It's a pity that Square Enix and Forever Entertainment had both settled for a (too) faithful remake of a game that was fascinating and difficult but also unbalanced and often unfair. Little things like new menus, new tutorials and a slew of QOL options could have made this a much better game overall. The way it is now, it's only recommended to hardcore long-time fans.

Just Dance 2023 is a two-faced production: on one hand, it's hard to not appreciate what's becoming a new beginning for the series. On the other, removing so many features that were in the previous chapters will certainly disappoint some fans.

The Chant is an interesting first step for Brass Token studio.

A delightful take to the stories of all the dogs that are in the history of the conquest of Space.

Even if it's far from perfect, The Entropy Centre is an interesting experience and its puzzles are satisfying.

Evil West doesn't even try to reinvent the wheel, but is pretty enjoyable although some technical flaws that we hope will be fixed in the coming weeks.

Despite having to adapt to Switch, as it comes from VR devices, Aftermath Collection is a short but interesting experience and we wish that the developers may have the chance to work further on this idea in a new episode, in the coming future.

The Dark Pictures Anthology: The Devil in Me is the season finale that tries to make forget the ups and down of the series. This time around pays homage to the great slasher movies of early eighties, but the story is too weak and the gameplay limitations hold back the developer's ambitions.

Scarlett and Violett, in all their hicupps and issues, try to do something new for the franchise. We can't definitely say that they are good at everything they do (not at all) and they still run pretty bad on Nintendo Switch, but some of their ideas are way more entertaining than what we saw in Sword and Shield. And, maybe, in Sun and Moon, too.

Scarlett and Violett, in all their hicupps and issues, try to do something new for the franchise. We can't definitely say that they are good at everything they do (not at all) and they still run pretty bad on Nintendo Switch, but some of their ideas are way more entertaining than what we saw in Sword and Shield. And, maybe, in Sun and Moon, too.

Goat Simulator 3 makes no prisoners and comes out as a fun and non-stop parody of modern open world games. Some of its ideas are way better than others and it lacks that sense of surprise that we got with the first game, but it delivers on its mission to make you laugh again and again.

Floodland is an interesting post-apocalyptic city-building experience, but it lacks depths in some of its core mechanics.

Unlike Limbo and Inside, Somerville looks like an experimental and unfinished project with a confused story and many gameplay hiccups.

Harvestella is more than the sum of its parts, but it tries to merge some different gameplay souls into one nonetheless, resulting in a lack of depth in any of these.

Even if it's not a particularly ambitious production, Pentiment is a small gem that shows all the love for the late Middle Ages and its art in every single aspect.

The Last Hero of Nostalgaia pays homage to soulslike genre while telling a funny story with a lot of good irony. Nonetheless, the overall quality is too low for a demanding genre wit too many good games.

Despite it could have had more free songs (you have to pay a subscription to unlock the game's full potential), Rhythm Festival still manages to be enjoyable and extremely fun.

MementoMori has some interesting ideas, but its story is not strong enough to keep you captivate in its world.

One of the two kings is back (the other one being Final Fantasy Tactics), and it is in a wonderful shape even eleven years after its last appearance. We're not 100% sure this is the best version of this classic, but it's a version no strategy fan should miss nonetheless.

Bannerlord is a layered experience, even played on console, despite some flaws with its controls.

A Little to the Left is a cozy puzzle game which is a true gem to see, even if some puzzle are way more brilliant than others.

Sonic Frontiers is the best Sonic 3D game to date.

Deathverse: Let it Die takes a different approach on battle royales, but how this will work in the long period (and how much it will be supported by the developers) still remains to be seen.

Call of Duty: Modern Warfare 2 is the usual well crafted FPS, but it could just have been an update for the previous entry. It has a new campaign, but some of its moment are way more worrying than intriguing, at best.

Football Manager 2023 is a solid iteration of one of the most beloved sim franchises on the market. It's addictive as usual, it adds some welcomed new features and an extra layer of strategy and official licenses. Now all that remains is to fix the abnormal injury rate and we're done.

God of War: Ragnarok is one of the best games of the year and simply one of the biggest evolution for the action-adventure genre to date.

It's definitely not Mario Kart (but neither Crash Team Racing, for that matter), but Nickelodeon Kart Racers 3 Slime Speedway is enjoyable for Nicktoons' fans.

Monorail Stories is an interesting adventure about ordinary lives that can always get extraordinarily entwined.