For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Carson Lund
The film isn't really fooling anyone into feeling doom-laden suspense (Paris, after all, is still standing), but the principal performers sell the momentousness of the drama.- Slant Magazine
- Posted Oct 16, 2014
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Andrew Schenker
It not only makes for riveting cinematic drama (all the more impressive given that it relies so heavily on recounted words rather than illustrated actions), but for first-rate muckraking.- Slant Magazine
- Posted Jun 28, 2011
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Much more than a punk artifact, Smithereens is a landmark that showcases how the urge of self-creation and the seduction of reveling in self-destruction dance side by side.- Slant Magazine
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Reviewed by
Nick McCarthy
It's buoyant and titillates, striking that distinctly Ozonian balance between the beautiful and the sinister, but it doesn't resonate.- Slant Magazine
- Posted Apr 17, 2013
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Just before the documentary slips into hero worship, Amy Scott pries beneath the calm surface of her bearded and bespectacled subject to reveal the silent rage that fueled his work.- Slant Magazine
- Posted Aug 31, 2018
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Reviewed by
Jeremiah Kipp
Strong performances and a fiery aggressive tone keep things moving, but A Face in the Crowd is dated and not particularly deep.- Slant Magazine
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Oleg Ivanov
The film affectively defends food critic Jonathan Gold's assertion that it's ultimately cooking that makes us human.- Slant Magazine
- Posted Mar 7, 2016
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Andrew Schenker
One is left wondering what exactly the now moldy "anything is possible" sentiments of our 44th president have to do with a music whose history and cultural meaning we've just spent the last two hours not learning nearly enough about.- Slant Magazine
- Posted May 30, 2011
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Reviewed by
Oscar Moralde
The foreclosure of possibilities provided by the use of the long take assists in the indictment of chauvinism and patriarchal brutality that underpin, directly and indirectly, many moments in the film.- Slant Magazine
- Posted Jan 6, 2014
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- Slant Magazine
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Reviewed by
Derek Smith
There’s enough sardonic humor to keep the proceedings edgy enough, but it’s hard not to wish that the filmmakers would’ve taken a cue from their eponymous villain and really pushed things past the boundaries of good taste.- Slant Magazine
- Posted Jan 4, 2023
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Carson Lund
The film undermines the unity of its characterizations, redirecting into garish phantasmagoria.- Slant Magazine
- Posted Nov 19, 2016
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Harsh punishments are dished out in a way that jolts the material away from coming-of-age cliché.- Slant Magazine
- Posted Jun 6, 2016
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Reviewed by
Rocco T. Thompson
Though Mickey 17 can feel like a mixtape of Bong’s greatest hits, it may actually be his most refined and articulate anti-capitalistic critique to date.- Slant Magazine
- Posted Mar 5, 2025
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Reviewed by
Chris Barsanti
Without Margo Martindale, the film would be a sharp and tightly constructed nautical noir. With her, it becomes a memorable one.- Slant Magazine
- Posted Mar 18, 2020
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Reviewed by
Carson Lund
Happy End reveals itself as something vacuous and cold, a bizarrely seductive pseudo-thriller lacking a thoroughly worked-out payoff.- Slant Magazine
- Posted Dec 21, 2017
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Reviewed by
Derek Smith
Throughout, Remi Weekes forcefully, resonantly ties the film’s terror to the inner turmoil of his characters.- Slant Magazine
- Posted Oct 26, 2020
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Reviewed by
Keith Watson
The film dispenses with sensationalism, engaging with Chris Burden's most notorious work on its own terms.- Slant Magazine
- Posted May 1, 2017
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Clayton Dillard
A work of arduous assemblage that values information over affect and zip over conviction in its ramshackle historicizing of Apple CEO Steve Jobs.- Slant Magazine
- Posted Aug 31, 2015
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Reviewed by
Jeremiah Kipp
It becomes a bleak comic spit into the face of organized religion, organized society, and even organized narrative.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Carson Lund
Stephen Cone's Princess Cyd is distinguished by a dramatic complexity that would seem to run counter to its remarkably even-tempered tone.- Slant Magazine
- Posted Nov 3, 2017
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Oleg Ivanov
In the sly exchanges between the teenage protagonists and their elders, the film reflects a nation's shifting tides.- Slant Magazine
- Posted Apr 2, 2018
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Chuck Bowen
One wishes that S. Craig Zahler had more explicitly faced the cultural demons lingering within his premise, attempting to exorcise them.- Slant Magazine
- Posted Oct 19, 2015
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Reviewed by
Kenji Fujishima
Laura Poitras doesn't indulge in score-settling cheap shots, but seriously grapples with her contradictory subject.- Slant Magazine
- Posted May 1, 2017
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Reviewed by
Wes Greene
The sobering quality that informs both the documentary's aesthetic and content largely suppresses any spontaneity or much-needed moments of levity.- Slant Magazine
- Posted Jan 5, 2015
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Reviewed by
Chuck Bowen
Steven Soderbergh’s signature formal gamesmanship enlivens what could have been a stodgy scenario.- Slant Magazine
- Posted Dec 3, 2020
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Amy Nicholson's documentary feels warm and fuzzy about its subject, but at the same time depersonalized.- Slant Magazine
- Posted Aug 6, 2013
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Reviewed by
Jeremiah Kipp
What makes Phantasm special is the way it captures a boy's life in 1978. [Remastered]- Slant Magazine
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Reviewed by
Glenn Heath Jr.
The film is ripe with powerful subtext, specifically how greed, celebrity, and technology help to form a misguided sense of opportunity that keeps the working class downtrodden.- Slant Magazine
- Posted Feb 3, 2014
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