Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The film's larger purpose, be it about the ardor of handmade crafts or artist Tom Sachs's artistic ambitions, never emerges with any consistent focus.
  2. It's an exercise in joviality, unflinching in its love for Joan Didion, and unwilling to be much more.
  3. A well-intentioned story of an impoverished father searching for his missing child is muddled by an ambitious sociological agenda in Richie Mehta's film.
  4. The film buzzes with hand-drawn creativity that's precious in both the pop-cultural and material senses.
  5. The film’s visceral pleasures often work at cross purposes with the cerebral message of the manifestos.
  6. The slightly dour tone is the perfect backdrop for the director to skillfully weave together his varied narrative strands in a surprisingly entertaining medley.
  7. Marc Bauder's documentary quietly detonates the conservative notion that our largest corporations should be allowed to duke it out in metaphorical no-holds-barred cage matches.
  8. Finding the drama and humor in everyday situations like these isn't easy, but Avedisian makes it look as natural as swinging on a vine.
  9. Throughout the film, one wishes for a bit more depth regarding Jessica's professional struggles.
  10. Although João Moreira Salles tries to tap into the pleasurable elements inherent to the essayistic as a cinematic form, such as making the merging of intimate and social reality poetically visible, his storylines never quite gel.
  11. These shorts capture everything from how fear of the unknown can rewire relationships to the natural world exerts its pull on us all.
    • 72 Metascore
    • 88 Critic Score
    The film is a pulpy phantasmagoria of fear and desire, offering visions of queer ecstasy within the confines of multiple prisons.
  12. The film shares with Crimes of the Future an alternately intrigued and critical fascination with the ways technology encroaches on humanity, and a paranoid interest in rooting out underlying conspiracies.
  13. To get to the primal thrill of racing, Iwaisawa Kenji uses just about every technique at his disposal.
  14. This is a rare War on Terror military exposé, one almost exclusively interested in the hearts and minds of low-ranking soldiers.
  15. Sweet Virginia doesn’t have much of a point, as its characters are reductive variables in an inevitable equation of carnage.
  16. Through to the end, you can’t get off on the thrill of this film’s craftsmanship without also getting off on the spectacle of more than just Cecilia brought to the brink of destruction. Like its style, The Invisible Man’s cruelty is the point.
  17. The film stands apart for thoughtfully suggesting that Batman might actually one day make Gotham a better place, and not merely a safer one
  18. The film has a raw immediacy that can only be achieved when most cinematic excesses have been eliminated.
  19. The film all leads to a melodramatic climax that wraps up the main character's explosive acting out in a too-neat package.
  20. What sets Undefeated apart from the usual underdog sports story is how the filmmakers emphasize the importance of mentorship as something separate from on-the-field interactions between coach and player.
  21. Sylvio's banal depictions of everyday loneliness through the diurnal tedium of an anthropomorphic animal brings to mind BoJack Horseman, but without the caustic navel-gazing and self-destruction or the mordant pop-culture musings.
  22. Smashed touches on the awkward perversity that often comes from seemingly pure emotions and intentions, and turns a noticeable, if slightly analytical, eye toward the selfish hurt and narcissistic projections inflicted by the perceived moral hierarchy against recovering addicts.
    • 71 Metascore
    • 88 Critic Score
    With eerie atmosphere to spare, and an emphasis on communal terrors and long-buried secrets, this surprisingly wistful film hews closer to folk horror, suggesting Robin Hardy’s The Wicker Man by way of Willard Huyck and Gloria Katz’s Messiah of Evil.
  23. Sebastián Silva never indulges platitude, and so the qualified hope of the film’s ending isn’t merely affirming but also miraculous.
  24. Perhaps the first important film about street hoops, even if the overall product struggles from a lack of focus.
  25. Between their wildly different bodies of work, a shared appeal emerges: to stop, look, listen, and consider not just what's in front of you, but also where it came from and where it might be going.
  26. A strange and intoxicating indie constructed as a series of vignettes that capture two children grappling with the overlap of trauma and nostalgia.
  27. A Bolañesque waking nightmare, the film insists that we come to terms with it rather than straightforwardly enjoy it.
  28. Derek Jarman's footage speaks to the freedoms afforded by the combination of a darkened dance floor and like-minded people.

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