Slant Magazine's Scores

For 7,788 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7788 movie reviews
  1. Arco is a children’s adventure set in world that’s literally on fire, which makes the moments of childlike wonder and connection all the more endearing and vital.
  2. LifeHack is consistently intriguing for the conflicting emotions with which it looks back on its chosen moment in tech and time, characterized by cutthroat scamming and cynicism, as well as empowerment and camaraderie for the young and quick-witted.
  3. A pageantry of pseudo-art poses, a self-consciously cool reorientation of the western as silly symphony.
  4. The suggestion that Ted Hall’s actions were that of simple and pure heroism leaves Steve James’s documentary in tension with the more nuanced view that Hall seemed to have of himself.
  5. Pablo Larraín employs ultra-widescreen cinematography for constricting close-ups and inhospitably alienating compositions that generate a nasty chill, the director keeping the army's brutality off screen to amplify a sense of oppressive malevolence.
  6. For long stretches in its first two acts, Lynn Shelton's film is distinguished by a disarming sense of freedom and spontaneity.
  7. A deeply unnerving film about the indissoluble, somehow archaic bond between self and family—one more psychologically robust than Aster’s similarly themed Hereditary. And it’s also very funny.
    • 72 Metascore
    • 75 Critic Score
    As far as swan songs go, Jean-Pierre Melville's Un Flic is a fascinatingly garbled tune that teems with formal inconsistencies and yet still manages to carry a pained melody.
  8. There's literally no way to miss the memo that It's All So Quiet is about dealing with the encroachment of death, as it's there in every scene.
  9. Koyaanisqatsi is enraged with modern societal convention, but still expresses awe of the spontaneous, incidental poetry that can exist despite invisible oppression.
  10. This supernatural fable elevates the subtext of Bryan Bertino’s earlier work to the level of text.
  11. J.A. Bayona rarely lets his images speak for themselves, which is frustrating given his obvious gift for poetic, almost surreal succinctness.
  12. Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.
  13. To dismantle the mythologies of maternity, Lynne Ramsay's tool of choice is the sledgehammer rather than the scalpel.
  14. This is a finely observed and good-natured piece of work that carries some of the creative angst of Bradley Cooper’s other films but without the need to convince us of its main character’s genius.
  15. Shame articulates a shallow, even mundane, understanding of an uninteresting man's sex addiction-in a vibrant city rendered dull and anonymous.
  16. Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson's Doctor Strange.
  17. Watcher gives a feminist twist to a throwback genre, but never does its topicality dilute its gripping suspense.
  18. Throughout the film, James Gunn renders the half-grim, half-absurdist nature of the Suicide Squad with delightfully bloody abandon.
    • 72 Metascore
    • 75 Critic Score
    The Northern Thailand pastoral settings are so refreshing and mesmerizing that they alone can provide the movie's raison d'être.
  19. It showcases a genuine fascination with the mind/body split engendered by Skyping, online dating, and constant app usage through a plot that doesn't fuel itself on received wisdom.
  20. Amanda Peet finds layers of shading in what could have been a dull and simplistic role.
  21. As with most Hong Sang-soo films, it engages in intellectual gamesmanship while courting emotional pathos.
  22. A preoccupation with the totemic materiality of cinema runs through Michael Almereyda’s documentary.
  23. The film at first plays like a refresher and throwback to Hayao Miyazaki's Kiki's Delivery Service, before revealing itself to be less minimal than minor.
  24. Terri, a generously spirited dramedy in the high-school-misfit genre (indie division), finds director Azazel Jacobs taking a calling-card approach to his second feature.
  25. The film puts too many elements into play, which means it ends up darting hopelessly between a series of underdeveloped storylines.
  26. The film ascribes to a conventionally contrapuntal take on the lives of those who spend all day surrounded by death.
  27. Daylight reaches an apex of terror that it never quite tops.
  28. Léonor Serraille’s Mother and Son is a lovely film about feminine strength that also refuses to glorify motherhood.

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