thing: It stays on message. Set against the gorgeous backdrop of a Wyoming mountain range--a view this time unobstructed by the gay cowboys who so alarm family audiences--the film offers up fantasy footage for every strong-willed girl who ever straddled a saddle, and little more.
  23. The Prestige
    For all its surface dazzle, The Prestige shares with this year's earlier "The Illusionist" a certain core hollowness. Maybe that's a natural consequence of even the best magic shows: You can't help but feel duped.
  24. Jonestown: The Life and Death of Peoples Temple
    While Jonestown lacks the power of revelation, it's a first-rate piece of journalism, as fascinating and thorough as any magazine article.
  25. Requiem
    Though its heroine's mysterious seizures and blackouts are terrifying in the way they undermine her quest for self-determination, Requiem isn't a horror movie so much as a thwarted coming-of-age story, like "Carrie" without the bloody reckoning.
  26. 51 Birch Street
    The joys of watching a man carry out his own therapy onscreen are fairly limited.
  27. Justice
    Because Justice is from the Wiseman school of documentaries, there's no narration and people don't share their thoughts with the camera, which means the movie can come off as a little hollow.
  28. The Grudge 2
    While the film deserves some credit for creating and sustaining a creepy atmosphere, it doesn't matter much when the plot doesn't go anywhere, and here, it winds toward the most arbitrary, nonsensical final scene in recent memory. But, hey, they're ghosts. They can do some pretty crazy shit.
  29. Man of the Year
    If there's anything sadder than a satire without teeth, it's a thriller without thrills. Even sadder is the rare movie that fails at both genres simultaneously. That, and that alone, makes Man Of The Year exceptional.
  30. The Marine
    While The Marine proves a poor showcase for the charisma-impaired Cena, it's a terrific vehicle for world-class heavy Patrick, who is clearly enjoying himself as the kind of deranged lunatic who interrupts a long string of felonies to confirm the details of his new cable package.
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