For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Sam C. Mac
Throughout, director Justin Kurzel's stagey pretensions clash with each of his aesthetic choices.- Slant Magazine
- Posted Nov 29, 2015
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Reviewed by
Jake Cole
In its own way, the film is as suitable a final work as a culminating magnum opus.- Slant Magazine
- Posted Oct 1, 2023
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Kenji Fujishima
Brendan J. Byrne's documentary about Bobby Sands colors its familiar formal lines with welcome intelligence.- Slant Magazine
- Posted Nov 27, 2016
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Nick Schager
O'Conner continues to exhibit a deft knack for melding interpersonal drama with athletic competition in ways that, despite his tales' clichés, earn their melodramatic manipulations through genuine empathy for characters' plights.- Slant Magazine
- Posted Sep 4, 2011
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Reviewed by
Steven Scaife
Subtlety dissipates as Justin Chon’s film grasps for something louder and more obvious.- Slant Magazine
- Posted Sep 3, 2019
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Jesse Cataldo
The lack of real analysis or consideration leaves this perilously close to a Goldilocks-style depiction of privileged female indecision.- Slant Magazine
- Posted Apr 26, 2015
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R. Kurt Osenlund
The funny thing about the movie isn't its failure-to-launch humor, but the weird mess of life that rushes in despite it.- Slant Magazine
- Posted Aug 21, 2012
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Reviewed by
Chuck Bowen
While the film lacks the feverish, autocritical neuroses of Hitchcock’s mid- and late-period masterpieces, it often superbly plumbs notions of guilt and vulnerability, all the while cheekily satirizing Scotland Yard as a swayable arbiter of justice.- Slant Magazine
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Reviewed by
William Repass
The film’s aesthetic, understandably fused with its protagonist’s dogged can-do attitude, is both the source and limitation of its power.- Slant Magazine
- Posted May 11, 2021
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Keith Watson
It combines the brooding intensity of a slow-burn thriller with the high-flown ornamentation of a gothic melodrama.- Slant Magazine
- Posted May 15, 2017
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Clayton Dillard
Like Shohei Imamura, Argentinian writer-director Gaston Solnicki can be understood as a cinematic "entomologist."- Slant Magazine
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Keith Watson
The film gets at the profound truth that our relationship with another person is, at its core, a collection of shared memories.- Slant Magazine
- Posted Feb 2, 2021
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Reviewed by
Carson Lund
It sticks firmly to a Kerouac-lite immersion into young love rather than a more provocative portrait of the hazards inherent to modern urban life.- Slant Magazine
- Posted May 11, 2015
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Christopher Gray
Ingrid Goes West recalls Fear and Single White Female — two films right in the sweet spot of mid-'90s nostalgia that Ingrid's peers love to recall — but is more indebted to Alexander Payne's social comedies, which dwell in the backwash of the American dream.- Slant Magazine
- Posted Aug 5, 2017
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Reviewed by
Gregory Nussen
The Breaking Ice is fixated on intense in-between states that work to separate people from each other and from themselves, as if to say self-acceptance and love aren’t destinations so much as journeys, at once formidable and worthwhile.- Slant Magazine
- Posted Jan 16, 2024
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Reviewed by
Kenji Fujishima
Rocky's journey of self-realization undoubtedly has a universal resonance to it that intermittently yields poignant and inspiring moments. But where are the poor Indian kids in all of this?- Slant Magazine
- Posted Oct 14, 2013
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Reviewed by
Chris Barsanti
The film is a quietly gutting ode to Paris’s resilience in the post-Bataclan era.- Slant Magazine
- Posted Mar 3, 2023
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Reviewed by
Keith Watson
The film rarely presents a clear analysis of Ruth Bader Ginsburg's victories, reducing her work to empty slogans.- Slant Magazine
- Posted Apr 30, 2018
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Reviewed by
Ed Gonzalez
Polanski brilliantly evokes an evil society’s almost supernatural ability to recognize weakness in others and to punish all that is good.- Slant Magazine
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Rob Humanick
A modestly charming bit of whimsy that hopes to speak to anyone who experienced a sense of emotional injustice during their formative years.- Slant Magazine
- Posted Jul 2, 2012
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Reviewed by
Diego Semerene
Despite the exuberance of the works featured, which are promptly flattened by the film's commitment to a traditional documentary blueprint, Yayoi Kusama's resilience still commands our attention.- Slant Magazine
- Posted Sep 4, 2018
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Reviewed by
Ed Gonzalez
The film's sustainment of its corkscrew tension is so elegant and methodical as to feel dance-like.- Slant Magazine
- Posted Aug 21, 2016
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Reviewed by
Jake Cole
There's a blank space at the core of Molly's Game that the protagonist cannot fill, unable as she is to represent anything beyond her esoteric narrative of unorthodox self-actualization.- Slant Magazine
- Posted Sep 10, 2017
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Reviewed by
Tomas Hachard
It seems too enamored with the seductive notion of an honorable criminal, too ready to take Bulger's justifications as actual indications of his relative innocence.- Slant Magazine
- Posted Jun 25, 2014
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Reviewed by
Chuck Bowen
The transcendence that the film offers isn't to be taken lightly considering the near impossibility of living professionally as an artist.- Slant Magazine
- Posted May 4, 2015
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Reviewed by
Derek Smith
Emmanuel Gras resists pitying or sentimentalizing his main subject, or exalting him merely for his resilience in the face of such a harsh, uncaring reality.- Slant Magazine
- Posted Mar 22, 2018
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Reviewed by
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Reviewed by
Steven Scaife
The film bottles a palpable emotion of unabashed joy, even when the rest of it seems to barely hold together.- Slant Magazine
- Posted Aug 14, 2019
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- Critic Score
Like its protagonist, the film sells out for the security of convention and complacency.- Slant Magazine
- Posted Oct 10, 2012
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Reviewed by
Jake Cole
Biopics ascribe titanic importance to a subject's every gesture, but Ferrara stresses the reality of creation, of its ordinary activities that nonetheless give an artist a sense of fulfillment.- Slant Magazine
- Posted Oct 20, 2015
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Reviewed by
Josh Wise
This isn't a film about surfing so much as one about riding a wave that must eventually break and recede.- Slant Magazine
- Posted May 29, 2018
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Reviewed by