The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. The glacially beautiful new documentary March Of The Penguins confirms that no computer-animated or hand-drawn penguin could ever match the curious majesty of the genuine article.
  2. Flowers Of Shanghai is concerned with the commodification of sex and its hurtful consequences, but Hou leaves the perversion and beatings off-screen. What remains is a succession of tableaux so vividly realized in purely cinematic terms that the emotions seem to waft from the screen like smoke.
  3. The 33-year-old Koreeda, who began his career in documentary, has a gift for observing life as it's lived, accumulating simple, seemingly banal scenes into an unforgettable reflection on the frustration and helplessness of trying to explain the ineffable.
  4. Though it certainly has faults, which only the extremely nostalgic could ignore, the film bests its contemporaries through its ability to unite childlike comedy and adult concerns without ever obscuring one with the other.
  5. Jarmusch's superb Down By Law can be described as many things–a minimalist fairytale, a modern twist on '30s prison dramas, an existential comedy–but it's memorable first and foremost as a richly textured look at old New Orleans and the enchanted bayou surrounding it.
  6. Exuding nobility, modesty, and down-home wit, Henry Fonda assumes the iconic top hat as America’s 16th president in Young Mr. Lincoln. Far from a traditional decades-spanning biopic, John Ford’s drama instead provides a snapshot of a moment in Lincoln’s life.
    • The A.V. Club
  7. A celebration of brotherly love in the form of a documentary about a possible mercy killing. It explores, with mercy and compassion, the paradoxes inherent to the concept of mercy killing, a crime of love rather than hate.
    • 77 Metascore
    • 90 Critic Score
    Though screenwriter David Mamet writes some chewy lines, director Sidney Lumet balances out any pulpiness with a somber mood, making sparing use of the musical score and creating a Boston awash in brown, beige, and gray.
  8. Ubiquitous screen presence Steve Buscemi makes an impressive writing/directing debut in this depiction of small-town alcoholism.
  9. Stacy Keach engages in highway warfare in Road Games, an Australian thriller that drums up suspense from its assured plotting and direction, and generates humor from its star’s charismatic lead performance...Taut all the way through to its well-staged finale, it’s a superior genre import—and one that also features, in Quid’s silent travel partner Boswell, the finest big-screen performance ever by a dingo.
  10. In spite of the three-and-a-half-hour running time and the stark southwestern landscapes, Giant studies little moments more intently than monumental ones, and dwells in drawing rooms as much as on the range.
  11. Like the best sports films, The Hustler makes the game look exciting even to outsiders, but Rossen's film is ultimately about a more universal subject than impossible breaks and the heavy spin of masse shots. Adapting Walter Tevis' novel, Rossen made a morality tale without the moralizing.
  12. Falk and Rowlands—in performances of almost indescribable intensity—detail a marriage anchored by love, but tossed by the expectations of others and the unpredictable swell of madness.
  13. It’s haunting and beautiful at times, surprisingly playful at others, and like all great movies about magic, it has more than a few tricks up its sleeve.
  14. A star in every genre, Stanwyck epitomized both the steely femme fatale (Double Indemnity) and the heartbreaking melodramatic heroine (Stella Dallas), but her performance in The Lady Eve was the only one to showcase her full range of ability. Her line readings sparkle with ruthless intelligence and wit, but she's also capable of surprising openness and vulnerability.
  15. Robert Altman’s most overlooked gem.
  16. Nearly 50 years since it premiered, Klute still offers relevant feminist considerations about what it means to want to be an object of desire while also lashing out against the people and the patriarchal system that only values you as such.
  17. Through a miracle of timing, Davis landed the lead role in Gillian Armstrong's assured debut feature My Brilliant Career fresh out of performance school, and it's impossible to imagine anyone else playing the part.
    • 70 Metascore
    • 90 Critic Score
    With its bittersweet romance and air of tragic empowerment, Now, Voyager represents the pinnacle of the woman's picture.
  18. The film is a true torchbearer of the French New Wave—playful, restless, full of invention, and born of an overwhelming discontent for the status quo.
    • 77 Metascore
    • 90 Critic Score
    Majidi masterfully balances the serious subtext with entertaining vignettes.
  19. One of the first and still among the best of the '30s screwball comedies, My Man Godfrey serves up absurdist romance and light social commentary in a fizzy mix that benefits from director Gregory La Cava's willingness to indulge improvisation, a trait he acquired from friend and frequent collaborator W.C. Fields.
  20. Quintessential noir.
  21. Far from muting the satire, Renoir's hearty characterization complicates it and gives it life, which is rare among broadsides at the bourgeoisie.
  22. Gripping action and vulnerable heroes writ large. It boldly goes somewhere different and makes it hard to leave the film not hoping for a return voyage soon.
  23. Crazy Heart could use more rough edges, but while it’s a little too sentimental and tidy, Bridges’ humane, deeply empathetic lead performance makes it easy to root for one man’s redemption.
  24. In a real sort of way, Gilliam IS Parnassus, carrying his tatterdemalion show forward from year to year and trying to get people to pay attention, and the mingled sense of bitterness and hope in his story makes this whole crazed fantasy into something far more real.
  25. It’s not always easy to sort out the legitimately inspired touches from the merely campy ones, but the film has a deranged, go-for-broke spirit that makes such distinctions irrelevant.
  26. District 9 fuses science fiction mayhem and biting social commentary as well as any film since "Starship Troopers." It’s the rare alien invasion story that has the aliens running scared.
  27. Disney’s triumphant return to hand-drawn 2-D animation still holds an awful lot of familiar, comfort-food charm.

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