Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The film revives Friday’s spirit while bringing its own flavor, and taking the current state of the world into full account.
  2. The Adults affectingly captures the uniquely American ennui provoked by the banalities of a hometown and the lost utopia of childhood.
  3. The film is much more in synchrony with the haziness of its imagery when it preserves the awkwardness between characters, the impossibility for anything other than life’s basic staples to be exchanged.
  4. Sunao Katabuchi displays a vivid, shattering awareness of how domestic routines can spiritually ground one during a time of demoralizing chaos.
  5. The film is too tepid in its treatment of its central character and her situation to generate any real emotive charge.
    • 73 Metascore
    • 63 Critic Score
    An involving documentary that doesn't offer a convincing argument against solitary confinement for those who may not fully realize what's objectionable about it.
  6. The ubiquitously involved star’s charisma can’t completely overshadow a sluggish plot... Nonetheless, its hard-charging chase sequences make it a vintage Dukes of Hazzard-flavored noir.
    • Slant Magazine
    • 73 Metascore
    • 63 Critic Score
    Todd Haynes’s film intermittently hits upon a few original ways of representing its ripped-from-the-headlines mandate.
  7. A boldly conceived assemblage of diverse and seemingly random fictional materials, Athina Rachel Tsangari's Attenberg is concerned with nothing less than those hardy perennials: sex, death, and modernity. And coming of age a little too late.
  8. This chronicle of two athletes throwing baseball's funkiest, least respected pitch is given depth by their stranger-than-fiction underdog status and camaraderie with mentors who've had the same struggles.
  9. A time-jumping narrative that’s rooted inside the linear temporal unfoldings of a pre-determined trial, Breaker Morant is like a conventional bloke in art—house clothing—but oh, what garb he has.
  10. The documentary dives down the rabbit hole to chillingly, comprehensively expose how algorithms can perpetuate bias in often unforeseen and unjust ways.
  11. The Dig clearly relishes in having found so many fascinating real people arriving at one place at once.
  12. The film is a rebellion of surfaces that never quite reaches, or emanates from, the underpinning roots of its fable.
    • 73 Metascore
    • 63 Critic Score
    It's likely, then, that the film was directed by Susanne Rostock the same way Belfonte's new memoir, My Song, was written with Vanity Fair's Michael Shnayerson: to articulate, polish, and edit what the vociferous and at times alarmingly honest Belfonte wants to tell us without injuring his credibility outside of the left any further.
    • 73 Metascore
    • 50 Critic Score
    Simply put, the documentary is full of cool talking heads pontificating rather than taking physical action.
  13. The film abounds in guilt and grief, reveling in a general sense of hopelessly broken social connection.
  14. Steve Hoover's documentary affords one an unusually intimate glance at the collapsed infrastructure of the former Soviet Union.
  15. The film is at its most moving in those rare moments when it’s capturing the nourishing bonding ritual among a deaf family.
  16. The film is filled with a subtextual nostalgia for a fleeting youth and the urgency of figuring things out before it’s too late.
    • 72 Metascore
    • 75 Critic Score
    While he may indulge in the occasional programmatic jump scare, writer-director Clément Cogitore ultimately heaves his debut feature closer to the realm of psychological terror, understanding that there's nothing more frightening or darker than the human mind.
  17. Bros is ultimately let down by its pat perspectives on modern romance and social justice.
  18. Doesn't waste a moment on recognizable reality, consumed as it is with checking off various items from its list of clichés.
  19. Francis Lee’s compulsion to make Mary Anning stand in for something broader than herself keeps tripping up the film.
  20. The film is empathetic toward and clear-eyed about its young characters, even if the drama it constructs around them tends toward the superficial.
  21. The film is a resonant depiction of the gaping holes left by Jeff Buckley’s untimely death.
  22. A maddeningly blunt and syrupy rendering of a piquant socio-economic configuration, Park Bong-Nam's Iron Crows is ultimately third-world documentary filmmaking at its most exploitatively surface-groping.
  23. There are little moments of blackhearted comedy among the bloodshed, but through it all, The Last Stop in Yuma County makes sure that those gunshots resonate.
  24. Ziad Doueiri's film is well acted and staged with periodic liveliness, but its earnestness grows wearying.
  25. The film has the ethereal feel of a half-remembered, mostly pleasant dream.

Top Trailers