The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. Beyond giving a human face to Uganda's crises, Kiarostami attempts to capture the actual place, a swirl of contradictions as vibrant and beautiful as it is troubled.
  2. Stillman's arch, clever dialogue is as strong as ever, and he conveys in every frame a genuine affection for his characters, however insipid their actions may be at times. These gifts make it easy to forgive Stillman's tendency to let his story meander, especially in Disco's second half.
  3. Works both as a great romance and a great, unconventional crime thriller. But step back from such distinctions, and it just looks like a great movie.
  4. Seasoned with amusing bits of fantasy, like a pizza topping that briefly curls into a smile, Friday Night captures the city at its most inviting, alive with the feeling that wonderful things can happen to ordinary people.
  5. With their third film, the Polish brothers find their authorial voice, resulting in a lyrical work whose free-floating Lynchian weirdness coalesces into an unexpectedly touching movie.
    • 76 Metascore
    • 90 Critic Score
    What's truly remarkable about Smoke Signals is the depth of the narrative, a touching tale of self-discovery.
  6. There are moments when Velvet Goldmine threatens to collapse under the weight of writer/director Todd Haynes' (Poison, Safe) ambition. But, sometimes amazingly, it doesn't, becoming in the process one of the year's freshest, most exciting films.
  7. Smart in a rare way that matters greatly to good contemporary comedy: Like last year's "Flirting With Disaster," its script and direction underplay absurd situations, letting its characters amuse without showing the strains of forced wackiness.
  8. Riveting, eye-opening issue film.
  9. The Dardennes sustain that tension through a masterful closing drive that resembles the final third of "In The Bedroom," only without the same dreadful inevitability.
  10. A hilarious and unexpectedly profound comedy.
    • 78 Metascore
    • 90 Critic Score
    An astoundingly moving and elegiac meditation on life, love, music, and the bonds of blood.
    • 72 Metascore
    • 90 Critic Score
    Pi
    Aronofsky's ability to capture the rush and confusion of racing down a timeline toward infinity, only to suddenly slam into a dead end, makes for impressive and occasionally disturbing stuff.
  11. Revisits the past with an eye on the present and future, hoping as McNamara does that his "lessons" are instructive and might keep history from repeating itself.
  12. A viscerally punishing study of repression and masochism, carried out with the utmost discretion and chilling reserve.
  13. Finds the right balance between reverence and wit.
    • 69 Metascore
    • 90 Critic Score
    One of the funniest movies of the year, but you may need to shower afterwards.
  14. So much fun that its considerable worth as history and sociology seems almost incidental.
  15. Finely crafted, tense, scary thriller from start to finish.
  16. Thoroughly realized characters and relationships and Solondz's masterful ability to switch the tone from comic to tragic within the same scene help make Happiness a better film than it might have been otherwise. Much better, in fact.
    • 65 Metascore
    • 90 Critic Score
    With solid, stately acting, and landscapes that could convert atheists, The Horse Whisperer tugs heartstrings without seeming self-conscious.
  17. Despite years of imitators, sequels (some great, some not so), and edited-for-television broadcasts, Alien has lost none of its power, and the big screen only intensifies its impact.
  18. Provides one of the rare glimpses of the upper class to come out of recent Iranian cinema--the last one in memory was 1996's exquisite, Ibsen-esque melodrama "Leila"--and director Jafar Panahi (The Circle) captures it vividly through his hero's wounded obsession.
  19. Minimizes music and effects, relying on artful, informative screen titles to explain the action and letting the action explain the rest.
  20. Lee at his best, a virtuoso piece of filmmaking that's stylish, substantial, and rich in detail.
  21. Driven by Dominique's personal magnetism, The Agronomist is a haunting, inspirational valentine to free speech and human resilience.
  22. Mann takes all the instincts he learned as a Miami Vice producer and trims them of their excesses, and the result is an unsettling thriller whose detached style perfectly complements its psychological intensity.
  23. The Manchurian Candidate tweaks our collective fear that the enemy looks exactly like us in much the same way that the original Invasion Of The Body Snatchers does, but with a political doomsday scenario foregrounded rather than (as in Siegel’s film) merely implied.
  24. An inspired, original, and gracefully integrated collaboration of theater and cinema that complements not only both forms, but also the seductive, dreamlike qualities of the source material.
  25. Edited with an impeccable sense of timing and rhythm, with each new revelation and insight planted at just the right moment, Bus 174 examines an already gripping story from a moving and untold perspective.

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