Bigger and better perfectly fits for River City Girls 2, that manages to improve what the previous entry achieved.

Despite being eye-catching with its amazing art direction, Aka doesn't manage to captivate the player and it feels more like a mix of not-deep-enough gameplay mechanics.

Despite some good ideas, Soccer Story fails to deliver in some of its design choices, feeling like a first but deeply improvable step.

In Nightmare is the embodiment of a good story dragged down in a pit of really bad gameplay ideas.

To break a curse placed upon her, a young girl must venture into the haunted streets of her town at night to search for her lost memories while evading the twisted spirits that lurk in the darkness.

Despite being often repetitive, High On Life manages to impress with off-the-wall humor from the creator of Rick and Morty.

Crossfire: Legion tries not so hard to find its own way for the heart of RTS' fans, but despite being a fully enjoyable game, it lacks personality in basically everything. You can have fun with its campaign and online modes - if you can stand the annoying pathfinding that will plague your army – but it's hard to imagine Legion being remembered in the long run.

Blacktail mixes folklore and an original story in a compelling way, offering an interesting experience despite something lacking in its core gameplay.

The graphics sector does not magically become something-other than what it was, but the game performs well both in Ray-Tracing and in Performance, allowing you to experience the adventure to the fullest of the possibilities offered by today's technologies, without rebuilding it from scratch.

Smurfs Kart does too little to make you fall in love with it and, despite some details that Smurfs' fans will surely notice, it doesn't manage to offer enough to make you feel entertained for long.

Arkanoid is a legend that never dies, but its take on the battle royale formula is plagued by some inconsistencies that make the game not as compelling as it could have been.

Dragon Quest Treasures builds on the legacy of old Dragon Quest Monsters titles, making exploration and treasure hunting the pillars of its gameplay. It's a solid effort for youg player and a celebration of the 30-year franchise it belongs to, but also too simplistic and easy for long time fans of the series.

Need for Speed Unbound is a good mix of cartoon characters, graffiti and frantic racing, but nothing more.

Despite some balancing problems that simplify the game difficulty, Crisis Core: Final Fantasy 7 - Reunion is a work of love that respects the original game and its unforgettable story.

Sovereign is not the next big entry in the grand strategy horizon and it isn't even trying to be: simpler and more approachable than most of its rivals, the game feels a bit hasty in some of its core mechanics and in recreating the historical context, but it's enjoyable nonetheless.

We have tons of roguelites on the market right now, but Ship of Fools manages to feel unique in its own way.

The Callisto Protocol is the best start for a new survival horror series to date. Schofield, Papoutsis and the other veterans at Striking Distance Studios have managed to create a new nightmare with a very bright future ahead.

Independent narrative adventure game Goodbye World makes an attempt to address significant issues like friendship, the struggles of youth, and the issues facing the video game industry, but without fully succeeding. The game's limited and very brief gameplay fails to pique the player's interest in the subjects it covers, despite having attractive pixel art graphics and a minigame within the game itself.

Marvel's Midnight Suns is a successful experiment: mixing up both Marvel's worlds and a soul that comes directly from X-COM, the game manages to offer a layered and smart gameplay that, even if we can't say that everything is always at the right place and at the right pace, works and entertains amazingly.

It's a pity that Square Enix and Forever Entertainment had both settled for a (too) faithful remake of a game that was fascinating and difficult but also unbalanced and often unfair. Little things like new menus, new tutorials and a slew of QOL options could have made this a much better game overall. The way it is now, it's only recommended to hardcore long-time fans.

Just Dance 2023 is a two-faced production: on one hand, it's hard to not appreciate what's becoming a new beginning for the series. On the other, removing so many features that were in the previous chapters will certainly disappoint some fans.

The Chant is an interesting first step for Brass Token studio.

A delightful take to the stories of all the dogs that are in the history of the conquest of Space.

Even if it's far from perfect, The Entropy Centre is an interesting experience and its puzzles are satisfying.

Evil West doesn't even try to reinvent the wheel, but is pretty enjoyable although some technical flaws that we hope will be fixed in the coming weeks.

Despite having to adapt to Switch, as it comes from VR devices, Aftermath Collection is a short but interesting experience and we wish that the developers may have the chance to work further on this idea in a new episode, in the coming future.

The Dark Pictures Anthology: The Devil in Me is the season finale that tries to make forget the ups and down of the series. This time around pays homage to the great slasher movies of early eighties, but the story is too weak and the gameplay limitations hold back the developer's ambitions.

Scarlett and Violett, in all their hicupps and issues, try to do something new for the franchise. We can't definitely say that they are good at everything they do (not at all) and they still run pretty bad on Nintendo Switch, but some of their ideas are way more entertaining than what we saw in Sword and Shield. And, maybe, in Sun and Moon, too.