The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. Svankmajer's nihilistic story isn't for everyone, but he skillfully manages its disturbing execution in ways no one else could, and he brings it across in a darkly comedic way that encourages simultaneous laughter, horror, and thought. If that isn't art, what is?
  2. Zhang Yimou is a master of intimate character pieces.
  3. It thoroughly eviscerates the MPAA and makes a solid case that the culture has paid the price for its censorious practices. His (Dick's) attacks are the equivalent of shooting ducks in a barrel, but these ducks had it coming.
  4. Anyone who's been closely involved with a wedding knows exactly how these beleaguered schmucks feel. Those who haven't may just take Confetti as a lighthearted but convincing argument for elopement.
  5. Developed by Mitchell and the actors, the characters don't always seem consistent from moment to moment, but a sharp sense of humor and comfortable performances by a committed and--it must be said--remarkably limber cast help smooth over the rough edges.
  6. While all the "Up" films hold a fascination akin to a Christmas letter from an almost-forgotten friend, 42 Up didn't show much progress from "35 Up." Even fans of the series had to wonder whether the faces of England were going to remain permanently frozen.
  7. The surreality is distancing, but authentic, believable performances and a low-key affect keep Running From Scissors from turning shrill.
  8. While Jonestown lacks the power of revelation, it's a first-rate piece of journalism, as fascinating and thorough as any magazine article.
  9. In choosing cheap gags over incisive cultural commentary, Borat scores more as scatology than satire, but it's easy to overlook its ramshackle nature in light of the explosive laughter.
  10. Though Climates lacks "Distant's" haunted, poetic melancholy, it has a vivid, sensual texture that's unmistakably Ceylan's. He's one of those rare directors who doesn't need a credit for identification.
  11. Ultimately, Cocaine Cowboys' lesson isn't that crime doesn't pay, but that it maybe pays too well.
  12. As with the Wallace & Gromit films, most of the fun is in the deft characterizations, the zippy banter, and the joyous sight gags.
  13. Viewers not attuned to his (Aronofsky's) heartfelt, bombastic Richard Wagner-by-way-of-"2001: A Space Odyssey" lyricism might be better off looking elsewhere. But they'll never see anything else quite like it.
  14. With a few self-conscious exceptions, Soderbergh makes an earnest attempt to return to that place and time in both history and American filmmaking, and his risk-taking pays fascinating dividends.
  15. O'Toole is frail and probably won't make many more movies. So Venus is pitched partly as a fond farewell to a beloved artist, and his whole beautiful generation.
  16. This is Csupo's feature directorial debut, but as creator, producer, and writer of "Rugrats" and "The Wild Thornberrys," among several other series, he's had a long career in animation, and he handles the CGI setpieces masterfully.
  17. A beautifully observed coming-of-age story.
  18. A little too neat, and self-consciously vague at the end. But it's fascinating to observe and try to interpret François' mysterious smile as she eyes her boss.
  19. The Lookout's thriller elements could stand to be more surprising, but they're ultimately in service of a better understanding of the characters. Usually, it's the other way around.
  20. Meet The Robinsons takes a large step toward making 3D a sustainable format, the CinemaScope of tomorrow.
  21. Like the best of its forebears, Grindhouse contains thrills to keep viewers in their seats, plus moments to think about on the ride home, which will probably seem unusually fraught with peril.
  22. It's an accomplished potboiler entertainment, as calculated and clever as the stories Irving spins to stay afloat in the growing sea of his own lies.
  23. If modern art-lovers want to understand what the Jack Smith experience was like, Jordan's documentary may be their best chance.
  24. Begins by living up to its fans' rabid expectations, and ends by justifying skeptics' doubts. In between lie roughly equivalent levels of tedium and hilarity.
  25. A film so joyfully insane that it feels like Kon is overcompensating.
  26. The pleasure here, as before, comes from watching skilled professionals team up for a job well done.
  27. Like a lot of folk tales, Ten Canoes peters out into something more prosaic than profound, but it flows like water, and has a deceptively gentle pull that proves hard to escape.
    • 77 Metascore
    • 83 Critic Score
    Their bond lends this more or less conventional POW escape film resounding emotional depth.
  28. Time could almost be written off as misogynistic, except that it's so specific about its rage. It's almost as though Kim was so fed up with having the same argument with his girlfriend, all he could do was make a movie.
  29. Though the filmmaking is pedestrian, The Camden 28's timeless truths come through with resounding power.

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